Behind The Tree
Alicia is a storyteller at heart and interpreting her visual tales, through her paintings, brings her great joy. These inspirations stem from Alicia’s symbolic imagination representing secret realms filled with magnificent depths of femininity and beauty. Alicia’s paintings are captivating, and her compositions are executed with intent and motive. “My portraits are linked together through precise and distinctive placements. I purposely fill the atmosphere with visual fragrances that linger in the air and connect with viewers as they personally identify with the unfolding narratives.”
I am convinced that each of us holds treasure hidden in the depths of our hearts. As a professional artist, it is my aim to provide images that help unlock these great treasures. The illumination of beautiful narratives has the power to resonate with the collector. The image reflects the truth, promoting a release of identity and value. As you view my work, take it in. Allow what might lay concealed to be realized.
Being Jare (W/Apologies To Chauncey Gardiner)
My work has received recognition from ArtTour International Magazine (ATIM’s Top 60 Masters Award 2022), American Illustration, 3×3 Magazine, the Society of Illustrators (NYC), the Society of Publication Designers, Print, Art-Competition.net, the Society of Illustrators of Los Angeles, Artavita and Applied Arts. My paintings have been displayed in many galleries including the Museum of American Illustration (NYC), Gallery-Henoch (NYC), the Smithsonian Hirshhorn Museum (Washington D.C.), Gallery 110 (Seattle WA), The Studio Door (San Diego CA), David Anthony Fine Art (Taos NM), Arte Ponte Gallery (NYC), Whatcom Museum (Bellingham WA), Gallery 25N (Online gallery), Viridian Artists Inc. (NYC), Greg Moon Art (Taos NM), Contreras Gallery (Tucson AZ), Tubac Center of the Arts (Tubac AZ), H Gallery (Ventura CA), Naples Art Assoc. (Naples FL), Axis Gallery (Sacramento CA), The Center for Contemporary Political Art (Washington DC) and Blackboard Gallery (Camarillo CA).
As a fledgling illustrator in Brooklyn during the 1980s, I took on any project thrown my way. I refer to that time as my “snack or famine days”. Eventually, I zeroed in on editorial work and soon scored assignments at publications like The New York Times, Los Angeles Times, NY Newsday, and The Village Voice (primarily covers).
Since the early 2000s, I’ve concentrated on gallery work with an editorial, satirical slant….. essentially larger oil paintings with conceptual content reminiscent of my illustration years. Lampooning politicians, pundits, or spiritual leaders who specialize in alternative facts, manufactured outrage, false equivalents, convoluted conspiracy theories and tunnel-visioned tribalism (whew) is my form of protest and provides a satisfying outlet (i.e., it minimizes shouting at the TV, reduces those pesky nightmares & eliminates my quest to prove Jeff Sessions is actually an interloper from The Shire).
Bell Grove
In my work, I explore the transformative power of abstraction; how color, texture, and form can combine to create something far greater than their individual parts. I grew up in Richmond, Virginia, watching my mother paint. She taught me to paint what you know, and how you see and feel it. I add texture that pops off the canvas and tricks the eyes into feeling the bumpy tree trunk. I use my palette knife to paint just as much as my brushes. Unless I’m working on a commission, I rarely know what the end of my painting is going to look like. Experimentation is the most gratifying part of the painting process. Each painting begins with a variety of underpainting techniques, including alcohol ink, mixed media paper, texture, and sometimes oil pastels. After the underpainting sets, I finish my story with oils for a rich finishing layer of depth. The layers of texture invite viewers to see beyond the flat surface of a landscape or portrait. The gold woven into my paintings is a reminder of the beauty and magic found in unexpected places. My inspiration is driven by the colors of nature and the emotions of gratitude. I’d like to think each piece I create will give some warmth and brightness to whoever stands in front of it.
When we face adversity, whether it be loss, failure, or emotional upheaval, we are forced to confront vulnerabilities and weaknesses. It’s in this confrontation that healing and growth occur. Last year was a difficult year personally for me, as I lost my mother to cancer, and I was diagnosed with lymphoma. Through my treatment, I felt so overwhelmed by a range of emotions that eventually inspired my artwork. My current collection symbolizes the unique process of overcoming emotional trauma and evolving into a more resilient, gracious, and powerful version of oneself. Each piece is a visual and sensory narrative of my personal experience, a reflection of both the struggle and the eventual emergence of strength and clarity, or even a simple moment of gratitude for the earth’s gifts we receive. The works share not the grief and despair, but the rebirth and awakening of a new beginning by including imagery that inspires and connects with the viewers. My hope is to encourage, connect, console, and give hope to others who may need comfort in the notion that we are resilient creatures. Collaboratively, the collection of artwork is bright, expansive, full of vibrant colors, fluid lines, and forms that are whole or mended. Lavish underpaintings of mixed media and layers of emotion reflecting my personal evolution and a universal invitation to the audience to see the potential for resilience and hope in their own lives, no matter how difficult their journey may seem. “The Journey of Resilience” is a message of hope, gratitude, and perseverance to anyone sharing the same difficult path in life.
Belma’s Bow
Born in Beacon NY, Mark is an artist based in Las Vegas, who is known for his impressionist paintings that capture people, places, and the events in his life. Timeless and tasteful, or modern and messy, images in his life demand to be examined. Mark often uses acrylic paint to create highly textured, three-dimensional works on canvas. A graduate of San Jose State’s art program, Mark’s first influence was his great uncle, Alfred Pizzarelli, an artist from New York City in the 1950s-60s. When admiring his uncle’s wonderful paintings, Mark would daydream about the people he painted, and interpret their expressions and colorful surroundings. Mark’s paintings are meant to burst with energy, life, and texture, beckoning the viewer to engage with the same wonderment he experienced as a child. You can find Mark’s artwork across Las Vegas in restaurants, wineries, and local galleries. When Mark’s not working, he’s spending time with his wife, Alicia, and their English bulldog, Belma.
So many things I think about when I look far away. Things I know, things I wonder, things I’d like to say.
After 20 wonderful years of painting, I decided that it was a perfect time to explore different landscapes. After months of researching different regions, I settled on Nara Park Japan. I found the history and landscapes to be intoxicating.
My artwork is a direct reflection of the different seasons of the park. I like to work in acrylics on canvas to enhance all the emotions and colors that Nara has to offer. I use bright or muted colors to communicate the magic and essence of the ever-changing seasons. Even as I branch out to other mediums or subject matters, I’m always tempted to come back to Nara Park.
If a viewer stops for just a moment to reflect on a piece I have created and feels emotion from the thousands of colors captured on canvas that reflect the different seasons, then I have succeeded in my work.
Bend Over Backwards For Me
Wendee Yudis is a Serigraph Mixed Media Artist whose paintings and prints have been exhibited in solo and group shows in galleries in NYC, Chicago, and Philadelphia since the mid-1990s. Solo exhibitions include Ceres Gallery in NYC, Black Moth Gallery in Phila, and Gallery 1633 in Chicago. A selection of group exhibitions includes The Albright/Knox Museum in NY, Manhattan Graphics Center in NYC, Philadelphia Art Alliance in PA, James Oliver Gallery in Phila, PA, University of Pennsylvania: Penn Medicine in PA, CFEVA in PA, InLiquid in PA, DaVinci Art Alliance in PA, and The Trenton Museum in NJ. Select work was in a national juried competition in the Phoenix Gallery in NYC by Thelma Golden, then curator of The Whitney Museum of American Art.
Wendee Yudis received an MFA in Printmaking and Painting from Pratt Institute and a BFA in Printmaking and Photography from The School of the Art Institute of Chicago. She also studied archaeology at The Hebrew University of Jerusalem and photography at Richmond College in London.
In addition to being a visual artist, Wendee works as a Graphic Designer and Art Director. Since the mid-1990s she has worked in agencies and non-profits in NYC and Philadelphia.
My art turns the definition of femininity on its head.
It examines and questions women’s roles in the world as dictated by social constructs: the ones imposed upon us – obedient child, wife, and daughter – and the ones we step into voluntarily – boss, lover, and vixen.
I use humor to explore the depths of these ideas. Womanhood cannot and should not be confined to one definition. Why do we have to be vixens or victims? Can we be both? My work explores the paradox of the powerful vs. the powerless in a manner that is both playful and sexual. The women in my work become icons who reoccur in different contexts and combinations. In this way, my work is layered with meaning. I look at the words we use to define masculinity and femininity and play with typography and context. For example, why is a bossy man synonymous with executive leadership while a bossy woman is a bitch? My bold and graphic treatment of words amplifies my ideas and by questioning the many facets of women, I embrace the freedom and power within every woman.
My primary medium is a combination of photo-silkscreen and painting. Silkscreen allows me to juxtapose and overlap a variety of images to create nuance and explore new definitions of old ideas. I use the actual silkscreen as if it’s a paintbrush, so each piece is an original. The beauty of the silkscreen process is that it allows me to experiment with translucency, opacity, layering, and pattern to explore relationships seen and unseen.
Besieged Marioupol
Hélène de Tyndare is a French artist of Ukrainian origin.
She was born in what was a pleasant city on the shores of the Sea of Azov called Mariupol. Her taste for painting was expressed very early. She has been trained by Ukrainian painters and she attended art courses in the Arkhip Kuindzhi art school located in Mariupol.
She went to Kyiv University before acquiring experience in engineering and development in Siberia, Ukraine, Italy, and France. After she moved to France in the year 2000 she progressively became fully dedicated to her artistic activity. Her studio was first in the Paris area and is now located in the French Riviera.
Her most recent exhibitions were in Paris, Monaco and Milano.
Then the unprovoked invasion of Ukraine by Russia started in February 2022. Among other war crimes against civilians, Mariupol was turned into ruins and death.
As an artist, Hélène de Tyndare has expressed her overload of deep emotions generated by this brutal war through a series of paintings called «Invasion». The paintings presented here include « Besieged Mariupol », « Exodus », « Deportation of Children», « War Crimes in Villages», « Destruction of Cities», « Ecocide, the Destruction of Nature», « From Holodomor to water cutting », « Criminal flag ».
https://aatonau.com/helene-de-tyndare-a-portrait-of-resilience-and-creativity/
LATEST EXHIBITIONS
2019 – Collective exhibition organized by the Arcades School of Art
2019 – Participation in the artist studio’s open-door event and the market of artworks organized by the city of Boulogne-Billancourt
2020-Collective exhibition in the Landowsky Cultural Center, in the town of Boulogne-Billancourt
2021-Collective exhibition at the City Hall of Boulogne-Billancourt
2022 – Personal exhibition « PORTRAITS D’HUMANITE » à la galerie “L’Entrepôt” au 22 rue Millo à Monaco
2022 – Exhibition in Parma Italy at the International Art Forum
2023 – Exhibition in Milan Italy with Mega Art Gallery
2023-Exhibition Art Graulhet sixth edition
2023-Exhibition GlobArt ville Fayence
2023-Exhibition ville Boulogne-Billancourt
I have always practiced painting. After a career as an engineer, I have been practicing my artistic activities full-time for ten years in my studio located in Boulogne Billancourt until 2019 and in Cannes since 2020.
I can now live my emotions through an artistic expression whose originality of style is now well affirmed. My gaze is nourished by the diversity of my past experiences in environments such as Siberia, Central Asia, and Central Europe and my many trips to France, Europe, and North America.
I have my artistic style which I call cartographic expressionism. My works have in common the use of living colors. In the portraits, I try to translate the humanity that emerges from the gaze and the attitude of the model. In landscapes, I reproduce the emotions that particular atmospheres and luminosity inspire in me. The relationship between nature and human beings is the basis of the common reflection that inspires me in these two themes of portraiture and landscape.
For the portraits, my models are either relatives or photographs that have triggered my emotions and my creative energy. The emotions and attitudes reflected in my work are as varied as serenity, wisdom, tenderness, fragility, melancholy, curiosity, empathy, reflection, energy, courage, or pride.
I work on different media (mainly on canvas frames) in different sizes (mainly between 50 X 70 and 100 X 120) and formats (standard, square, figure, landscape, etc.).
Now I work with large formats from 4 meters long and 2 meters wide, both on canvas and on paper
Billie
Adriana Azevedo was born in 1970 in Natal, Brazil. During the Covid pandemic lockdown, she’s unleashed her artistic passion and embraced it. As an immigrant artist based in Florida, her unique Brazilian perspective and cultural background inspire her creative expression.
She worked as an architect in Brazil for 2 decades before moving to the United States. She is proud and honored to contribute to the vibrant and diverse artistic community in the Orlando area.
I find my deepest inspiration in the fascinating worlds of Cubism and Surrealism. These influential movements have ignited my creative spirit, guiding me to explore the intricate interplay between reality and imagination on canvas.
My work is a reflection of the multifaceted nature of existence. Through the lens of Cubism, I deconstruct the ordinary, breaking down conventional forms into a tapestry of geometric shapes and angles. This allows me to unveil new dimensions within the familiar, encouraging viewers to contemplate the essence of what they see.
Biomorphic
Wallace Brown earned her MFA in Studio Art from the Meadows School of the Arts at Southern Methodist University (Dallas, TX) and a BFA in drawing and painting from CVAD at the University of North Texas (Denton, TX). Selected venues exhibiting her work include The Dallas Contemporary, UTD Haggerty Gallery, Hawn Gallery, The Dallas Art Fair, The 500X Gallery, Mighty Fine Arts Gallery, Studio 832, Axis Gallery, and Texas State University.
Abstract art from the early 20th century in Western Europe provides the springboard for her idiosyncratic paintings on canvas, paper, and wall. Theo Van Doesburg, associated with De Stijl from 1917 to 1931, along with the artist educators of the Bauhaus School from 1919 to 1933, are stalwart influences on her work. Research material to support her current inquiry comes directly from Joseph Albers’ Interaction of Color, 1963, Yale University.
Originally from Dallas, Wallace Brown lives and works in Austin, Texas.
Color has multiple infinities. Color has behavior. To speak in terms of hue over-simplifies our comprehensive understanding regarding the orchestration of light reflection and refraction within constantly changing environments. I begin a painting with an idea about the simultaneous contrast of color as described by Joseph Albers in the book Interaction of Color. Repetition of the hand-painted brushstroke is a meditative process that allows me to create form using color and shape alone. I read abstract art as one would read a book. The visual elements act as language without words.
Bird On A Wire
Meet Sue Anderson, the creative force behind Susan Locke Photography. Susan is a talented photographer with a passion for capturing the beauty of the world around us. Her work is a celebration of the natural world and the moments that make life special.
Susan’s love of photography began at a young age when she received her first camera as a gift. Over the years, she has honed her skills, experimenting with different techniques and styles to create stunning images that capture the essence of her subjects.
Susan’s photography is characterized by its timeless beauty and attention to detail. Her images are infused with a sense of wonder and awe, and they transport viewers to a world of beauty and tranquility. Whether she is capturing the majesty of a mountain landscape or a surreal world, Susan’s photographs are a testament to the power of art to evoke emotion and inspire us to see the world in new ways.
My dreams and the fantastical world of my imagination serve as the sources of my inspiration. I enjoy capturing the essence of my playful view of the world and transforming it into fun photographic compositions that are both captivating and thought-provoking. I invite the viewer to explore the depths of their imagination and to embrace the surreal and magical aspects of life. I aim to produce magical, enchanted, and wonder-filled images that take viewers to a realm where anything is conceivable.