Eva
Marie Nova is a multidisciplinary artist from Russia. She is primarily known for her collage work that tackles a variety of themes, among them feminism and climate change, all through a glamorous yet ironic lens. Her latest focus has been on film photography, exploring still life and portraits.
Marie studied art at Bishop Ridley College (Ontario, Canada) and later at Cambridge School of Visual and Performing Arts (UK). Additionally, she is a Bachelor’s in Marketing and Communications (Milan). After graduation, she has been working as a freelance artist while consecutively discovering new mediums and themes for her art. Her work has been exhibited in Milan, Berlin, London, LA, and NY. Please see the exhibition list here http://wanderfeeds.com/
Marie is currently residing between Riga and Milan.
Marie Nova mainly focuses on the medium of film in her photography work, thus making an emotional connection, and avoiding the digitalization of the art. She explores still life and portraits, connecting moments with nostalgic feelings.
The August series on film emphasize summer in warm, excitable moments which attempt to move the viewer to a joyful parallel world. These moments are braided with childhood longing and flirtatious accents on the body that is free and aches for the nomad lifestyle. With all the atrocities in the world, these series seek quiet, peaceful celebration of life where life is still allowed.
Evanescence
Estelle has been immersed in creation since she was a child. She attends the school of fine arts for children and thus explores different plastic techniques.
It unfolds with dance, which emerges with evidence at the age of 17, in this magnificent encounter of the body and life that pulsates there.
Then at the age of 20, she discovered Chinese calligraphy, a love was born for this art of a clear force and devoid of artifice. She explored it for ten years in a quest for presence and harmony.
Until the painting interferes, touched by the beauty of colors, of light, by this path that is created and transformed on the canvas in a thirst for authenticity.
Through these paintings, I honor the body in its beauty, in its sensuality. I honor what can come out of us when we offer ourselves to others. To reveal the preciousness of this gift that does not have to be stolen, looted, or taken by force.
It is a priceless gift to be honored and respected. It is this look that I wish to rekindle in both women and men. A look at oneself and a look at the other.
Consideration.
To give back its sacredness to our bodies in sexuality which is above all, for me, a sharing of love and life.
Eve
I studied at Parsons School of Design, where I experimented with various forms of media, but I have returned to my roots in oil painting here in Los Angeles. For me, art is not just creation but revelation. It is an ever-evolving process of self-discovery, a way to navigate life’s transitions, and a means to connect deeply with others. Just as life is an ever-evolving journey, my artwork is in a constant state of transformation—always shifting, always growing.
Women are central to my work—our faces and forms becoming vessels for storytelling, feeling, and rebirth. Through layers of color and texture, I seek to capture the unspoken grief, joy, loss, and renewal, allowing each piece to serve as both a mirror and a window into a new way of seeing.
Each brushstroke is an invitation to feel, reflect, and embrace the transformation’s beauty.
I am a Los Angeles-based artist who has been working for over 10 years in oil painting and various forms of mediums. My work is deeply rooted in emotion and color, using portraiture and abstraction to evoke profound pain, suffering, and awakening. Through expressions of femininity, I explore resilience, transformation, and the unspoken emotions that shape us. Art serves as my sanctuary, my form of therapy. Through pain and hardship, I have turned to creation as a means of healing, expression, and transformation. Each brushstroke is a reflection of resilience, a testament to the power of art in navigating life’s challenges. In creating my art, I hope my work evokes deep emotion and serves as a source of solace and connection for others, just as they have for me.
Eveline
Adhering to her mission to reuse and recycle found items, Natalie Oliphant, an emerging Eco Artist living in Medicine Hat, Alberta, Canada, maintains a strong focus on creating while respecting the need to protect the environment. Natalie adheres to repurposed fabrics to create texture on each body form. She then affixes thousands of found items to her piece. Her works reveal the many emotions caused by coming-of-age milestones and human experiences. Female infertility, rejection, deep sorrow, and feelings of no escape are just a few of the themes Natalie captures in her work.
As an emerging eco-artist, I see the value in repurposing thousands of discarded items. From my mannequin body forms to pieces of memorabilia, I create portals to my memories. Many of my themes are not exclusive to my life. We all need to feel a connection to someone or something. We all need to feel compassion and deep empathy for the trials and tribulations of others. So much emotion can be read in body language. The posture and position of the human physique reveal a relatable story. The pain of infertility, the deep sadness of rejection, and the cutting emotion of grief are recognized and celebrated in each of my works. I am committed to saving items from landfill and letting their beauty live on.
Even Tide
When I was studying architecture, photography was a tool I used in the creation of projects and to enhance the presentation of the final product. I incorporated the camera lens as a part of the design development process looking at elements of design such as form, space, geometry, light, texture, and color. Over time, as I improved my knowledge of creative design, I also increased my interest in photography learning that the elements were the same. Just as I had photographed the components of my designs, my work became focused on looking for the elements of architectural design in every image I create. To me, composing a photo is similar to designing a building. I like to see how the visual building blocks in the elements of design can be combined into a unique whole.
” I look at every photo opportunity as if it were a design with architectural, structural, and artistic integrity, regardless of the subject matter.
RJ Pizzi
Light in all its forms whether in day or night has been an inspiration throughout my conventional photographic journey. By taking the elements of light and combining more than one of my images through photographic art, I am able to create new images. In the literal sense, nowhere are layers done better than Mother Nature in the landscape.
Evening In Brooklyn
Since 2013 I have been living and creating in the United Kingdom. I have had 22 solo and 56 group exhibitions in Europe: Italy, Spain, Portugal, France, Lithuania, Switzerland, Hungary, also in England, Canada, and the United States.
I was born in Lithuania in 1962. Finished A. Martinaitis Art School and Academy of Art. My artistic career started in 1989, but only in 2018 I created my website in the English language and became more visible around the globe. Since I received numerous recognitions. In 2019 by the International Art Market Magazine, I was selected to be on the Gold List as one of the Top Artists of Today. In 2020 I was awarded the 3rd International Leonardo Da Vinci Prize and with the New York City Prize. My artworks are included in the Art Anthologies “Important World Artists 2020” and “International Contemporary Masters 2021” the publisher is Artavita US. In 2021 I was awarded the Dante Alighieri International Prize. In 2022 in New York I was awarded ATIM’s Top 60 Masters Award and the Collector’s Choice Award. Also, my artworks were selected in the Art Anthology V Madrid Edition, curated by the Guto Ajayu Culture. The World of Art Magazine selected my artwork for the book “La Biennale di Venezia 2022.”
This year mostly I exhibited in Italy in Venice and Rome in the exhibitions “Consciousness” and “Visions” curated by the ITSLIQUID group, also, in Rome in the Rossocinabro Gallery, in Venice in the group exhibition “We Are Reversal” and recently participated in the group exhibition in the European Museum of Modern Art, in Madrid, Spain.
In the creative process, I use different media: oil on canvas, acrylic on canvas, and mixed media: oil pastels, acrylic, watercolors on paper, and collages. For many years it was my favorite technique. In order to achieve richness and dexterity of the surface, I use wood, mirrors, textiles, leather, sawdust, and photos as the main structure of the artwork and at the end of creating final touches with oil colors. The picture’s physical body juxtaposed and suffused each part of the painting and veritably formed jazz of the visual performance.
In the last decade, the majority of my artworks are oil on canvas. Each time inspiration comes from different sources. From outside the world: travels, music, books, art, and from inside: meditations, eternity, and a unified field of consciousness.
In order to achieve a particular expression and to show the inner and spirit of the object, I stylize the forms’ nature in my own unique way. I don’t like for a long time repeat myself in the same manner, I get bored.
I always try to in a different manner express myself and enjoy discovering something new, what I haven’t seen or felt in my life and in Art.
In my opinion… It doesn’t matter in which manner the painting has been painted, small, or big it is, the most important is the spiritual level of the artwork which should make a strong emotional impression on the viewers.
Evening Meal
Don Alemany Wildfowl Carver
Wildfowl carving is a form of art that involves creating detailed, realistic sculptures of birds and other wildlife. It has its roots in the tradition of making decoys to attract waterfowl for hunting but has since evolved into a standalone art form that focuses on capturing the beauty and individual characteristics of birds and other animals.
The process of creating a wildfowl sculpture typically begins with research and gathering reference materials, followed by the creation of a clay model to serve as a guide for the final sculpture. The sculpture is then carved in wood and may also include elements made of metal or other durable materials. The finished sculpture should be a highly detailed and realistic representation of the subject, inspiring viewers to appreciate the beauty of nature.
Don, is a member of Artist for Conservation and supports organizations like the Algonquin Wildlife Research Station and The Owl Foundation. It’s important to recognize the role that art can play in raising awareness and supporting conservation efforts, and it’s wonderful that Don is using his art to make a positive impact.
Evening Meal
This sculpture, crafted meticulously from wood and brass, captures the tender yet urgent moment of two fledgling barn swallows perched on a reed, their beaks wide open, waiting for the nourishment only their parents can provide. The delicate balance between the fragility of life and the relentless need for survival is embodied in the fine details of their feathered forms, the tension in their outstretched necks, and the hopeful, yet anxious expression in their eyes.
This scene of the swallows waiting for their parents serves as a powerful metaphor for children around the world who go to bed hungry, their cries unheard or unanswered due to circumstances beyond their control. Just as the swallows are dependent on their parents for sustenance, these children rely on their caregivers, who may be struggling to provide for them due to wars, economic hardships, or systemic inequalities. The sculpture is a reminder of the precariousness of life and the innocence of those who suffer the consequences of larger forces at play.
In creating this piece, I aim to evoke empathy and awareness, inviting viewers to consider the shared vulnerability of all young beings—whether in the natural world or human society—and the profound responsibility we all bear to nurture and protect them. The work stands as a silent plea for compassion, a call to action, and a tribute to the resilience of the human spirit.
Evenings Edge
Gayle Faulkner, with over 35 years of artistic exploration and creativity, stands as a seasoned watercolor, acrylic, and mural artist. Her journey has been marked by constant exploration, a playful engagement with diverse media, and an unwavering commitment to growth in the world of art.
Her academic journey, rooted in a BA in Sociology from William Jewell College in Liberty, Missouri, initially led her to work with children, integrating art into their day-to-day experiences. Gayle’s passion for art eventually pulled her into a more immersive pursuit. She delved into Art and Design courses at Louisiana Tech University in Ruston, unlocking her artistic soul. The willingness to ”put herself out there”, coupled with years of hard work and a penchant for thinking outside the box, allowed her to undergo a major growth period.
Finally, the challenges posed by the COVID-19 quarantine became a catalyst for Gayle’s artistic metamorphosis, leading her to focus on acrylic paintings on canvas. Engaging in an online course.
In my art practice, I describe my creations as Textural Acrylics. This term represents the exciting experience of observing paint flow from the palette knife, forming captivating textures and colors. Each stroke channels emotion, and every canvas captures a moment of creative inspiration.
My process is spontaneous – I start with a loose outline, sketch the composition, and then fully immerse myself in the act of creating. Throughout the process, music is my closest companion, its volume soaring. I dance to the rhythm, losing myself in the beats, and, on occasion, even letting out a song. My painting process is a multisensory experience, an immersive journey into the fusion of sound and color, where each note becomes a brushstroke, and every stroke on the canvas is a dance of creation. I often liken my paintings to cherished children—it’s a relationship that involves nurturing, engaging in heartfelt conversations, and weathering the challenges of creative adolescence with boundless love and patience.
Evermore
Michelle Vezina Peterlin is an American Artist. She was born in Gardner, Massachusetts. She is the second generation to be born in America on her maternal side. Her artistic ability expressed itself around the age of 5. Her parents had the foresight to enroll her in private art lessons. She spent her youth receiving training from the Fitchburg Art Museum in Massachusetts. She received her bachelor’s degree in painting from the University of Massachusetts at Amherst. At UMASS, she was fortunate to study under known master painters John Grillo and Leonel Gongora.
She spent the first 10 years of her career as an art curator at the Norman Rockwell Museum in Stockbridge, Massachusetts, Historic New Harmony (Indiana), and the New Harmony Gallery of Contemporary Art. In 1993, she and her husband relocated to Southern Indiana. In 1996, she made the decision to leave the curator field to raise her children with her husband and paint full-time.
She is currently an adjunct painting professor at the University of Evansville. She is an elected member of the Rhode Island Art League. She is a member of the National Acrylic & Oil Painters Society. She is the Art director and board member of the New Harmony Artists’ Guild.
Her most recent work has evolved around being Jewish and a woman in a world of conflict. Many of the models are her daughters and she records their dreams and aspirations. Her compositions have to do with peace, war, conflict, folklore, and universal symbols for peace, conflict, good, and evil.
Painting is pure emotion. As you work, it pours out from your heart and runs down your fingers and onto the canvas. Every composition, whether abstract to photo-real, is an illustration of the artist’s emotional internal world.
When I paint, I reflect on the that are most important and how I feel the world. The painter, Wassily Kandinsky, wrote a book on basic color theory assigning colors to emotion. I am a bit of a synesthete and when I hear music, I see in colors and photos. Everything in my life has a color assigned to it which creates a system of memory. In my work, I use symbols and colors that do not require language to understand. I want my art to be impactful and able to be understood by all, regardless of language, age, or culture.