My expressions are not confined to recognizable imagery. I relish the freedom to respond intuitively to the evolving canvas, letting the creative process unfold organically. I try to create paintings that are provocative and attract closer inspection.
Sometimes, my internal reflections spark an idea. Other times, it’s the world around me. I prefer that everyone who sees my paintings discovers what resonates with them about my work. I have no intention of dictating how my art is interpreted.
I use a range of acrylic painting techniques to infuse my work with a compelling sense of color, depth, and movement. I start with a visual idea, then imagine the order in which the paint will be applied to the canvas. I use brushes, spatulas, and even my hands. I pour paint freely, splashing or dripping color onto the canvas.
I hope to create a dynamic and textured visual experience by making thick layers of paint in some areas and thin ones in others.
My work is the result of years of education, artistic contemplation, confidence, and experience. I majored in fine arts at Rhode Island College, but no one mentioned how difficult it would be to live comfortably by painting. I later returned to school to major in computer science as a way of supporting myself and my painting habit.
One of my most notable achievements is a collaboration with jazz saxophonist Sophie Faught. Every song in the “Three Muses” collection was composed for one of my paintings. I enjoy the unique convergence of artistic minds exploring how music and the visual arts intertwine.
