Lynn Rodriguez

Artist Bio

Lynn Rodriguez is a Houston-based visual artist whose practice is rooted in a lifelong dialogue between science and nature, analysis and intuition. Raised in the desert landscapes of West Texas, she grew up immersed in the stillness and scale of the natural world—its rhythmic patterns, star-filled skies, and quiet mysteries. These formative experiences shaped not only her visual sensibility but her deep reverence for the interdependent systems that govern life.

Although creatively inclined from an early age, Lynn initially pursued a career in the sciences, earning a BS in Mathematics from the University of Houston and spending 29 years as a geophysicist in the Energy sector. Throughout that time, she also raised three children and navigated the complex terrain of professional and personal growth. Yet the analytical rigor of her scientific background never dulled her creative curiosity—it simply reframed it.

Now working full time as a visual artist, Lynn’s practice is an exploration of the thresholds between observation and imagination. Self-taught, she brings a research-driven mindset to her process, often working in watercolor, mixed media, and illustration. Her paintings reflect a fascination with scale, depicting both microscopic structures and sweeping natural forms. Through this duality, she invites viewers to consider the layered complexity of the world and the often-invisible forces that shape it.

Her aesthetic leans toward abstraction with strong expressionist undertones, and she is particularly interested in how scientific perspectives can inform emotional and visual understanding. Whether mapping the patterns of leaves or interpreting geological forms, Lynn’s work is a meditation on perception, transformation, and the poetics of structure.

Equally committed to community and environmental stewardship, Lynn is an active volunteer with the Harris County Master Gardeners and Texas Master Naturalists. Her advocacy for native plants, birds, and pollinators deeply informs both her subject matter and her environmental ethos. She also serves with the Watercolor Art Society–Houston (WAS-H), where she directed the 48th International Watermedia Exhibition and regularly participates in plein air sessions, classes, and instruction.

Lynn Rodriguez’s work embodies a rare synthesis of empirical knowledge and artistic sensitivity, offering viewers a nuanced lens through which to contemplate the interconnectedness of life. Her art serves as both inquiry and reflection—a practice shaped by decades of observation, care, and continuous rediscovery.

Artist Website

Artist Statement

My artwork explores the complex and often hidden systems of the natural world through a dialogue between science and visual poetry. Working primarily in watercolor and mixed media, I investigate the micro and macro patterns that structure life, from cellular forms to migratory pathways, translating them into layered, expressive compositions.

With a background in geophysics and a deep engagement in environmental stewardship, I approach my practice with both analytical precision and intuitive openness. The scientific lens through which I view the world informs the way I construct visual narratives, often revealing connections between scale, structure, and ecological interdependence.

A signature aspect of my process involves the use of pearlescent and metallic paints on black paper. This choice is both aesthetic and symbolic—light emerging from darkness, structure surfacing from the void. The luminous surfaces these materials create allow me to evoke the brilliance of natural phenomena that are often overlooked: the iridescence of an insect wing, the shimmer of minerals beneath the earth, or the glint of a bird in motion. The black paper offers a space where contrast becomes content, and subtle shifts in tone can suggest vast atmospheric or biological transitions.

Many of my pieces begin with an image or question drawn from the field—pollinator behavior, native plant systems, or migratory bird patterns—subjects I often engage with through my volunteer work with the Texas Master Naturalists and Harris County Master Gardeners. My compositions evolve through layering, transparency, and sometimes abstraction, allowing organic forms to emerge gradually, much like scientific discovery itself.

Recurring themes in my work include transformation, resilience, and interconnection. Whether I’m exploring butterfly migration in Where Butterflies Go at Night or communal behavior in Purple Martin Migration—Working Together, my goal is to make visible the invisible—to honor both the elegance and fragility of the systems we depend on.

Through this practice, I hope to invite viewers into a meditative engagement with the natural world—one that is as intellectually curious as it is emotionally resonant. In a time of ecological uncertainty, art can offer both reflection and restoration, connecting us to the rhythms of life that persist all around us.