The Forest Queen

Susan Bagrationoff is a professional surrealist whose body of work focuses on mythology and mysterious creatures. Faeries and folklore are the subjects of her creations using the beauty of nature within the Pacific Northwest for realistic reference. She creates her works with copious amounts of modeling paste, multiple layers of acrylic paint in brilliant hues, and metallic mediums to give a magickal ‘vibe’ from her creations.
Susan graduated with her Bachelor of Fine Arts in 2002 from Florida International University in Miami, Florida. In 2013, Susan started her own art education studio, Artsy Fartsy Art Lessons, which relocated to Kent, WA in 2016. Susan is a member of ARTrails, which is an annual art show that takes place in Centralia, Washington in late September. Since 2023, Susan has displayed works in various exhibitions at Gallery B612 and The Fishbowl in Seattle. In 2024, some of Susan’s works were published in ArtistTalk and Novum Artis magazines. She also exhibits her art through online organizations such as HMVC Gallery New York, Biafarin, and Arteom Gallery.

In a world of so much chaos, an escape into the realm of faeries brings peace and glamour into our dimension. Faeries always hold my fascination when I encounter them within our realm. I utilize the magic within my artistic soul to summon these creatures so that anyone can experience their charm and be inspired to believe in what they cannot see.

My work is conjured onto canvas using copious amounts of modeling paste and acrylic paints with multiple layers of various brushstrokes and the use of palette knife techniques. Brilliant colors and metallic hues are used to enable the faeries to emphasize their `vibe`, inspiring the viewer to discover the essence of these beings. The texture of their skin, hair, and backgrounds are vital to conveying the elemental qualities of each fae. I am perpetually discovering new ways to bring my faeries to life so they can gaze upon us humans as we admire their portraits.

This piece, “Just Venting”, sums up the release of various stressors that have been brought to the world’s attention over the past year.

The Forgotten

Lynn Sposito was born and raised on Long Island, NY. Spending summer vacations in the upstate region of NY, Lynn found a deep connectedness to nature and her spirituality. It was then that her desire to share that love through art was born. Beneath the canopies of evergreens or sitting in the middle of the lake in the Adirondack Mountains, she painted and penned poetry. As a young mother reading picture books to her children, Lynn was inspired to create her bold technique of Painted Mâché, using hand-painted tissue paper for her unique creations.

Lynn is now located in Central Florida, USA. Her unique style of art has earned her recognition worldwide, receiving Awards of Merit for her art. She has been featured in several spotlight interviews such as Orlando Voyager Magazine and The Healing Power of Art and Artists. Lynn has showcased her artwork worldwide and her piece “Against the Odds” resides in the permanent collection in a private Museum in Athens, Greece.

Channeling energies inherent to life itself, I wish to ignite connections within my viewers through my art. I’m inspired by qualities illustrators engage within the pages of children’s books, captivated with movement & energy evoked through cuts of paper. Inspired, I experimented with the paper’s fragmentations. Through a collage process, art emerges reminiscent of stained glass & mosaics. Using tissue paper & different media, what I call “Painted Mâché” is born. Examining the natural world that binds us together, as the figurative dissolves into abstractions, I distance myself from reality, pushing towards the surreal. I unearth the intangible journeys we embark on, exploring symbolism & visual metaphors, unveiling the dichotomies of existence – love/ pain, night/day, life/death. Tapping into these terrestrial & spiritual energies, as boundless as the universe itself, I evoke emotions that resonate with viewers as individuals, a collective, & humans sharing this planet we call home.

The Good Luck Tree

Bruce Sanders is an expressionist and abstract painter living in Malibu, California. Bruce’s work blurs the lines between representational and abstract art. It delves into a space between the real world and a mystical-magical realm. Bruce employs kinetic forms, dynamic colors, and primal emotions in all of his art. By doing so, his work compels viewers to empathize, analyze, and interpret their own feelings.

Bruce’s work has been exhibited in shows in Laguna, Newport Beach, Santa Monica, Ventura, Los Angeles, Sacramento, and Palm Springs. Bruce is a member of the Los Angeles Art Association/Gallery 825. He is a Member Artist of TAG Gallery in Los Angeles near LACMA. Bruce is also a Member Artist of Artlounge Collective in Los Angeles. His work has been purchased by collectors locally, nationally, and internationally. Three of his paintings are in a private gallery in Vienna, Austria. Bruce has authored four catalog art books: INTROSPECTION, I BELIEVE IN ANGELS, THE HEART WANTS WHAT THE HEART WANTS, and IMAGINATION. UCLA School of Dentistry has a collection of eighteen of his paintings.

I am an artist based in Malibu, California.

My paintings are recordings of humble attempts to “look inward.” This process seems to be less of a clinical evaluation and more of a spiritual search. My work is the product of reflecting upon the blessings, joys, sorrows, and losses I have experienced over a lifetime. I try to use color, texture, line, and form as vehicles for the expression of my feelings and emotions.

I believe that my work blurs the lines between representational and abstract art. It delves into a space between the real world and a “mystical-magical” dream-like realm. Working mostly with acrylics on canvas, I try to employ kinetic forms, dynamic colors, and heavy texturing in my art. My hope is that those who view my paintings will be “drawn in” to analyzing, empathizing, and evoking their own feelings and emotions.

This solo show entitled “MAGICAL FLOWERS / MYSTICAL TREES” comes before the 9th anniversary of my beloved wife, Barbara’s passing. Barbara loved working in the garden; and she treasured the blessings of flowers, trees, and plants. She thought of a garden as a “sacred place” and she found great peace there.

Why are flowers “magical?” Flowers are one of nature’s great gifts. Even if a person is having a bad day, the sight of a beautiful bouquet or a field of flowers can bring a smile to a person’s face and perhaps a little joy. Flowers bring bright colors to the world, but they are very fragile. We must learn to appreciate the blessing of flowers while they are in bloom. On the other hand, trees tend to be very sturdy and resilient. They are “here” before we were born, and it is likely they will be “here” long after we are gone. There are seasons when trees are in bloom, and seasons when they are barren. But trees “endure.” For me, their roots grow deep into the earth; and this represents our ancestors, heritage, and traditions. Their branches and foliage represent future generations, and continual growth and change. These enduring qualities make trees “mystical” and perhaps “spiritual.”

I would like to dedicate this show to honor Barbara’s memory, and I would like to thank HMVC GALLERY NEW YORK for giving me this wonderful opportunity to exhibit my work.

The Good Part

Jody Nelson is a Palm Desert, California-based mixed media artist whose layered, luminous paintings have been featured in juried exhibitions and both group and solo shows, with original work available through Saatchi Art and held in private collections across the United States and Canada. Drawn to expressive color, richly built-up surfaces, and the emotional resonance of still moments, her paintings transform the quiet textures of everyday life into bold, joyful works. Working in acrylic, pastel, and collage, Nelson builds each painting through layers of torn paper and mark-making, creating surfaces that carry their own history before the figure arrives. Each piece balances energy with calm — an ongoing invitation to pause, to notice, and to find beauty in the ordinary.

I paint women in the quiet moments — not the moments the world sees, but the ones that happen in between. The exhale after the effort. The stillness that arrives when we finally stop moving long enough to feel something.
My work is built in layers — torn paper, acrylic, pastel, and mark-making — each surface carrying its own history before the figure arrives. The women I paint are never performing. They are resting, remembering, belonging to themselves and to each other. Emotion, for me, lives in the body before it reaches the face. In shoulders that relax. In feet sinking into warm sand. In a chin lifted toward the sun.

The Great Escape

Jared Konopitski is an artist living and working in Sacramento, California. Jared works in many mediums; however, he primarily works with acrylic paintings. Jared has worked with many clients such as Art O Mat, Turning Art, Wide Open Walls, and more. In addition, Jared has curated numerous gallery shows and corporate art seminars. In his spare time, he enjoys facilitating art workshops with a focus on early art education. His work has been exhibited at galleries, festivals, and museums across the US and internationally, including:

The Smithsonian, Washington, D.C.
The Crocker Art Museum, Sacramento, CA
The Mutter Museum, Philadelphia, PA.
Stranger Factory, Algodones, New Mexico
Giant Robot, Los Angeles, CA
Baton Rouge Gallery, Surreal Salon, Louisiana

Jared has had his work seen in:

Adbusters Magazine(2023)
Juxtapoz.com (2018)
PBS Art Showcase television show (2015 – 2017)
The New Yorker (2014)
Color Ink Book (2013)
Papercut Magazine (2013)
Arcana’s Steampunk Originals (2013)
Heavy Metal Magazine (2012)
Catapult Magazine (2012), DisColouring Book (2012)
Penumbra eZine (2012)
And Wow! Cool! Psycho Nurse Calendar (2011)

Awards:
KVIE Art Auction Curator Award – 2019

 

I am inspired by all things beautifully weird, such as monsters, the bugs living under the rocks, creatures in jars, ghosts, all the nooks and crannies of nature. But I am also inspired by comics, cartoons, noise music and neon anything. So I try to paint the way these things make me feel. Sometimes it comes out fun, sometimes scary, sometimes cute, and sometimes ugly. But I love it all. I prefer painting with acrylics on wood. And after the acrylics are laid down, I love to go over everything with black Ink. The black ink brings out the detail and gives the whole painting a better sense of flow.

The Hangman

Jared Konopitski is an artist living and working in Sacramento, California. Jared works in many mediums; however, he primarily works with acrylic paintings. Jared has worked with many clients such as Art O Mat, Turning Art, Wide Open Walls, and more. In addition, Jared has curated numerous gallery shows and corporate art seminars. In his spare time, he enjoys facilitating art workshops with a focus on early art education. His work has been exhibited at galleries, festivals, and museums across the US and internationally, including:

The Smithsonian, Washington, D.C.
The Crocker Art Museum, Sacramento, CA
The Mutter Museum, Philadelphia, PA.
Stranger Factory, Algodones, New Mexico
Giant Robot, Los Angeles, CA
Baton Rouge Gallery, Surreal Salon, Louisiana

Jared has had his work seen in:

Adbusters Magazine(2023)
Juxtapoz.com (2018)
PBS Art Showcase television show (2015 – 2017)
The New Yorker (2014)
Color Ink Book (2013)
Papercut Magazine (2013)
Arcana’s Steampunk Originals (2013)
Heavy Metal Magazine (2012)
Catapult Magazine (2012), DisColouring Book (2012)
Penumbra eZine (2012)
And Wow! Cool! Psycho Nurse Calendar (2011)

Awards:
KVIE Art Auction Curator Award – 2019

 

I am inspired by all things beautifully weird, such as monsters, the bugs living under the rocks, creatures in jars, ghosts, all the nooks and crannies of nature. But I am also inspired by comics, cartoons, noise music and neon anything. So I try to paint the way these things make me feel. Sometimes it comes out fun, sometimes scary, sometimes cute, and sometimes ugly. But I love it all. I prefer painting with acrylics on wood. And after the acrylics are laid down, I love to go over everything with black Ink. The black ink brings out the detail and gives the whole painting a better sense of flow.

The Hidden One

Susan Bagrationoff is a professional surrealist whose body of work focuses on mythology and mysterious creatures. Faeries and folklore are the subjects of her creations using the beauty of nature within the Pacific Northwest for realistic reference. She creates her works with copious amounts of modeling paste, multiple layers of acrylic paint in brilliant hues, and metallic mediums to give a magickal ‘vibe’ from her creations.
Susan graduated with her Bachelor of Fine Arts in 2002 from Florida International University in Miami, Florida. In 2013, Susan started her own art education studio, Artsy Fartsy Art Lessons, which relocated to Kent, WA in 2016. Susan is a member of ARTrails, which is an annual art show that takes place in Centralia, Washington in late September. Since 2023, Susan has displayed works in various exhibitions at Gallery B612 and The Fishbowl in Seattle. In 2024, some of Susan’s works were published in ArtistTalk and Novum Artis magazines. She also exhibits her art through online organizations such as HMVC Gallery New York, Biafarin, and Arteom Gallery.

In a world of so much chaos, an escape into the realm of faeries brings peace and glamour into our dimension. Faeries always hold my fascination when I encounter them within our realm. I utilize the magic within my artistic soul to summon these creatures so that anyone can experience their charm and be inspired to believe in what they cannot see.

My work is conjured onto canvas using copious amounts of modeling paste and acrylic paints with multiple layers of various brushstrokes and the use of palette knife techniques. Brilliant colors and metallic hues are used to enable the faeries to emphasize their `vibe`, inspiring the viewer to discover the essence of these beings. The texture of their skin, hair, and backgrounds are vital to conveying the elemental qualities of each fae. I am perpetually discovering new ways to bring my faeries to life so they can gaze upon us humans as we admire their portraits.

This piece, “Just Venting”, sums up the release of various stressors that have been brought to the world’s attention over the past year.

The Hills Of Napa

Born in Beacon NY, Mark is an artist based in Las Vegas, who is known for his impressionist paintings that capture people, places, and the events in his life. Timeless and tasteful, or modern and messy, images in his life demand to be examined. Mark often uses acrylic paint to create highly textured, three-dimensional works on canvas. A graduate of San Jose State’s art program, Mark’s first influence was his great uncle, Alfred Pizzarelli, an artist from New York City in the 1950s-60s. When admiring his uncle’s wonderful paintings, Mark would daydream about the people he painted, and interpret their expressions and colorful surroundings. Mark’s paintings are meant to burst with energy, life, and texture, beckoning the viewer to engage with the same wonderment he experienced as a child. You can find Mark’s artwork across Las Vegas in restaurants, wineries, and local galleries. When Mark’s not working, he’s spending time with his wife, Alicia, and their English bulldog, Belma.

So many things I think about when I look far away. Things I know, things I wonder, things I’d like to say.

After 20 wonderful years of painting, I decided that it was a perfect time to explore different landscapes. After months of researching different regions, I settled on Nara Park Japan. I found the history and landscapes to be intoxicating.

My artwork is a direct reflection of the different seasons of the park. I like to work in acrylics on canvas to enhance all the emotions and colors that Nara has to offer. I use bright or muted colors to communicate the magic and essence of the ever-changing seasons. Even as I branch out to other mediums or subject matters, I’m always tempted to come back to Nara Park.

If a viewer stops for just a moment to reflect on a piece I have created and feels emotion from the thousands of colors captured on canvas that reflect the different seasons, then I have succeeded in my work.

The Hope Tree

Bruce Sanders is an expressionist and abstract painter living in Malibu, California. Bruce’s work blurs the lines between representational and abstract art. It delves into a space between the real world and a mystical-magical realm. Bruce employs kinetic forms, dynamic colors, and primal emotions in all of his art. By doing so, his work compels viewers to empathize, analyze, and interpret their own feelings.

Bruce’s work has been exhibited in shows in Laguna, Newport Beach, Santa Monica, Ventura, Los Angeles, Sacramento, and Palm Springs. Bruce is a member of the Los Angeles Art Association/Gallery 825. He is a Member Artist of TAG Gallery in Los Angeles near LACMA. Bruce is also a Member Artist of Artlounge Collective in Los Angeles. His work has been purchased by collectors locally, nationally, and internationally. Three of his paintings are in a private gallery in Vienna, Austria. Bruce has authored four catalog art books: INTROSPECTION, I BELIEVE IN ANGELS, THE HEART WANTS WHAT THE HEART WANTS, and IMAGINATION. UCLA School of Dentistry has a collection of eighteen of his paintings.

I am an artist based in Malibu, California.

My paintings are recordings of humble attempts to “look inward.” This process seems to be less of a clinical evaluation and more of a spiritual search. My work is the product of reflecting upon the blessings, joys, sorrows, and losses I have experienced over a lifetime. I try to use color, texture, line, and form as vehicles for the expression of my feelings and emotions.

I believe that my work blurs the lines between representational and abstract art. It delves into a space between the real world and a “mystical-magical” dream-like realm. Working mostly with acrylics on canvas, I try to employ kinetic forms, dynamic colors, and heavy texturing in my art. My hope is that those who view my paintings will be “drawn in” to analyzing, empathizing, and evoking their own feelings and emotions.

This solo show entitled “MAGICAL FLOWERS / MYSTICAL TREES” comes before the 9th anniversary of my beloved wife, Barbara’s passing. Barbara loved working in the garden; and she treasured the blessings of flowers, trees, and plants. She thought of a garden as a “sacred place” and she found great peace there.

Why are flowers “magical?” Flowers are one of nature’s great gifts. Even if a person is having a bad day, the sight of a beautiful bouquet or a field of flowers can bring a smile to a person’s face and perhaps a little joy. Flowers bring bright colors to the world, but they are very fragile. We must learn to appreciate the blessing of flowers while they are in bloom. On the other hand, trees tend to be very sturdy and resilient. They are “here” before we were born, and it is likely they will be “here” long after we are gone. There are seasons when trees are in bloom, and seasons when they are barren. But trees “endure.” For me, their roots grow deep into the earth; and this represents our ancestors, heritage, and traditions. Their branches and foliage represent future generations, and continual growth and change. These enduring qualities make trees “mystical” and perhaps “spiritual.”

I would like to dedicate this show to honor Barbara’s memory, and I would like to thank HMVC GALLERY NEW YORK for giving me this wonderful opportunity to exhibit my work.