Solo

Paul Pinzarrone studied classical piano, biology, and chemistry. He explored playing the keyboard in various rock & roll bands, playing piano for musicals, singers, and dancers, and also worked as an orderly in a trauma center emergency room and surgery. He studied art history and painting at the University of Illinois, earning a BFA in Painting with Highest Honors. Graduate work was done in painting and drawing at Northern Illinois University and the University of Wisconsin.

Paul taught drawing and design at Rockford and Rock Valley Colleges and exhibited at juried contests and galleries in Chicago, Miami, Louisville, Muskegon MI, Ohio, and New Orleans. Exhibitions include the Art Institute Biennial, Butler Institute of American Art, Gilman Gallery, Horwich Gallery, Union League Juried, and Zhou B Art Center [Chicago].

Earlier work included photography, acrylic, and airbrushed lacquer constructions on Plexiglas. Matching the process to the imagery, Pinzarrone pushed the science-fiction look of spraying bronzing powders with acrylic lacquers for an inaccessible, reflective presentation. Film photography transitioned to digital and airbrush turned into an electronic version with Photoshop and other painting methods. To be “art”, Pinzarrone contends that it must be a new…. new version of a Vermeer or Michelangelo or Titian using digital photos, photoshop, and fractal software, printed on Plexiglas or aluminum. It must have a new look, using new materials, presenting a new approach to how great masters saw life.

Current work includes numerous texture-free digital layers, photographic manipulation, and a high gloss machined-looking flat piece. The viewer tries to solve puzzles of why the figures are emotionless and passive, all expressions have been wiped away with most wrinkles and blemishes. The figure’s skin is Pinzarrone’s canvas now, drawing from Titian and other master themes and poses. Tensions are explored to pull the viewer to wonder if it is a photograph or a fabricated reality. Craftsmanship counts.

This work is a study of how nature and power rhyme. It is a study of candy-colored puzzles displayed on high gloss aluminum or plexiglass and metallic paper. The viewer is drawn in to feel comforted yet disturbed, pulled towards the work but paused at the detachment. All are invited in to play and explore…. and wonder if these are mirrors, this science fiction, some other-worldly situation, or nightly dreams.

Process Remark:
This work is digital…. I use Flame and Amber software, fractal software for patterns, painting software for digital airbrush & air erasure, and digital photography to show you my world. Images are built up using transparent layers. After they are compressed, I wrap them around figures and build up additional transparent layers. The figure skin is my canvas presented as though photographs of tattoos, painted figures, or something else. Darker pieces are printed on high gloss aluminum while higher color work is printed on metallic film and bonded to the reverse side of clear plexiglass.

Sometimes Yellow

Freedom is a universal need that resonates deeply with all of us. It encompasses the freedom of speech, the liberty to embrace our true selves, and the empowerment to create from our innermost being.

Ori Gjyli’s, abstract art is born from this longing for liberty. In 2020, amidst a period of isolation, Ori found solace and liberation in the creation of her abstract pieces. With an MFA in Graphics Arts, she made the transition from traditional, precision-based art to a more soul-stirring form of expression.

Driven by a longing to experience the freedom and the euphoria that nature evokes, surrounded by a myriad of colors, her expressive canvases, composed of layers of acrylic paint, portray a personal journey of imagination, embodying creativity and passion. Each stroke and hue encapsulates her boundless creativity and unwavering passion, offering a glimpse into her inner world.

Currently living in Austin, Texas, and having lived, studied, and traveled in four different countries, Ori Gjyli believes that these cultural experiences have enriched her perspective, fostering a deep appreciation for authenticity and the innate beauty that pervades the world around us.

I have always drawn inspiration from the dynamic visual forces of nature and my surroundings. My artwork reflects the beauty and romance of the world around me, capturing my inner emotions, memories, and history. Whether it is a poem, a song, a heartwarming story, or a breathtaking view, I infuse each with vibrant colors and brushstrokes drawn from my memories and imagination. I strive to convey the physical and emotional beauty of the world through my art. My goal is to create evocative abstract paintings that explore the potential of color and form to evoke sensations of energy, emotion, and authenticity.

Soribashi

Born in Beacon NY, Mark is an artist based in Las Vegas, who is known for his impressionist paintings that capture people, places, and the events in his life. Timeless and tasteful, or modern and messy, images in his life demand to be examined. Mark often uses acrylic paint to create highly textured, three-dimensional works on canvas. A graduate of San Jose State’s art program, Mark’s first influence was his great uncle, Alfred Pizzarelli, an artist from New York City in the 1950s-60s. When admiring his uncle’s wonderful paintings, Mark would daydream about the people he painted, and interpret their expressions and colorful surroundings. Mark’s paintings are meant to burst with energy, life, and texture, beckoning the viewer to engage with the same wonderment he experienced as a child. You can find Mark’s artwork across Las Vegas in restaurants, wineries, and local galleries. When Mark’s not working, he’s spending time with his wife, Alicia, and their English bulldog, Belma.

So many things I think about when I look far away. Things I know, things I wonder, things I’d like to say.

After 20 wonderful years of painting, I decided that it was a perfect time to explore different landscapes. After months of researching different regions, I settled on Nara Park Japan. I found the history and landscapes to be intoxicating.

My artwork is a direct reflection of the different seasons of the park. I like to work in acrylics on canvas to enhance all the emotions and colors that Nara has to offer. I use bright or muted colors to communicate the magic and essence of the ever-changing seasons. Even as I branch out to other mediums or subject matters, I’m always tempted to come back to Nara Park.

If a viewer stops for just a moment to reflect on a piece I have created and feels emotion from the thousands of colors captured on canvas that reflect the different seasons, then I have succeeded in my work.

Soul Purpose

Irina Howard is a New York-based artist whose work explores the complexity of human life experiences. She is internationally recognized for rigorously composed and sublimely musing paintings and sculptures. Her innovative style is inspired by organic forms and textures bridging reality and imagination, giving a physical form to a conceptual idea, and revealing the visible within the invisible.

Howard was born and grew up in Ukraine. As a child, she encountered traumatic events that influenced her to interact with the world through her drawings. Her youth Howard spent in the elite cultural group committed to arts and literature, where she established her lifelong passion for the arts. By lifting the burden off her shoulders, she emerged with the personal belief that the artist has no right to contribute any more pain to a world full of struggle and despair, which kept her in artistic silence for several years. Moving to the United States, exploring different careers, and then heading into a midlife crisis significantly changed her perspectives and led to a creative awakening. Her real-life experiences of grief and hope found reflection in her current series of works. Howard studied fine arts and graduated with honors from the City University of New York and Yale Gordon College of Arts and Sciences.

Irina Howard is a recipient of several awards. Her recent recognitions: “Oscar of Visual Arts” as Top 60 Masters of Contemporary Art in 2022 by Art Tour International Magazine. Her work has been widely published in magazines like Aesthetica, the Art & Culture Magazine, Art Ideal Contemporary Aesthetics Magazine, and art books worldwide, including Important World Artists by Worldwide Artbooks. Her most recent exhibitions are at Art San Diego in California, and Hamptons Fine Art Fair in New York, USA. Her work highlights multiple private collections internationally.

“Patterns of Life” is a black-and-white collection of paintings and sculptures communicating life experiences and human values. The choices we make in life shape our identity and motivate our future behavior. By illustrating both positive and negative outcomes, I encourage the viewer to believe in themselves, be their best, and look for a positive change.

I draw inspiration from organic texture and compose my themes by giving physical form to a conceptual idea, bridging reality and imagination in the form of artistic beauty and revitalizing energy. My fascination with forms and textures takes me on a journey to reveal and interpret their meaning, unique purpose, and beauty in connection to human experiences. The creative use of symbols illustrates visual metaphors and offers insight into an idea or a concept from a different perspective.

My processes combine research, thoughtful, conscious decisions, and spontaneous, intuitive solutions while creating compositions. I realized that abstract style is my best form of artistic expression. It opens doors for curiosity, imagination, interpretation, and the flow of inner emotions. The development stage is very exciting. Lines – help me to create feelings; shapes and forms – to reflect emotions, thoughts, and perception; texture – to reveal experiences; color tones – to add contrast and reinforce the message through design and composition.

My favorite elements are circles and curved lines. I found them simple but, at the same time, very compelling. The circle is a line that never stops, represents “completeness,” and gives a sense of protection, friendship, femineity, community, and perfection. It naturally communicates positive emotions and builds a strong visual identity. In my work, circles often symbolize hope.

My body of work expresses personal experiences, thoughts, spirituality, feelings, and philosophy in life. I always strive to inspire hope and encourage positivity.

Soul, Body, And Deeds

Subodh Maheshwari was born in Aligarh, Uttar Pradesh, North India where she learned folk art and classical music. She passionately believes: “In the threshold of my life, my present is the window to the past and a key to the future”. She acquired her degrees and studied art at Agra University, California State University of Fullerton, and the University of California Irvine. Subodh has won numerous awards, including the Regional Fellowship Award at UCI in 1986, the Bharat Gaurav Award in India in 2015, and the 60 Masters Award in 2017, 2018, and 2019. She is also registered in Marquis’ “Who’s Who in America”, the standard in biographical information. Her paintings have also won awards in a variety of categories including landscape, open, all women, nature, elements, seasons, and abstract.

Subodh is a diversified artist who enjoys telling stories through her artwork, whether it is through landscape, flowers, or abstract art. Her art is a fusion of Eastern symbolism and Western composition, influenced by 16th and 17th century Rajasthani and Mogul art, and accented by poetry, passages, and phrases in Hindi, Sanskrit, and English. She admires Georgia O’Keeffe for her floral influence, and Frida Kahlo for her courage. Whether it is the serene beauty of nature, her spirituality, or the current political climate, she finds inspiration. Having a life shared between India and America, she sees the beautiful similarities, like love which transcends all borders. Highly individual in her style, her works are described as emotional, mysterious, personal, spiritual, and humorous.

Soulmates

I find deep joy in creating art with my hands, using creativity as a way to connect cultures and share stories beyond language.

While studying Chinese in China, I discovered the art of sand painting, a moment that became a turning point in my artistic journey. In 2019, I was honored to receive a Top 10 Award at the Silk Road International Sand Painting Competition. This recognition opened opportunities for me to present my work at cultural events, including the Thai Festival at the Royal Thai Embassy in Beijing and the International Student Festival at my university. Through sand painting, I was able to share Thai culture while embracing cross-cultural exchange, an experience that was later featured by Chinese media.

More recently, a Chinese article documented my artistic journey and described my role as a bridge connecting Eastern and Western cultures. I was deeply grateful and proud to be seen in this way, as I believe everyone can serve as a cultural ambassador for their country.

I also believe that each person can help protect the environment through meaningful actions. This belief inspired me to transform discarded cans into artworks, turning what is considered useless into something meaningful.

For me, recycling is not only an act of love for the Earth, but also a powerful form of artistic expression.

My husband, a lover of energy drinks, often left empty cans behind. Instead of discarding them, I searched for a way to give these overlooked objects new life, which led to the creation of what I call “can decoration art.”

The process is challenging. Each can must be carefully cut into small pieces and assembled one by one. Even more demanding is imagining and designing each section so that every detail has its own unique character while still maintaining harmony in color, despite the limited patterns and shades available on the cans.

I am grateful to have exhibited my work at several art events, including the Art Exhibition in Pasadena (February 2025), the 58th Annual Newport Beach Art Exhibition (June 2025), and the 1st Thai Community of Fine Art Exhibition in Thai Town, Los Angeles (August 2025).

One of my artworks was selected to be featured in the Canadian art magazine Artistonish (October 2025), and another artwork was showcased in the Canadian online exhibition Unity 2025, organized by Gallerium.art (November 2025). I am also honored to have been selected as one of the artists for the Biafarin Awards 2025, held in December 2025.

The greatest joy comes from designing intricate details and hearing viewers say they never imagined cans could become such unique artworks. It fills me with great pride and happiness.

Southern Heat

At 65, after decades of not creating art, Lisa Joy Newcomb reinvented herself as an artist.

Ms Newcomb has been honored with one best-of-show, four first-place awards in photography, a second-place award in abstract photography, and a third-place award. She has had three one-woman shows. One through Artel Gallery, one through the University of Delaware, and now one through HMVC Gallery, New York. Her work has been seen from coast to coast, including several times through the HMVC Gallery in New York and the Las LaGuna Gallery in California. Pictorem, based out of Montreal, Canada, has Lisa as a featured artist. Ms. Newcomb’s work has been seen in public arenas including New York’s Times Square electronic billboards, Montgomery International Airport, the Regions Bank Corporate Gallery in Montgomery, Alabama, the Sanger Theater in Pensacola, Florida, and the Hilton Hotel Pensacola Beach, Florida. Two books have also been presented to Lisa Joy Newcomb. They are: “Nobis II, 2023” and ”Emerald Coast Review, 2023”.

The photographs she creates are abstractions in fluidity, rich in joy and filled with color, pattern, curiosity, and a gentle message. The dance of light that for most of her life she sought in the ocean, she is now looking for in the melding of glass and fabric, with occasional surprise elements. Lisa’s work is usually printed on aluminum using high-definition ChromaLuxe sublimation.

Ms Newcomb’s highest degree is a master’s in social work. Professionally, she worked as a social worker and as a realtor. She was raised in the Mid-Atlantic, experienced her young adulthood in New England and the Midwest, and for the last 28 years, the Deep South has been home with her husband. It was in the Deep South that she raised an interesting, dynamic, kind-hearted daughter. Lisa was a docent sequentially at the Pensacola Museum of Art and the Montgomery Museum of Art for over 17 years. She is currently a national member of Pen Women.

Ms Newcomb’s uplifting work can be seen on her website at Pictorem. You may order there to your specifications.

I create photos as peaceful, playful, healing stimuli while I make observations of humanity and the environment. Drawing upon different objects, I explore melding them into a unified whole. Part of my process is setting up compositions, in the form of an assemblage, visually weaving together beautiful glass, flowing fabric, with vibrant colors and patterns into integrated fluid formations, seeking to reshape light, pattern, and color into a visual oasis. I then tightly crop and photograph. My intent is to transcend and transform objects into images that visually excite while calming the soul, often with a gentle message.

A lifelong passion for art and artists influenced my work. I nod to Miriam Schapiro, a leader in the Pattern and Decoration Movement. Having lived much of my life by the shore, I have always loved the play of light in watery reflections. I am drawn to artists who capture light. Sand Stephen Rolfe Powell’s glass delights me. Mark Rothko believed in the visceral effect of color. He wanted people to have an experience within his pictures. I seek to have my work viscerally effect the viewer.

CromaLuxe high definition images printed on aluminum are my preferred substrate. The reflective surface enhances and enriches the dynamics of the glass used in my imagery. Images can be ordered in small jewel-like prints or large dynamic pieces.

Space & Presence

Irina Howard is a New York-based artist whose work explores the complexity of human life experiences. She is internationally recognized for rigorously composed and sublimely musing paintings and sculptures. Her innovative style is inspired by organic forms and textures bridging reality and imagination, giving a physical form to a conceptual idea, and revealing the visible within the invisible.

Howard was born and grew up in Ukraine. As a child, she encountered traumatic events that influenced her to interact with the world through her drawings. Her youth Howard spent in the elite cultural group committed to arts and literature, where she established her lifelong passion for the arts. By lifting the burden off her shoulders, she emerged with the personal belief that the artist has no right to contribute any more pain to a world full of struggle and despair, which kept her in artistic silence for several years. Moving to the United States, exploring different careers, and then heading into a midlife crisis significantly changed her perspectives and led to a creative awakening. Her real-life experiences of grief and hope found reflection in her current series of works. Howard studied fine arts and graduated with honors from the City University of New York and Yale Gordon College of Arts and Sciences.

Irina Howard is a recipient of several awards. Her recent recognitions: “Oscar of Visual Arts” as Top 60 Masters of Contemporary Art in 2022 by Art Tour International Magazine. Her work has been widely published in magazines like Aesthetica, the Art & Culture Magazine, Art Ideal Contemporary Aesthetics Magazine, and art books worldwide, including Important World Artists by Worldwide Artbooks. Her most recent exhibitions are at Art San Diego in California, and Hamptons Fine Art Fair in New York, USA. Her work highlights multiple private collections internationally.

“Patterns of Life” is a black-and-white collection of paintings and sculptures communicating life experiences and human values. The choices we make in life shape our identity and motivate our future behavior. By illustrating both positive and negative outcomes, I encourage the viewer to believe in themselves, be their best, and look for a positive change.

I draw inspiration from organic texture and compose my themes by giving physical form to a conceptual idea, bridging reality and imagination in the form of artistic beauty and revitalizing energy. My fascination with forms and textures takes me on a journey to reveal and interpret their meaning, unique purpose, and beauty in connection to human experiences. The creative use of symbols illustrates visual metaphors and offers insight into an idea or a concept from a different perspective.

My processes combine research, thoughtful, conscious decisions, and spontaneous, intuitive solutions while creating compositions. I realized that abstract style is my best form of artistic expression. It opens doors for curiosity, imagination, interpretation, and the flow of inner emotions. The development stage is very exciting. Lines – help me to create feelings; shapes and forms – to reflect emotions, thoughts, and perception; texture – to reveal experiences; color tones – to add contrast and reinforce the message through design and composition.

My favorite elements are circles and curved lines. I found them simple but, at the same time, very compelling. The circle is a line that never stops, represents “completeness,” and gives a sense of protection, friendship, femineity, community, and perfection. It naturally communicates positive emotions and builds a strong visual identity. In my work, circles often symbolize hope.

My body of work expresses personal experiences, thoughts, spirituality, feelings, and philosophy in life. I always strive to inspire hope and encourage positivity.

Spatial Geometry #01

For 3 decades, Peter Hriso has worked as an artist and animator in various positions. He is a Professor of Digital Animation and coordinates the MA in Art and Design program at Kennesaw State University. He imparts his knowledge and expertise to students by teaching undergraduate and graduate courses in animation and motion design.

Peter Hriso has been a dedicated artist and animator for more than three decades, holding various positions in the field. He currently serves as a Professor of Digital Animation at Kennesaw State University, where he also coordinates the MA in Art and Design program. Through his teaching of animation and motion design courses at both the undergraduate and graduate levels, Peter shares his wealth of knowledge and expertise with his students.

My work investigates repetition, modularity, and rhythm within digital space, exploring how simple geometric forms can accumulate into complex architectural landscapes. Using 3D animation software, I construct layered systems of blocks and tiles that balance order with subtle irregularities. The interplay of opaque, translucent, and textured surfaces creates shifting patterns of light and depth, transforming static structures into dynamic visual experiences.

These compositions—ranging from stacked translucent panels to painted cubes and soft, fabric-like blocks—highlight the tension between rigidity and softness, as well as uniformity and variation. Each piece becomes a meditation on structure and fragility, evoking both digital precision and tactile materiality. By abstracting architectural and industrial references into playful, modular forms, I invite viewers to reflect on how repetition and variation shape the environments we inhabit, both in reality and in imagination.