Lily Pad Surfin’
Jared Konopitski is an artist living and working in Sacramento, California. Jared works in many mediums; however, he primarily works with acrylic paintings. Jared has worked with many clients such as Art O Mat, Turning Art, Wide Open Walls, and more. In addition, Jared has curated numerous gallery shows and corporate art seminars. In his spare time, he enjoys facilitating art workshops with a focus on early art education. His work has been exhibited at galleries, festivals, and museums across the US and internationally, including:
The Smithsonian, Washington, D.C.
The Crocker Art Museum, Sacramento, CA
The Mutter Museum, Philadelphia, PA.
Stranger Factory, Algodones, New Mexico
Giant Robot, Los Angeles, CA
Baton Rouge Gallery, Surreal Salon, Louisiana
Jared has had his work seen in:
Adbusters Magazine(2023)
Juxtapoz.com (2018)
PBS Art Showcase television show (2015 – 2017)
The New Yorker (2014)
Color Ink Book (2013)
Papercut Magazine (2013)
Arcana’s Steampunk Originals (2013)
Heavy Metal Magazine (2012)
Catapult Magazine (2012), DisColouring Book (2012)
Penumbra eZine (2012)
And Wow! Cool! Psycho Nurse Calendar (2011)
Awards:
KVIE Art Auction Curator Award – 2019
I am inspired by all things beautifully weird, such as monsters, the bugs living under the rocks, creatures in jars, ghosts, all the nooks and crannies of nature. But I am also inspired by comics, cartoons, noise music and neon anything. So I try to paint the way these things make me feel. Sometimes it comes out fun, sometimes scary, sometimes cute, and sometimes ugly. But I love it all. I prefer painting with acrylics on wood. And after the acrylics are laid down, I love to go over everything with black Ink. The black ink brings out the detail and gives the whole painting a better sense of flow.
Link Mind Less Enemies
I am a first-generation Ecuadorian American artist, born and raised with a passion for creativity. From a young age, I was drawn to the vibrant world of graffiti, a love that not only shaped my artistic vision but also led me to win multiple competitions, including mural contests. In high school, I was honored to be voted “Most Artistic,” an acknowledgment that fueled my desire to pursue art in all its forms.
With a Bachelor’s degree in Architecture, I developed a strong foundation in design and structure, which seamlessly blends into my work as both an artist and a third-generation stone mason. I am the owner of Art in Stone Masonry and Design, a company that specializes in creating one-of-a-kind stone works, combining my architectural skills with my family’s craftsmanship traditions.
Painting has always been an integral part of my life. While I’ve explored various styles, my current focus is abstract painting, where I express emotion and energy through color, texture, and form. My art is a reflection of my journey, influenced by my cultural roots, my experiences in the world of
As an avid traveler, my work is deeply influenced by new experiences, unfamiliar landscapes, and fleeting encounters. I am drawn to abstract faces—sometimes inspired by people I meet along the way, but more often, reflections of myself. Each piece becomes a visual diary, capturing emotions, moments, and memories that words cannot fully express.
My process is intuitive and unrestrained. I begin by emptying my mind, allowing color to lead the way. The shades and tones I choose are often those that stood out to me during my travels—vivid hues from a bustling city, muted earth tones from a quiet desert, or the unexpected contrast of light and shadow. Using brushes, spray paint, or scraping techniques, I layer and distort until a face emerges, raw and undefined, yet deeply familiar.
I believe my best work comes when I stop thinking and simply let it flow. In that space of pure instinct, I find truth—not just in the faces I create, but in the connection between movement, memory, and emotion.
Little Blue Duck
Lindsey McTavish is a Toronto-born artist, currently living and working in The beautiful mountain town of Nelson British Columbia, Canada. Designer, mother, artist & entrepreneur, she is inspired by color & texture, the Canadian landscape, the diversity of the female form & her surrounding environment. Having studied Fibre Arts for 3 years at The Kootenay School of The Arts in Nelson, B.C, followed by 2 years at the Academy of Design in Toronto where she graduated from the Fashion Design program, Lindsey has made a successful career of selling her line of Clothing & Handbags under the namesake label of Lindsey M Collections and is also one of the proud owners of the CRAFT CONNECTION GALLERY in Nelson B.C.
The Gallery is owned and operated by a small group of dynamic female artists & designers, who carefully curate & display an excellent collection of works from over 200 artists and craftspeople from across the country.
You can find Lindsey’s work there year-round, and in other various shows & exhibits throughout the year In Canada as well as in many other International & online exhibits year round.
The following pieces are made by hand felting then quilting (with an industrial sewing machine), un-spun sheep’s wool & silk, Some of the more detailed subjects are needle felted first, and then laid on the background and wet felted together to bind and join the components together.
Wet felting is the process of manipulating sheep’s wool with soap and water and layers until the fibers bind together and become a non-woven “fabric”.
Because of its durability, felting has been used to make many functional items throughout history, such as yurts that are lived in by nomadic Mongolians, rugs, jackets, slippers, hats, etc…
As for my use of it, I am creating 2 dimensional, ”felted tapestries”. In my work, you’ll often see painterly-like scenes that I refer to as Feltscapes – landscapes & scenes that are reminiscent of works by members of the Group of Seven, although I’m also often inspired to work on other subjects that I find myself interested in, such as people, birds, animals, florals & abstracts.
Little Yellow Warbler
Lindsey McTavish is a Toronto-born artist, currently living and working in The beautiful mountain town of Nelson British Columbia, Canada. Designer, mother, artist & entrepreneur, she is inspired by color & texture, the Canadian landscape, the diversity of the female form & her surrounding environment. Having studied Fibre Arts for 3 years at The Kootenay School of The Arts in Nelson, B.C, followed by 2 years at the Academy of Design in Toronto where she graduated from the Fashion Design program, Lindsey has made a successful career of selling her line of Clothing & Handbags under the namesake label of Lindsey M Collections and is also one of the proud owners of the CRAFT CONNECTION GALLERY in Nelson B.C.
The Gallery is owned and operated by a small group of dynamic female artists & designers, who carefully curate & display an excellent collection of works from over 200 artists and craftspeople from across the country.
You can find Lindsey’s work there year-round, and in other various shows & exhibits throughout the year In Canada as well as in many other International & online exhibits year round.
The following pieces are made by hand felting then quilting (with an industrial sewing machine), un-spun sheep’s wool & silk, Some of the more detailed subjects are needle felted first, and then laid on the background and wet felted together to bind and join the components together.
Wet felting is the process of manipulating sheep’s wool with soap and water and layers until the fibers bind together and become a non-woven “fabric”.
Because of its durability, felting has been used to make many functional items throughout history, such as yurts that are lived in by nomadic Mongolians, rugs, jackets, slippers, hats, etc…
As for my use of it, I am creating 2 dimensional, ”felted tapestries”. In my work, you’ll often see painterly-like scenes that I refer to as Feltscapes – landscapes & scenes that are reminiscent of works by members of the Group of Seven, although I’m also often inspired to work on other subjects that I find myself interested in, such as people, birds, animals, florals & abstracts.
Living After Death
Lynn Sposito was born and raised on Long Island, NY. Spending summer vacations in the upstate region of NY, Lynn found a deep connectedness to nature and her spirituality. It was then that her desire to share that love through art was born. Beneath the canopies of evergreens or sitting in the middle of the lake in the Adirondack Mountains, she painted and penned poetry. As a young mother reading picture books to her children, Lynn was inspired to create her bold technique of Painted Mâché, using hand-painted tissue paper for her unique creations.
Lynn is now located in Central Florida, USA. Her unique style of art has earned her recognition worldwide, receiving Awards of Merit for her art. She has been featured in several spotlight interviews such as Orlando Voyager Magazine and The Healing Power of Art and Artists. Lynn has showcased her artwork worldwide and her piece “Against the Odds” resides in the permanent collection in a private Museum in Athens, Greece.
Channeling energies inherent to life itself, I wish to ignite connections within my viewers through my art. I’m inspired by qualities illustrators engage within the pages of children’s books, captivated with movement & energy evoked through cuts of paper. Inspired, I experimented with the paper’s fragmentations. Through a collage process, art emerges reminiscent of stained glass & mosaics. Using tissue paper & different media, what I call “Painted Mâché” is born. Examining the natural world that binds us together, as the figurative dissolves into abstractions, I distance myself from reality, pushing towards the surreal. I unearth the intangible journeys we embark on, exploring symbolism & visual metaphors, unveiling the dichotomies of existence – love/ pain, night/day, life/death. Tapping into these terrestrial & spiritual energies, as boundless as the universe itself, I evoke emotions that resonate with viewers as individuals, a collective, & humans sharing this planet we call home.
Living The Fantasy
Darling Graham is a contemporary visual artist whose multidisciplinary practice incorporates drawing, photography, and digital media. She describes her distinctive style as “feminine superflat art,” a refined and concept-driven approach that blends traditional techniques with digital tools to explore identity, femininity, and personal evolution.
Born in Rome, Italy, Darling began her artistic journey at the Liceo Artistico Via Ripetta, where the city’s rich history and architecture left a lasting impression. At nineteen, she moved to Canada, later earning a Bachelor of Fine Arts in Visual Arts and Photography from the University of Ottawa. After graduating, she relocated to Montreal, where she gained recognition as one half of the acclaimed photography duo Leda & St. Jacques, known for their visually compelling work in both editorial and commercial settings.
Now based between Canada and the United States, Darling has developed a unique visual language that feels intimate yet symbolically rich. Her work often pairs soft, flat color palettes with the presence of a central female figure, who is stylized, ageless, and emotionally complex. The character’s direct gaze invites the viewer into a layered inner world shaped by memory, mythology, and quiet introspection. A recurring element in her work is her cat, an enigmatic presence that can be seen as a companion, observer, alter ego, or symbol of emotional continuity. This subtle detail adds a sense of tension and depth to her compositions.
Darling’s process often begins with photographic self-portraits, which she then translates into delicate graphite drawings and digitally paints in soft pastel tones. The final creations are predominantly large-format inkjet fine art prints, presenting introspective visual stories that blur the line between personal narrative and universal experience. Her witty titles serve as gentle guides, offering context without limiting interpretation.
Overall, Darling’s work functions as a personal journal: elegant and emotionally resonant, inviting viewers into a space where intimate reflection and broader themes quietly converge.
Art is my existential library. I unfold my work as a personal journal of dreams, fears, happiness, and insecurities, always touched by humor. My style, which I call “feminine superflat art,” blends photography, drawing, and digital painting to create delicate, symbolic compositions. Each piece begins with self-portrait photography and evolves through graphite, pastel, and digital color, forming soft narratives about identity and transformation. The recurring female figure and her cat act as reflections of self and emotional continuity. Creating art means existing in a parallel universe where dreams meet reality, and everything becomes possible. My goal is to offer a moment of beauty, thought, or quiet wonder to those who look at my art, to invite them into my world where fragility becomes strength and imagination gives meaning to being.
Lizza
Adriana Azevedo was born in 1970 in Natal, Brazil. During the Covid pandemic lockdown, she’s unleashed her artistic passion and embraced it. As an immigrant artist based in Florida, her unique Brazilian perspective and cultural background inspire her creative expression.
She worked as an architect in Brazil for 2 decades before moving to the United States. She is proud and honored to contribute to the vibrant and diverse artistic community in the Orlando area.
I find my deepest inspiration in the fascinating worlds of Cubism and Surrealism. These influential movements have ignited my creative spirit, guiding me to explore the intricate interplay between reality and imagination on canvas.
My work is a reflection of the multifaceted nature of existence. Through the lens of Cubism, I deconstruct the ordinary, breaking down conventional forms into a tapestry of geometric shapes and angles. This allows me to unveil new dimensions within the familiar, encouraging viewers to contemplate the essence of what they see.
Locked In
I am a first-generation Ecuadorian American artist, born and raised with a passion for creativity. From a young age, I was drawn to the vibrant world of graffiti, a love that not only shaped my artistic vision but also led me to win multiple competitions, including mural contests. In high school, I was honored to be voted “Most Artistic,” an acknowledgment that fueled my desire to pursue art in all its forms.
With a Bachelor’s degree in Architecture, I developed a strong foundation in design and structure, which seamlessly blends into my work as both an artist and a third-generation stone mason. I am the owner of Art in Stone Masonry and Design, a company that specializes in creating one-of-a-kind stone works, combining my architectural skills with my family’s craftsmanship traditions.
Painting has always been an integral part of my life. While I’ve explored various styles, my current focus is abstract painting, where I express emotion and energy through color, texture, and form. My art is a reflection of my journey, influenced by my cultural roots, my experiences in the world of
As an avid traveler, my work is deeply influenced by new experiences, unfamiliar landscapes, and fleeting encounters. I am drawn to abstract faces—sometimes inspired by people I meet along the way, but more often, reflections of myself. Each piece becomes a visual diary, capturing emotions, moments, and memories that words cannot fully express.
My process is intuitive and unrestrained. I begin by emptying my mind, allowing color to lead the way. The shades and tones I choose are often those that stood out to me during my travels—vivid hues from a bustling city, muted earth tones from a quiet desert, or the unexpected contrast of light and shadow. Using brushes, spray paint, or scraping techniques, I layer and distort until a face emerges, raw and undefined, yet deeply familiar.
I believe my best work comes when I stop thinking and simply let it flow. In that space of pure instinct, I find truth—not just in the faces I create, but in the connection between movement, memory, and emotion.
London Calling
Cher Pruys, ASAA SCA, IGOR, AAPL, CSAA, AMS, LMS, OSA, MAA, CFA, NOAPS, PSOA, AWA., AAOA.
“To take my inner visions with my hands and create a work of art for you the viewer… That is the ultimate in self-expression.”
Cher Pruys was born in Regina. Over the years she lived in many places including Saskatoon, Calgary, Edmonton, Ottawa, and Fort Frances, settling into her present home in Devlin, on the banks of the Rainy River with her husband Mark, 4 dogs, and 2 cats.
By age three, Cher was seldom found without a drawing tool in hand. She worked in pencil, charcoal, and ink over the years, until, she picked up a paintbrush at the age of 35. Beginning with oil paints, she found her chosen mediums in acrylic, watercolor, and gouache.
Although self-taught, her dedication and talent have seen her work juried into 463 International exhibits, as well as exhibits in numerous non-juried shows. She has won 718 awards for her work in the International Juried Exhibits.
Her work has graced the covers of 3 books, and 36 magazines, including The Best Of Acrylic Fall 2021, the cover of the May 2022 Arabella Magazine, #20 Hyperrealism Magazine with “Girls Girls Girls”, & #21 with “The Young Cowboy”, & the latest, Artists & Illustrators March 2024. She has been featured in over 350 International publications. Cher’s works have found a permanent home in private and public collections worldwide.
I am a self-taught artist working in water-based mediums, mainly acrylic, but also at times gouache and watercolor. I am a hyperrealism painter fascinated by the world around me. I am very drawn to shiny surfaces as well as transparent objects, especially when the lighting brings them to life. I look for beauty in everyday objects that most people take for granted or just don’t truly see as they are. The seemingly boring and mundane subjects can truly be like magnets if portrayed in the right light. The shiny metal is one of those materials that can host endless visions….the light hits it and the reflections are captured on the smooth, sleek surface…people and animals especially the eyes…an artist’s dream! My future art plans are to paint the countless subjects I have chosen to become paintings and to share my art with as many people as I can.
“To take my inner visions with my hands and create a work of art for you the viewer… That is the ultimate in self-expression.”