Artist Bio
My work explores the intersection of geometry, landscape, and society, reflecting on networks, globalization, and the built environment. Using geometric forms as fundamental building blocks, I construct compositions that function as fractions of a whole—fragments that, when assembled, form an independent entity. This process mirrors the way individuals, memories, and structures come together to shape our world.
While geometry serves as my primary visual language, I also create landscape sketches where architecture and nature emerge through abstraction. These landscapes are not mere representations but rather conceptual spaces, suggesting the presence of systems, histories, and evolving structures. They embody the tension between order and organic growth, permanence and impermanence.
Recent projects have expanded my engagement with materiality and media. In Πρωτοσέλιδο 1, I worked with newspaper strips to create an image that, much like media narratives, was fragmented, vague, and open to interpretation. The piece drew inspiration from the New Realism movement, exploring how layers of information can shape or distort reality. In Πρωτοσέλιδο 2, I am considering the transformation of a rug into an artwork, incorporating geometric interventions and textual elements to challenge perceptions of material and message.
Beyond my artistic practice, I work with children who have visual impairments and multiple disabilities, leading a workshop in aesthetic education. This experience continuously reshapes my understanding of perception, space, and artistic communication, reinforcing the importance of multi-sensory engagement and alternative ways of seeing.
Through my work, I seek to construct a dialogue between structure and fluidity, clarity and ambiguity, control and chance. Whether through geometric abstraction, landscape-inspired sketches, or material experimentation, my aim is to reveal the underlying patterns that connect places, people, and ideas.