Early Hours

Freedom is a universal need that resonates deeply with all of us. It encompasses the freedom of speech, the liberty to embrace our true selves, and the empowerment to create from our innermost being.

Ori Gjyli’s, abstract art is born from this longing for liberty. In 2020, amidst a period of isolation, Ori found solace and liberation in the creation of her abstract pieces. With an MFA in Graphics Arts, she made the transition from traditional, precision-based art to a more soul-stirring form of expression.

Driven by a longing to experience the freedom and the euphoria that nature evokes, surrounded by a myriad of colors, her expressive canvases, composed of layers of acrylic paint, portray a personal journey of imagination, embodying creativity and passion. Each stroke and hue encapsulates her boundless creativity and unwavering passion, offering a glimpse into her inner world.

Currently living in Austin, Texas, and having lived, studied, and traveled in four different countries, Ori Gjyli believes that these cultural experiences have enriched her perspective, fostering a deep appreciation for authenticity and the innate beauty that pervades the world around us.

I have always drawn inspiration from the dynamic visual forces of nature and my surroundings. My artwork reflects the beauty and romance of the world around me, capturing my inner emotions, memories, and history. Whether it is a poem, a song, a heartwarming story, or a breathtaking view, I infuse each with vibrant colors and brushstrokes drawn from my memories and imagination. I strive to convey the physical and emotional beauty of the world through my art. My goal is to create evocative abstract paintings that explore the potential of color and form to evoke sensations of energy, emotion, and authenticity.

Eastern Bluebird

Lindsey McTavish is a Toronto-born artist, currently living and working in The beautiful mountain town of Nelson British Columbia, Canada. Designer, mother, artist & entrepreneur, she is inspired by color & texture, the Canadian landscape, the diversity of the female form & her surrounding environment. Having studied Fibre Arts for 3 years at The Kootenay School of The Arts in Nelson, B.C, followed by 2 years at the Academy of Design in Toronto where she graduated from the Fashion Design program, Lindsey has made a successful career of selling her line of Clothing & Handbags under the namesake label of Lindsey M Collections and is also one of the proud owners of the CRAFT CONNECTION GALLERY in Nelson B.C.

The Gallery is owned and operated by a small group of dynamic female artists & designers, who carefully curate & display an excellent collection of works from over 200 artists and craftspeople from across the country.

You can find Lindsey’s work there year-round, and in other various shows & exhibits throughout the year In Canada as well as in many other International & online exhibits year round.

The following pieces are made by hand felting then quilting (with an industrial sewing machine), un-spun sheep’s wool & silk, Some of the more detailed subjects are needle felted first, and then laid on the background and wet felted together to bind and join the components together.

Wet felting is the process of manipulating sheep’s wool with soap and water and layers until the fibers bind together and become a non-woven “fabric”.

Because of its durability, felting has been used to make many functional items throughout history, such as yurts that are lived in by nomadic Mongolians, rugs, jackets, slippers, hats, etc…

As for my use of it, I am creating 2 dimensional, ”felted tapestries”. In my work, you’ll often see painterly-like scenes that I refer to as Feltscapes – landscapes & scenes that are reminiscent of works by members of the Group of Seven, although I’m also often inspired to work on other subjects that I find myself interested in, such as people, birds, animals, florals & abstracts.

Easy On Me

Meet Sue Anderson, the creative force behind Susan Locke Photography. Susan is a talented photographer with a passion for capturing the beauty of the world around us. Her work is a celebration of the natural world and the moments that make life special.

Susan’s love of photography began at a young age when she received her first camera as a gift. Over the years, she has honed her skills, experimenting with different techniques and styles to create stunning images that capture the essence of her subjects.

Susan’s photography is characterized by its timeless beauty and attention to detail. Her images are infused with a sense of wonder and awe, and they transport viewers to a world of beauty and tranquility. Whether she is capturing the majesty of a mountain landscape or a surreal world, Susan’s photographs are a testament to the power of art to evoke emotion and inspire us to see the world in new ways.

My dreams and the fantastical world of my imagination serve as the sources of my inspiration. I enjoy capturing the essence of my playful view of the world and transforming it into fun photographic compositions that are both captivating and thought-provoking. I invite the viewer to explore the depths of their imagination and to embrace the surreal and magical aspects of life. I aim to produce magical, enchanted, and wonder-filled images that take viewers to a realm where anything is conceivable.

Ebb And Flow

Susan Bagrationoff is a professional surrealist whose body of work focuses on mythology and mysterious creatures. Faeries and folklore are the subjects of her creations using the beauty of nature within the Pacific Northwest for realistic reference. She creates her works with copious amounts of modeling paste, multiple layers of acrylic paint in brilliant hues, and metallic mediums to give a magickal ‘vibe’ from her creations.
Susan graduated with her Bachelor of Fine Arts in 2002 from Florida International University in Miami, Florida. In 2013, Susan started her own art education studio, Artsy Fartsy Art Lessons, which relocated to Kent, WA in 2016. Susan is a member of ARTrails, which is an annual art show that takes place in Centralia, Washington in late September. Since 2023, Susan has displayed works in various exhibitions at Gallery B612 and The Fishbowl in Seattle. In 2024, some of Susan’s works were published in ArtistTalk and Novum Artis magazines. She also exhibits her art through online organizations such as HMVC Gallery New York, Biafarin, and Arteom Gallery.

In a world of so much chaos, an escape into the realm of faeries brings peace and glamour into our dimension. Faeries always hold my fascination when I encounter them within our realm. I utilize the magic within my artistic soul to summon these creatures so that anyone can experience their charm and be inspired to believe in what they cannot see.

My work is conjured onto canvas using copious amounts of modeling paste and acrylic paints with multiple layers of various brushstrokes and the use of palette knife techniques. Brilliant colors and metallic hues are used to enable the faeries to emphasize their `vibe`, inspiring the viewer to discover the essence of these beings. The texture of their skin, hair, and backgrounds are vital to conveying the elemental qualities of each fae. I am perpetually discovering new ways to bring my faeries to life so they can gaze upon us humans as we admire their portraits.

This piece, “Just Venting”, sums up the release of various stressors that have been brought to the world’s attention over the past year.

Ebony In RED

Nayana LaFond resides in Massachusetts where she is a multimedia artivist working in acrylic on canvas, rebar, glass, concrete, and more to create works that challenge what is considered acceptable in society and spark discussions about change. Nayana has also been a curator for over 20 years including chief curator for the Whitney center for the arts and sits on several boards including Artist Organized Art, Be The Change, and the Native Youth Empowerment Foundation among others.

Ebony was murdered.

My rebellion has always been to speak my truth through my art.

In indigenous cultures, we believe that spirits can only see the color red. The possible never-ending painting series I began in 2020 is currently up to 90 portraits to raise awareness about the missing and murdered indigenous people’s crisis. Each is a victim, survivor, activist, or family member of someone who is missing or was murdered and they are all painted in black and white with red being the only visible color. I paint them the way the spirits would see them call the spirits home.

This project began as catharsis for personal experiences, as most of my work is. However, it has evolved into being about healing and medicine for my people. Families now come to me and I paint them or they are loved on for free and give them free prints and exhibit the originals to raise awareness and spark change. I always have a queue of at least 30 and don’t see an end for this project in sight. nayanaarts.com for more informatio

Echoes Of Love

I find deep joy in creating art with my hands, using creativity as a way to connect cultures and share stories beyond language.

While studying Chinese in China, I discovered the art of sand painting, a moment that became a turning point in my artistic journey. In 2019, I was honored to receive a Top 10 Award at the Silk Road International Sand Painting Competition. This recognition opened opportunities for me to present my work at cultural events, including the Thai Festival at the Royal Thai Embassy in Beijing and the International Student Festival at my university. Through sand painting, I was able to share Thai culture while embracing cross-cultural exchange, an experience that was later featured by Chinese media.

More recently, a Chinese article documented my artistic journey and described my role as a bridge connecting Eastern and Western cultures. I was deeply grateful and proud to be seen in this way, as I believe everyone can serve as a cultural ambassador for their country.

I also believe that each person can help protect the environment through meaningful actions. This belief inspired me to transform discarded cans into artworks, turning what is considered useless into something meaningful.

For me, recycling is not only an act of love for the Earth, but also a powerful form of artistic expression.

My husband, a lover of energy drinks, often left empty cans behind. Instead of discarding them, I searched for a way to give these overlooked objects new life, which led to the creation of what I call “can decoration art.”

The process is challenging. Each can must be carefully cut into small pieces and assembled one by one. Even more demanding is imagining and designing each section so that every detail has its own unique character while still maintaining harmony in color, despite the limited patterns and shades available on the cans.

I am grateful to have exhibited my work at several art events, including the Art Exhibition in Pasadena (February 2025), the 58th Annual Newport Beach Art Exhibition (June 2025), and the 1st Thai Community of Fine Art Exhibition in Thai Town, Los Angeles (August 2025).

One of my artworks was selected to be featured in the Canadian art magazine Artistonish (October 2025), and another artwork was showcased in the Canadian online exhibition Unity 2025, organized by Gallerium.art (November 2025). I am also honored to have been selected as one of the artists for the Biafarin Awards 2025, held in December 2025.

The greatest joy comes from designing intricate details and hearing viewers say they never imagined cans could become such unique artworks. It fills me with great pride and happiness.

Echoes Of Time

Maries Joseph is a California‑based self‑taught artist whose passion for painting has been reignited following a professional journey in medicine. Inspired by “the unrivalled beauty, perfection, and aesthetics of the Divine Creator,” her work bridges abstract expressionism and nature‑inspired themes.

Today, Maries offers a diverse collection of original artworks in acrylic and oil, as well as premium canvas prints—each designed to bring hope, energy, and spaciousness into daily life. Her pieces range from immersive abstracts like Whispers of the Deep and Celestial Awakening to dynamic nature compositions such as The Kingfisher and Black Horse.

Maries believes art should not just be observed—it should be felt. It’s an experience that invites viewers to pause, reflect, and connect. Her work is perfect for collectors or anyone searching to transform a room with color, emotion, and divine resonance.

Art, for me, is a language of the soul—a way to express the emotions, energies, and divine beauty that often transcend words. My work draws inspiration from the natural world, the cosmos, and the quiet spiritual rhythms of life. Through vibrant color palettes, layered textures, and intuitive mark-making, I aim to create abstract compositions that evoke feeling, reflection, and connection.

As a self-taught artist and a former physician, I bring to my practice a deep sensitivity to the human experience—its fragility, resilience, and mystery. Each painting is a journey of discovery, guided by a reverence for light, movement, and the sacred interplay between chaos and harmony.

I believe art has the power to transform spaces and stir the heart. Whether it hangs in a home, gallery, or office, I hope my work brings a sense of clarity, warmth, and inspiration—an invitation to pause, breathe, and reconnect with what truly matters.

Eco Flutter

I find deep joy in creating art with my hands, using creativity as a way to connect cultures and share stories beyond language.

For me, recycling is not only an act of love for the Earth, but also a powerful form of artistic expression.

The greatest joy comes from designing intricate details and hearing viewers say they never imagined cans could become such unique artworks. It fills me with great pride and happiness.

Ecocide, The Destruction Of Nature

Hélène de Tyndare is a French artist of Ukrainian origin.

She was born in what was a pleasant city on the shores of the Sea of Azov called Mariupol. Her taste for painting was expressed very early. She has been trained by Ukrainian painters and she attended art courses in the Arkhip Kuindzhi art school located in Mariupol.

She went to Kyiv University before acquiring experience in engineering and development in Siberia, Ukraine, Italy, and France. After she moved to France in the year 2000 she progressively became fully dedicated to her artistic activity. Her studio was first in the Paris area and is now located in the French Riviera.

Her most recent exhibitions were in Paris, Monaco and Milano.
Then the unprovoked invasion of Ukraine by Russia started in February 2022. Among other war crimes against civilians, Mariupol was turned into ruins and death.
As an artist, Hélène de Tyndare has expressed her overload of deep emotions generated by this brutal war through a series of paintings called «Invasion». The paintings presented here include « Besieged Mariupol », « Exodus », « Deportation of Children», « War Crimes in Villages», « Destruction of Cities», « Ecocide, the Destruction of Nature», « From Holodomor to water cutting », « Criminal flag ».

https://aatonau.com/helene-de-tyndare-a-portrait-of-resilience-and-creativity/

LATEST EXHIBITIONS

2019 – Collective exhibition organized by the Arcades School of Art
2019 – Participation in the artist studio’s open-door event and the market of artworks organized by the city of Boulogne-Billancourt
2020-Collective exhibition in the Landowsky Cultural Center, in the town of Boulogne-Billancourt
2021-Collective exhibition at the City Hall of Boulogne-Billancourt
2022 – Personal exhibition « PORTRAITS D’HUMANITE » à la galerie “L’Entrepôt” au 22 rue Millo à Monaco
2022 – Exhibition in Parma Italy at the International Art Forum
2023 – Exhibition in Milan Italy with Mega Art Gallery
2023-Exhibition Art Graulhet sixth edition
2023-Exhibition GlobArt ville Fayence
2023-Exhibition ville Boulogne-Billancourt

I have always practiced painting. After a career as an engineer, I have been practicing my artistic activities full-time for ten years in my studio located in Boulogne Billancourt until 2019 and in Cannes since 2020.

I can now live my emotions through an artistic expression whose originality of style is now well affirmed. My gaze is nourished by the diversity of my past experiences in environments such as Siberia, Central Asia, and Central Europe and my many trips to France, Europe, and North America.

I have my artistic style which I call cartographic expressionism. My works have in common the use of living colors. In the portraits, I try to translate the humanity that emerges from the gaze and the attitude of the model. In landscapes, I reproduce the emotions that particular atmospheres and luminosity inspire in me. The relationship between nature and human beings is the basis of the common reflection that inspires me in these two themes of portraiture and landscape.

For the portraits, my models are either relatives or photographs that have triggered my emotions and my creative energy. The emotions and attitudes reflected in my work are as varied as serenity, wisdom, tenderness, fragility, melancholy, curiosity, empathy, reflection, energy, courage, or pride.

I work on different media (mainly on canvas frames) in different sizes (mainly between 50 X 70 and 100 X 120) and formats (standard, square, figure, landscape, etc.).
Now I work with large formats from 4 meters long and 2 meters wide, both on canvas and on paper