2023 Sunset Series 5 Of 6
Lindsey McTavish is a Toronto-born artist, currently living and working in The beautiful mountain town of Nelson British Columbia, Canada. Designer, mother, artist & entrepreneur, she is inspired by color & texture, the Canadian landscape, the diversity of the female form & her surrounding environment. Having studied Fibre Arts for 3 years at The Kootenay School of The Arts in Nelson, B.C, followed by 2 years at the Academy of Design in Toronto where she graduated from the Fashion Design program, Lindsey has made a successful career of selling her line of Clothing & Handbags under the namesake label of Lindsey M Collections and is also one of the proud owners of the CRAFT CONNECTION GALLERY in Nelson B.C.
The Gallery is owned and operated by a small group of dynamic female artists & designers, who carefully curate & display an excellent collection of works from over 200 artists and craftspeople from across the country.
You can find Lindsey’s work there year-round, and in other various shows & exhibits throughout the year In Canada as well as in many other International & online exhibits year round.
The following pieces are made by hand felting then quilting (with an industrial sewing machine), un-spun sheep’s wool & silk, Some of the more detailed subjects are needle felted first, and then laid on the background and wet felted together to bind and join the components together.
Wet felting is the process of manipulating sheep’s wool with soap and water and layers until the fibers bind together and become a non-woven “fabric”.
Because of its durability, felting has been used to make many functional items throughout history, such as yurts that are lived in by nomadic Mongolians, rugs, jackets, slippers, hats, etc…
As for my use of it, I am creating 2 dimensional, ”felted tapestries”. In my work, you’ll often see painterly-like scenes that I refer to as Feltscapes – landscapes & scenes that are reminiscent of works by members of the Group of Seven, although I’m also often inspired to work on other subjects that I find myself interested in, such as people, birds, animals, florals & abstracts.
2023 Sunset Series 6 Of 6
Lindsey McTavish is a Toronto-born artist, currently living and working in The beautiful mountain town of Nelson British Columbia, Canada. Designer, mother, artist & entrepreneur, she is inspired by color & texture, the Canadian landscape, the diversity of the female form & her surrounding environment. Having studied Fibre Arts for 3 years at The Kootenay School of The Arts in Nelson, B.C, followed by 2 years at the Academy of Design in Toronto where she graduated from the Fashion Design program, Lindsey has made a successful career of selling her line of Clothing & Handbags under the namesake label of Lindsey M Collections and is also one of the proud owners of the CRAFT CONNECTION GALLERY in Nelson B.C.
The Gallery is owned and operated by a small group of dynamic female artists & designers, who carefully curate & display an excellent collection of works from over 200 artists and craftspeople from across the country.
You can find Lindsey’s work there year-round, and in other various shows & exhibits throughout the year In Canada as well as in many other International & online exhibits year round.
The following pieces are made by hand felting then quilting (with an industrial sewing machine), un-spun sheep’s wool & silk, Some of the more detailed subjects are needle felted first, and then laid on the background and wet felted together to bind and join the components together.
Wet felting is the process of manipulating sheep’s wool with soap and water and layers until the fibers bind together and become a non-woven “fabric”.
Because of its durability, felting has been used to make many functional items throughout history, such as yurts that are lived in by nomadic Mongolians, rugs, jackets, slippers, hats, etc…
As for my use of it, I am creating 2 dimensional, ”felted tapestries”. In my work, you’ll often see painterly-like scenes that I refer to as Feltscapes – landscapes & scenes that are reminiscent of works by members of the Group of Seven, although I’m also often inspired to work on other subjects that I find myself interested in, such as people, birds, animals, florals & abstracts.
5 Hour Bath
Heini Mika is a Finnish artist who works and resides in New York City. Heini has a BA degree in Fine Arts from the University of Worcester (UK) and a Fine Art and Visual Communications degree from the Pekka Halonen Academy of Art (Finland). She has exhibited her paintings worldwide, most notably in The United Kingdom, United Arab Emirates, Indonesia, and New York. Her paintings have been published in a variety of magazines including the British Vogue and some of her artworks are held by private collectors.
Heini’s contemporary paintings serve the viewer with a palette of vibrant colors and dynamic shapes while she gives you her unique perspective on women, fairytales, and history. They have been an essential source of inspiration for Heini throughout her career as an artist and this can be observed in her rich and intriguing original artworks. Heini Mika is also the co-founder and chief curator at her own online art gallery the HMVC Gallery New York.
For the longest time, women have always been the subject of great art, but rarely were we allowed to create great art. Being a female artist in the 21st Century, I look to my female heroes for guidance and inspiration. From Marie Antoinette to Miley Cyrus I paint my subjects the way I see them, inspiring, beautiful, and most importantly, complex. There is so much more to these women than meets the eye, yet all of them were or are dismissed at face value.
In my acrylic paintings, I explore the dichotomy between my female subjects and their personal stories. While my almost cartoonish art style may play into the notion that these women are ditzy and childish, my intention is to tell their true stories. These women have inspired me, and while I wish to emulate their pop culture selves, I am aware of the darkness that lurks behind the fun. To convey this darkness I like to paint moments from their lives that don’t play into the notion of fun and positivity. I chose to work with acrylics because as a medium they are as bright as an artist’s medium gets. This naturally plays into my exploration of my subject’s pop culture image. It’s fun and colorful, yet if you look twice, there’s still the true story behind my fun image.
My painting style is dynamic, colorful, and intriguing and with that, I want to invite the viewer to look at the women I admire. And to remind everyone that when it comes to women, there is so much more than meets the eye.
A Captured Moment
Cher Pruys, ASAA SCA, IGOR, AAPL, CSAA, AMS, LMS, OSA, MAA, CFA, NOAPS, PSOA, AWA., AAOA.
“To take my inner visions with my hands and create a work of art for you the viewer… That is the ultimate in self-expression.”
Cher Pruys was born in Regina. Over the years she lived in many places including Saskatoon, Calgary, Edmonton, Ottawa, and Fort Frances, settling into her present home in Devlin, on the banks of the Rainy River with her husband Mark, 4 dogs, and 2 cats.
By age three, Cher was seldom found without a drawing tool in hand. She worked in pencil, charcoal, and ink over the years, until, she picked up a paintbrush at the age of 35. Beginning with oil paints, she found her chosen mediums in acrylic, watercolor, and gouache.
Although self-taught, her dedication and talent have seen her work juried into 463 International exhibits, as well as exhibits in numerous non-juried shows. She has won 718 awards for her work in the International Juried Exhibits.
Her work has graced the covers of 3 books, and 36 magazines, including The Best Of Acrylic Fall 2021, the cover of the May 2022 Arabella Magazine, #20 Hyperrealism Magazine with “Girls Girls Girls”, & #21 with “The Young Cowboy”, & the latest, Artists & Illustrators March 2024. She has been featured in over 350 International publications. Cher’s works have found a permanent home in private and public collections worldwide.
I am a self-taught artist working in water-based mediums, mainly acrylic, but also at times gouache and watercolor. I am a hyperrealism painter fascinated by the world around me. I am very drawn to shiny surfaces as well as transparent objects, especially when the lighting brings them to life. I look for beauty in everyday objects that most people take for granted or just don’t truly see as they are. The seemingly boring and mundane subjects can truly be like magnets if portrayed in the right light. The shiny metal is one of those materials that can host endless visions….the light hits it and the reflections are captured on the smooth, sleek surface…people and animals especially the eyes…an artist’s dream! My future art plans are to paint the countless subjects I have chosen to become paintings and to share my art with as many people as I can.
“To take my inner visions with my hands and create a work of art for you the viewer… That is the ultimate in self-expression.”
A Girls Dirty Little Secret
Wendee Yudis is a Serigraph Mixed Media Artist whose paintings and prints have been exhibited in solo and group shows in galleries in NYC, Chicago, and Philadelphia since the mid-1990s. Solo exhibitions include Ceres Gallery in NYC, Black Moth Gallery in Phila, and Gallery 1633 in Chicago. A selection of group exhibitions includes The Albright/Knox Museum in NY, Manhattan Graphics Center in NYC, Philadelphia Art Alliance in PA, James Oliver Gallery in Phila, PA, University of Pennsylvania: Penn Medicine in PA, CFEVA in PA, InLiquid in PA, DaVinci Art Alliance in PA, and The Trenton Museum in NJ. Select work was in a national juried competition in the Phoenix Gallery in NYC by Thelma Golden, then curator of The Whitney Museum of American Art.
Wendee Yudis received an MFA in Printmaking and Painting from Pratt Institute and a BFA in Printmaking and Photography from The School of the Art Institute of Chicago. She also studied archaeology at The Hebrew University of Jerusalem and photography at Richmond College in London.
In addition to being a visual artist, Wendee works as a Graphic Designer and Art Director. Since the mid-1990s she has worked in agencies and non-profits in NYC and Philadelphia.
My art turns the definition of femininity on its head.
It examines and questions women’s roles in the world as dictated by social constructs: the ones imposed upon us – obedient child, wife, and daughter – and the ones we step into voluntarily – boss, lover, and vixen.
I use humor to explore the depths of these ideas. Womanhood cannot and should not be confined to one definition. Why do we have to be vixens or victims? Can we be both? My work explores the paradox of the powerful vs. the powerless in a manner that is both playful and sexual. The women in my work become icons who reoccur in different contexts and combinations. In this way, my work is layered with meaning. I look at the words we use to define masculinity and femininity and play with typography and context. For example, why is a bossy man synonymous with executive leadership while a bossy woman is a bitch? My bold and graphic treatment of words amplifies my ideas and by questioning the many facets of women, I embrace the freedom and power within every woman.
My primary medium is a combination of photo-silkscreen and painting. Silkscreen allows me to juxtapose and overlap a variety of images to create nuance and explore new definitions of old ideas. I use the actual silkscreen as if it’s a paintbrush, so each piece is an original. The beauty of the silkscreen process is that it allows me to experiment with translucency, opacity, layering, and pattern to explore relationships seen and unseen.
About Last Night…Pardon My Body
Wendee Yudis is a Serigraph Mixed Media Artist whose paintings and prints have been exhibited in solo and group shows in galleries in NYC, Chicago, and Philadelphia since the mid-1990s. Solo exhibitions include Ceres Gallery in NYC, Black Moth Gallery in Phila, and Gallery 1633 in Chicago. A selection of group exhibitions includes The Albright/Knox Museum in NY, Manhattan Graphics Center in NYC, Philadelphia Art Alliance in PA, James Oliver Gallery in Phila, PA, University of Pennsylvania: Penn Medicine in PA, CFEVA in PA, InLiquid in PA, DaVinci Art Alliance in PA, and The Trenton Museum in NJ. Select work was in a national juried competition in the Phoenix Gallery in NYC by Thelma Golden, then curator of The Whitney Museum of American Art.
Wendee Yudis received an MFA in Printmaking and Painting from Pratt Institute and a BFA in Printmaking and Photography from The School of the Art Institute of Chicago. She also studied archaeology at The Hebrew University of Jerusalem and photography at Richmond College in London.
In addition to being a visual artist, Wendee works as a Graphic Designer and Art Director. Since the mid-1990s she has worked in agencies and non-profits in NYC and Philadelphia.
My art turns the definition of femininity on its head.
It examines and questions women’s roles in the world as dictated by social constructs: the ones imposed upon us – obedient child, wife, and daughter – and the ones we step into voluntarily – boss, lover, and vixen.
I use humor to explore the depths of these ideas. Womanhood cannot and should not be confined to one definition. Why do we have to be vixens or victims? Can we be both? My work explores the paradox of the powerful vs. the powerless in a manner that is both playful and sexual. The women in my work become icons who reoccur in different contexts and combinations. In this way, my work is layered with meaning. I look at the words we use to define masculinity and femininity and play with typography and context. For example, why is a bossy man synonymous with executive leadership while a bossy woman is a bitch? My bold and graphic treatment of words amplifies my ideas and by questioning the many facets of women, I embrace the freedom and power within every woman.
My primary medium is a combination of photo-silkscreen and painting. Silkscreen allows me to juxtapose and overlap a variety of images to create nuance and explore new definitions of old ideas. I use the actual silkscreen as if it’s a paintbrush, so each piece is an original. The beauty of the silkscreen process is that it allows me to experiment with translucency, opacity, layering, and pattern to explore relationships seen and unseen.
Abruzzo Cabins
Born in Beacon NY, Mark is an artist based in Las Vegas, who is known for his impressionist paintings that capture people, places, and the events in his life. Timeless and tasteful, or modern and messy, images in his life demand to be examined. Mark often uses acrylic paint to create highly textured, three-dimensional works on canvas. A graduate of San Jose State’s art program, Mark’s first influence was his great uncle, Alfred Pizzarelli, an artist from New York City in the 1950s-60s. When admiring his uncle’s wonderful paintings, Mark would daydream about the people he painted, and interpret their expressions and colorful surroundings. Mark’s paintings are meant to burst with energy, life, and texture, beckoning the viewer to engage with the same wonderment he experienced as a child. You can find Mark’s artwork across Las Vegas in restaurants, wineries, and local galleries. When Mark’s not working, he’s spending time with his wife, Alicia, and their English bulldog, Belma.
So many things I think about when I look far away. Things I know, things I wonder, things I’d like to say.
After 20 wonderful years of painting, I decided that it was a perfect time to explore different landscapes. After months of researching different regions, I settled on Nara Park Japan. I found the history and landscapes to be intoxicating.
My artwork is a direct reflection of the different seasons of the park. I like to work in acrylics on canvas to enhance all the emotions and colors that Nara has to offer. I use bright or muted colors to communicate the magic and essence of the ever-changing seasons. Even as I branch out to other mediums or subject matters, I’m always tempted to come back to Nara Park.
If a viewer stops for just a moment to reflect on a piece I have created and feels emotion from the thousands of colors captured on canvas that reflect the different seasons, then I have succeeded in my work.
Abstract Circles # 1
Lindsey McTavish is a Toronto-born artist, currently living and working in The beautiful mountain town of Nelson British Columbia, Canada. Designer, mother, artist & entrepreneur, she is inspired by color & texture, the Canadian landscape, the diversity of the female form & her surrounding environment. Having studied Fibre Arts for 3 years at The Kootenay School of The Arts in Nelson, B.C, followed by 2 years at the Academy of Design in Toronto where she graduated from the Fashion Design program, Lindsey has made a successful career of selling her line of Clothing & Handbags under the namesake label of Lindsey M Collections and is also one of the proud owners of the CRAFT CONNECTION GALLERY in Nelson B.C.
The Gallery is owned and operated by a small group of dynamic female artists & designers, who carefully curate & display an excellent collection of works from over 200 artists and craftspeople from across the country.
You can find Lindsey’s work there year-round, and in other various shows & exhibits throughout the year In Canada as well as in many other International & online exhibits year round.
The following pieces are made by hand felting then quilting (with an industrial sewing machine), un-spun sheep’s wool & silk, Some of the more detailed subjects are needle felted first, and then laid on the background and wet felted together to bind and join the components together.
Wet felting is the process of manipulating sheep’s wool with soap and water and layers until the fibers bind together and become a non-woven “fabric”.
Because of its durability, felting has been used to make many functional items throughout history, such as yurts that are lived in by nomadic Mongolians, rugs, jackets, slippers, hats, etc…
As for my use of it, I am creating 2 dimensional, ”felted tapestries”. In my work, you’ll often see painterly-like scenes that I refer to as Feltscapes – landscapes & scenes that are reminiscent of works by members of the Group of Seven, although I’m also often inspired to work on other subjects that I find myself interested in, such as people, birds, animals, florals & abstracts.
Abstract Circles # 2
Lindsey McTavish is a Toronto-born artist, currently living and working in The beautiful mountain town of Nelson British Columbia, Canada. Designer, mother, artist & entrepreneur, she is inspired by color & texture, the Canadian landscape, the diversity of the female form & her surrounding environment. Having studied Fibre Arts for 3 years at The Kootenay School of The Arts in Nelson, B.C, followed by 2 years at the Academy of Design in Toronto where she graduated from the Fashion Design program, Lindsey has made a successful career of selling her line of Clothing & Handbags under the namesake label of Lindsey M Collections and is also one of the proud owners of the CRAFT CONNECTION GALLERY in Nelson B.C.
The Gallery is owned and operated by a small group of dynamic female artists & designers, who carefully curate & display an excellent collection of works from over 200 artists and craftspeople from across the country.
You can find Lindsey’s work there year-round, and in other various shows & exhibits throughout the year In Canada as well as in many other International & online exhibits year round.
The following pieces are made by hand felting then quilting (with an industrial sewing machine), un-spun sheep’s wool & silk, Some of the more detailed subjects are needle felted first, and then laid on the background and wet felted together to bind and join the components together.
Wet felting is the process of manipulating sheep’s wool with soap and water and layers until the fibers bind together and become a non-woven “fabric”.
Because of its durability, felting has been used to make many functional items throughout history, such as yurts that are lived in by nomadic Mongolians, rugs, jackets, slippers, hats, etc…
As for my use of it, I am creating 2 dimensional, ”felted tapestries”. In my work, you’ll often see painterly-like scenes that I refer to as Feltscapes – landscapes & scenes that are reminiscent of works by members of the Group of Seven, although I’m also often inspired to work on other subjects that I find myself interested in, such as people, birds, animals, florals & abstracts.