Antigua Handicrafts

Karen Safer is an international, award-winning photographic artist and poet with a musical bent. A Los Angeles native, born to creative, scholarly-minded parents who encouraged her world travel (230+ countries/territories visited).

Early on, she was greatly influenced by movies, music, books, and plays, and as a student of art and history, inspired by ancients to moderns – Assyria to Cindy Sherman. She has a bachelor’s/master’s degree in Art from UCLA and California State University. She is a member of the Los Angeles Art Association, IAA-USA, Women United, Praxis Gallery, LACMA, MOCA, IAA-USA, in Who’s Who of Professional Women, ArtTour Magazine (NY), AATOLAU interview, Artist Talk Magazine (UK), Lens Magazine, etc. She was given a camera and crayons at 3 and exposed to/inspired by California motifs: light, trees, the ocean, music, and vernacular architecture that defined/influenced her left-handed aesthetic. She began taking pictures of family and friends, progressing from painting to developing black-and-white photos in college. She was fortunate to begin a life of travel as a teen that shaped her love of the exotic paired with an eye for the formal, accidental, and unusual while subliminally seeking the “beautiful” that jiggles the lens/frame of my eye.

She is featured in magazines, catalogs, and books and exhibited internationally in over 80+ galleries/museums with over 370+ exhibitions from London, Rome, Berlin, Glasgow, Budapest, Athens, Prague, Paris, Barcelona, Florence, Venice, Sao Paulo, from California to New York, winning 360+ First and other awards – most recently: Black & White SPIDER Awards nominee, 21st Julia Margaret Cameron Awards in Abstract and in Architecture categories, Botticelli International Prize in Florence, LA Art Show 2024, 17th Annual Color Awards and soon in Tokyo Metropolitan Museum, Art Expos in Basel and Armenian Modern Art Museum in Yerevan.

“A photographer has the whole world big or small to capture.” – kjs

Influences: I am a student of art, architecture, history, literature, film, and music. I have been heavily influenced by so many sources but here I’ve chosen to highlight art and photography influences from Hopper to Cartier-Bresson and from Atget to Cindy Sherman. So many influences on life from cities to nature to music and art. I love color and all its vibrance while I venerate black and white. I embrace all the many influences that have touched my art and my life deeply.

Anxiety

Born in Copenhagen on November 5, 1973, Jasper is an artist who trained herself from the ground up. As a child, Jasper felt the liberation and delight of creating art. He had experience as both a carpenter and a construction architect. He had returned to painting as an expressive, enjoyable, and freeing activity. He became more well-known for his work in 2018 after joining an art club. Major art galleries all around the world have hosted his exhibitions, such as Zenith Art & Fashion, Miami, USA, VAN GOGH Art Gallery, Madrid, Spain, Capital Culture House, Madrid, Spain. He has been featured at the M.A.D.S Art Gallery, Milan, Italy, Artifact, NY, USA, Artio Gallery, NY, USA, HMVC Gallery New York, NY, USA, World of Crete, Greece, The Holy Art Gallery, London, UK, and ArtSpace Innovations, London, UK. He is featured online on PLOGIX Art Gallery, London, UK, TRiCERA Art Gallery, Tokyo, Japan, Artavita, Santa Barbara, CA, USA, Artifact, NY, USA, HMVC Gallery New York, NY, USA, Singulart, Paris, FR, and Circle Foundation For The Arts, Lyon, FR. He won the coveted International Prize Donatello, Florence, Italy, Top Artists The Protagonists of Contemporary Art, Venice, Italy, Creative Excellence Award 2023, Artistic Excellence Award 2023, Masterful Mind Award 2024, and Honorable Mention Award 2024, Circle Foundation For The Arts, Lyon, FR. A participant in The European Art Guide 21/22, Bellamonti Art, Helsingborg, Sweden, Art Anthology III 2021, Art Anthology VII 2024, Guto Ajayu Culture, Madrid, Spain, Art in America Annual Guide 2023 and 2024, Artifact, NY, USA, Masterful Minds Digital Magazine Vol. 1 and 2, 2024, Circle Foundation For The Arts, Lyon, FR, The Holy Art Gallery Magazine 2024, London, UK. Interviewed in 2024 by Aatonau, Osaka, Japan, and in 2020 by The Magazine of Contemporary Art, The MoCA, LA, USA. He took over the 2020 @10011mag Instagram account for 24 hours, where he shared his personal artworks, experiences, and studio via live stories and posts in NY, USA.

Shapes and colors represent my aspirations, fears, and inner monologues. Instead of praising achievements, I highlight qualities like sweetness, honesty, empathy, and love. My life story is incomplete without love. I came from a world where men are wicked, egotistical, stupid, harsh, and dishonest. Because of them, I transitioned from being a happy, loving person to developing a mental disorder and experiencing feelings of social anxiety and frustration. From a young age forward, this occurrence made me afraid of women. For males, having sex with women is the ultimate fulfillment of their dreams. When love is absent, jealousy and malicious intentions flourish.

I hope that individuals might become more honest, authentic, accepting, loving, and courageous by seeing the parallels between fake looks, living masks, being oneself, and cool performances. The tribal way of life is quite like the loving way of life, yet love promotes harmony, peace, and happiness, and my goal is to bring these things together somehow. I promote liberation, simplicity, tolerance, calm, self-expression, and a love revolution through the iconography of Indigenous people and my sweet, loving artwork. I banish evil and fear, paving the way for love, harmony, and peace so that people are happy and fulfilled in every aspect of their lives.

AOC

When I was in grade school and high school, I did a lot of art. I like to think it offered me an incredible foundation for what would come much later. In high school, I studied under Walt Bartman, doing oil painting primarily. I was accepted into the Maryland College of Art and Design on a figure drawing scholarship program that they offered to high school students when I was 16. After high school, I went on to pursue my other passion — helping people. I’ve spent the last 25 years working as a psychotherapist. Sometime in the middle of all of that, I had kids (twins), and eventually came back to drawing in 2017. What I do now is primarily self-taught, though I do feel my training and education as a child have created an invaluable foundation for my work today. I’ve watched countless hours of slowed-down YouTube videos and tutorials, and have spent thousands of hours drawing, practicing, and improving. It’s been a wonderful and challenging journey, and I’ve loved every minute of it! My goal moving forward is to continue to learn and challenge myself as I transition to art full-time. I feel the next step is to get my name out there to the art world. I have just recently started applying to calls via café, and have been accepted into a small handful of international juried shows. My goal as an artist is the same as my goal as a human — connection. I work to find the place where we all meet; that place where our differences recede, and we can settle in. That’s why I draw, to find that snapshot moment where someone can look at my art and go, Oh, yes. I know that feeling.

My artistic practice centers on portraiture—on drawing out the unseen essence of a subject and translating it through the delicate control of graphite. I explore the quiet power of detail—each mark is an invitation to slow down, to look closer, and to witness what is often overlooked. Every drawing is a form of deep listening, an act of attention that honors the emotional and psychological presence of the individual.

I believe hyperrealism, when pursued with discipline and sensitivity, becomes more than a replication of the visible world—it becomes a mirror, a bridge, and sometimes, a wound made visible. I’m fascinated by the complexity of the human face and the subtle interplay of light, texture, and expression that gives a portrait its emotional charge. As a psychotherapist, I’m naturally attuned to nuance, which shapes my artistic philosophy: that realism can reveal as much about the internal world as the external one. It allows me to build tonal depth slowly, almost sculpturally, honoring the patience, presence, and attention each subject deserves.

My style has evolved over the last eight years to a refined form of realism that balances technical control with expressive intent. I see art as a language, and my goal is to create a sense of atmosphere and feeling. I’m currently exploring new directions, including the integration of charcoal for its expressive depth and contrast.

My goal as an artist is the same as my goal as a human — connection. I work to find the place where we all meet; that place where our differences recede, and we can settle in. That’s why I draw, to find that snapshot moment where someone can look at my art and go, Oh, yes. I know that feeling.

My artistic practice centers on portraiture—on drawing out the unseen essence of a subject and translating it through the delicate control of graphite. I explore the quiet power of detail—each mark is an invitation to slow down, to look closer, and to witness what is often overlooked. Every drawing is a form of deep listening, an act of attention that honors the emotional and psychological presence of the individual.

I believe hyperrealism, when pursued with discipline and sensitivity, becomes more than a replication of the visible world—it becomes a mirror, a bridge, and sometimes, a wound made visible. I’m fascinated by the complexity of the human face and the subtle interplay of light, texture, and expression that gives a portrait its emotional charge. As a psychotherapist, I’m naturally attuned to nuance, which shapes my artistic philosophy: that realism can reveal as much about the internal world as the external one. It allows me to build tonal depth slowly, almost sculpturally, honoring the patience, presence, and attention each subject deserves.

My style has evolved over the last eight years to a refined form of realism that balances technical control with expressive intent. I see art as a language, and my goal is to create a sense of atmosphere and feeling. I’m currently exploring new directions, including the integration of charcoal for its expressive depth and contrast. I’ve just completed my largest piece to date—a graphite portrait measuring three feet tall and two feet wide—which has expanded both my physical and emotional engagement with the medium, allowing space for story, intimacy, and connection.

My goal is to create drawings that don’t simply replicate life but evoke it—quietly, powerfully, and with honesty.

Aphrodite

Heini Mika is a Finnish artist who works and resides in New York City. Heini has a BA degree in Fine Arts from the University of Worcester (UK) and a Fine Art and Visual Communications degree from the Pekka Halonen Academy of Art (Finland). She has exhibited her paintings worldwide, most notably in The United Kingdom, United Arab Emirates, Indonesia, and New York. Her paintings have been published in a variety of magazines including the British Vogue and some of her artworks are held by private collectors.

Heini’s contemporary paintings serve the viewer with a palette of vibrant colors and dynamic shapes while she gives you her unique perspective on women, fairytales, and history. They have been an essential source of inspiration for Heini throughout her career as an artist and this can be observed in her rich and intriguing original artworks. Heini Mika is also the co-founder and chief curator at her own online art gallery the HMVC Gallery New York.

For the longest time, women have always been the subject of great art, but rarely were we allowed to create great art. Being a female artist in the 21st Century, I look to my female heroes for guidance and inspiration. From Marie Antoinette to Miley Cyrus I paint my subjects the way I see them, inspiring, beautiful, and most importantly, complex. There is so much more to these women than meets the eye, yet all of them were or are dismissed at face value.

In my acrylic paintings, I explore the dichotomy between my female subjects and their personal stories. While my almost cartoonish art style may play into the notion that these women are ditzy and childish, my intention is to tell their true stories. These women have inspired me, and while I wish to emulate their pop culture selves, I am aware of the darkness that lurks behind the fun. To convey this darkness I like to paint moments from their lives that don’t play into the notion of fun and positivity. I chose to work with acrylics because as a medium they are as bright as an artist’s medium gets. This naturally plays into my exploration of my subject’s pop culture image. It’s fun and colorful, yet if you look twice, there’s still the true story behind my fun image.

My painting style is dynamic, colorful, and intriguing and with that, I want to invite the viewer to look at the women I admire. And to remind everyone that when it comes to women, there is so much more than meets the eye.

Aphrodite

Nikki is a Fine Artist based in the South Lakes, Cumbria, UK. Nikki studied Theatre Design in Birmingham before completing a PGCE in Lancaster and a MA in Film and TV Production Design in Kingston. After completing her studies Nikki went on to be Head of Art and Design, Photography, and Media Studies in a school outside London before moving back to the Lake District in 2010. Nikki currently teaches full-time A-level and Post 18 Art, Design, and Photography as well as working on her own creative practice. Nikki has always worked on her own creative practice whilst working full time and completed commissions over the years in a variety of media and subject matter as well as being a lifestyle and wedding photographer for a short time.

Nikki lives with her Italian husband and two boys and can be found avidly reading or walking their beagle in the beautiful surroundings of the Lakes when she isn’t teaching or being creative.

When I consider my own artwork, I often struggle to find the words to describe my work, creating art is a need for me, to unload my thoughts and emotions. My artwork comes from within and often contains locations or motifs that are personal or from my surroundings. I have always enjoyed color and nature, and when I paint, I love exploring different color palettes to provoke different emotions and feelings. Art to me should be something to be enjoyed and bring different meanings to those who look upon it.

I enjoy working with portraits, the human face can show a variety of emotions and can create mystery and intrigue. I have a passion and love for lighting, color, and a sense of narrative within my work due to my background in film. My love of narrative and storytelling within the image, I hope creates intrigue and invites the viewer to interpret ideas for themselves, to question and be thoughtful.

During the pandemic, painting was my lifeline. I enjoyed rediscovering color within portraiture and using elements at juxtapositions to develop compositions that created new ideas. My work contains motifs of floral elements associated with emotions, feminine traits, and awareness of balance within compositions, through color and texture. The lockdown gave me time to re-energize my artwork and reflect inwardly to express outwardly in my painting. Through expressing floral elements, I have explored the Queen of flowers the peony in recent work. A flower that can bring joy and beauty into the world during some dark times. These flowers represent regrowth, strength, and resilience as well as feminine beauty and softness. My most recent work has explored Goddesses and the divine feminine with symbolism within the flowers selected, colors, and other elements helping to tell a story.

Apples And Strawberries

John was born in Columbus Ohio, graduated from Ohio State, and lived in Southern California for 30 years. Although John learned to draw and paint as a young boy, his degrees are in the computer science field. It wasn’t until 2010 when his wife bought him a large easel and encouraged him to start painting again, that he began to take his art career seriously. Since then John has been selected in over 200 gallery shows and juried contests, including the National Oil & Acrylic Painter’s Society 2014 Best in America show. John’s Carousel Horse #1 was featured in the June 2014 issue of the Artist’s Magazine Competition Spotlight, and he was featured in the ‘Artists to Watch’ section of the Southwest Art March 2016 edition. John’s acrylic paintings have been included in AcrylicWorks Best of Acrylic Painting volumes 1 through 10 and his paintings have been voted FAV15% in Bold Brush on a number of occasions.

I was sitting at the bar at a local restaurant one evening and noticed the cascading reflections from the dozens of bottles of liqueur on the glass shelves. I knew immediately that I wanted to paint the scene. As I started gathering photo references my thoughts coalesced around the idea of glass bottles as precious objects. The shapes sizes and colors of the glass and the liquid inside all meld together to sparkle like gemstones.

I had painted several works that featured reflections in water, but never glass bottles. My goal was to get the viewer to see something more than bottles of booze. Some shiny objects that glitter and sparkle.

Approaching Storm

Lindsey McTavish is a Toronto-born artist, currently living and working in The beautiful mountain town of Nelson British Columbia, Canada. Designer, mother, artist & entrepreneur, she is inspired by color & texture, the Canadian landscape, the diversity of the female form & her surrounding environment. Having studied Fibre Arts for 3 years at The Kootenay School of The Arts in Nelson, B.C, followed by 2 years at the Academy of Design in Toronto where she graduated from the Fashion Design program, Lindsey has made a successful career of selling her line of Clothing & Handbags under the namesake label of Lindsey M Collections and is also one of the proud owners of the CRAFT CONNECTION GALLERY in Nelson B.C.

The Gallery is owned and operated by a small group of dynamic female artists & designers, who carefully curate & display an excellent collection of works from over 200 artists and craftspeople from across the country.

You can find Lindsey’s work there year-round, and in other various shows & exhibits throughout the year In Canada as well as in many other International & online exhibits year round.

The following pieces are made by hand felting then quilting (with an industrial sewing machine), un-spun sheep’s wool & silk, Some of the more detailed subjects are needle felted first, and then laid on the background and wet felted together to bind and join the components together.

Wet felting is the process of manipulating sheep’s wool with soap and water and layers until the fibers bind together and become a non-woven “fabric”.

Because of its durability, felting has been used to make many functional items throughout history, such as yurts that are lived in by nomadic Mongolians, rugs, jackets, slippers, hats, etc…

As for my use of it, I am creating 2 dimensional, ”felted tapestries”. In my work, you’ll often see painterly-like scenes that I refer to as Feltscapes – landscapes & scenes that are reminiscent of works by members of the Group of Seven, although I’m also often inspired to work on other subjects that I find myself interested in, such as people, birds, animals, florals & abstracts.

April

Born in Beacon NY, Mark is an artist based in Las Vegas, who is known for his impressionist paintings that capture people, places, and the events in his life. Timeless and tasteful, or modern and messy, images in his life demand to be examined. Mark often uses acrylic paint to create highly textured, three-dimensional works on canvas. A graduate of San Jose State’s art program, Mark’s first influence was his great uncle, Alfred Pizzarelli, an artist from New York City in the 1950s-60s. When admiring his uncle’s wonderful paintings, Mark would daydream about the people he painted, and interpret their expressions and colorful surroundings. Mark’s paintings are meant to burst with energy, life, and texture, beckoning the viewer to engage with the same wonderment he experienced as a child. You can find Mark’s artwork across Las Vegas in restaurants, wineries, and local galleries. When Mark’s not working, he’s spending time with his wife, Alicia, and their English bulldog, Belma.

So many things I think about when I look far away. Things I know, things I wonder, things I’d like to say.

After 20 wonderful years of painting, I decided that it was a perfect time to explore different landscapes. After months of researching different regions, I settled on Nara Park Japan. I found the history and landscapes to be intoxicating.

My artwork is a direct reflection of the different seasons of the park. I like to work in acrylics on canvas to enhance all the emotions and colors that Nara has to offer. I use bright or muted colors to communicate the magic and essence of the ever-changing seasons. Even as I branch out to other mediums or subject matters, I’m always tempted to come back to Nara Park.

If a viewer stops for just a moment to reflect on a piece I have created and feels emotion from the thousands of colors captured on canvas that reflect the different seasons, then I have succeeded in my work.

Aquarium

Ronaldo Byrd was born and raised in Brooklyn, New York. He is a Contemporary Hip “Pop” Artist who began painting at the tender age of 3. As an early teen, Byrd was accepted to and attended Art Instruction School, which boasts graduate, Charles Schulz. He graduated and received a Diploma in Art from Art Instruction School at age 16. While enrolled in the course, Byrd was also attending The High School of Art and Design in New York City, before moving to Burlington, New Jersey. Byrd then was accepted to and attended Burlington County Institute of Technology, where he majored in and received a Diploma in the field of Advertising Art and Design. Byrd is mostly a self-taught Artist who has developed his own style of art and his own characters, which he puts in phenomenal scenes. He has shown his work in several galleries, including a solo show at Michigan Medicine in Ann Arbor, Michigan. Byrd and his artwork have also been featured in several newspapers and magazines. One of which includes, The Philadelphia Inquirer. He has also been a feature story on CBS 3 Eyewitness News. Byrd’s message to the world through his artwork is one of love and acceptance. His hope is to convey this as boldly and as beautifully as he can.

I am a Contemporary Hip “Pop” Artist who just happens to be on the Autistic Spectrum. My artwork focuses on the fact that everyone is beautiful regardless of race, color, ethnicity, gender or sexual orientation. The bold colors I use represent the way I see the world. There is beauty in everything I see and I believe that everyone has something to offer to the world in their own special and unique way. Thus, I have been deemed “The Artist of Happiness” because of the joy that my artwork brings to countless people. My art and I represent differences and my hope and goal is for the entire world to be able to see beauty and acceptance through my eyes—-the eyes of an artist.