Emerging
Early art education at Chicago’s Art Institute on a high school scholarship began Katy Bishop’s pathway to use the arts to enhance others’ lives and her own. At the Art Institute, she worked in oil, pastels, watercolor, and charcoal.
After college graduation, she became part of creative teams, producing films for many years. She produced some independent feature films, directed a TV series, and produced hundreds of national TV commercials. She found these years to be quite rewarding creatively and received some major TV commercial awards.
She also explored other creative outlets – directing theater, acting, ceramics, jewelry design, photography, and script writing. She won the Houston Festival award for a children’s feature film script. But none totally satisfied her creative needs.
She had been working with acrylics and had ventured into encaustics. When a friend introduced her to alcohol inks, Katy found her expressive medium.
In 2021, Katy finally began showing her artworks publ
I create my artwork to communicate feelings and ideas that cannot easily be expressed well in words. Dreams, emotions, and memories are often considered abstract and lacking in comprehension. Abstract painting gives me the opportunity to create emotional and physical artwork that someone else can repeatedly enjoy.
As I explore the use of light and shade through color and movement, I recognize that the control we all want to exert in our lives is often paired with uncontrollable growth and change.
Emerging Hope
My artistic odyssey commenced with a major in 2D animation and Illustration, a foundational choice that has significantly molded my unique artistic perspective. During my college years, a profound fascination with character development and figure painting germinated, paving the way for the evolution of my distinctive art style. The culmination of this journey is a seamless fusion of illustration and realism, enabling me to weave captivating characters while authentically capturing the essence of reality in my artwork.
Now, as both a mother and an artist, my focus extends beyond the canvas. I prioritize the use of safe and non-toxic materials, particularly those suitable for children. My artistic palette intentionally embraces 5 to 7 colors, deftly mixed to generate a diverse spectrum of shades. This conscious approach not only allows me to produce professional-looking artwork but also reflects my unwavering commitment to the well-being of our water and environment. By embracing these kid-friendly materials, I ensure that my art is not only safe for everyone but also leaves no harmful impact on our surroundings.
I extend my gratitude for joining me on this artistic journey, where the interplay of passion, motherhood, and environmental consciousness converges to shape my creative expression.
The universal pursuit of happiness drives people to seek it through various means, such as prayers to a higher power or indulging in superstitions. While the intensity of desire can sometimes yield what seems like miraculous results, it might also be attributed to the placebo effect. One undeniable truth is that the direction of our energy profoundly influences our perception of happiness. If our internal state is positive, the world appears bright and joyous; conversely, a troubled heart tends to cast a shadow on our experiences. Ultimately, our happiness is a product of our own decisions.
In my artistic endeavors, my sincere aspiration is to bring joy to those who encounter my paintings. I aim for the heart to be the initial point where the spark of jubilation is ignited. This intention is reflected in my frequent use of primary and vivid colors. These hues are not arbitrary; rather, they are chosen for their ability to evoke joyous memories and simultaneously instill a sense of peace. Bright colors have the power to make hearts flutter, while lyrical subjects or backgrounds contribute to a tranquil atmosphere.
My paintings are born out of enjoyment. I extend the hope that those who encounter my artwork feel that sense of excitement and bliss akin to the arrival of spring after a cold winter. May my paintings serve as a conduit for the rejuvenation of the human spirit, evoking the warmth and joy reminiscent of the changing seasons.
Emetjan Rozi
Justin Fondrie (born 1987) is a Wisconsin-based artist and educator. He received his MFA in Imaging Arts at the Rochester Institute of Technology. His photographic work largely encompasses experimental processes that invoke the ideas of memory, pop culture, and temporality. Fondrie is currently an assistant lecturer at Carroll University and lives in Milwaukee, WI.
The faces you see come from a leaked database called The Xinjiang Police Files. In 2018, regions of China were ordered to photograph a substantial share of the population as part of data collection. A collection of 2,884 leaked photographs surfaced of Uyghur people who are/were in a re-education camp or detention center. Since the images were taken in 2018 the status of each detainee is unknown.
Each cyanotype uses an original source image taken of each person when the data was being collected. The ID photo is printed onto a handmade newspaper. The newspaper acts as an ever-changing medium symbolizing the revolving door of headlines of what people remember and what gets published. A cyanotype is a time-based process mirroring the time-based process of newspaper headlines. Much like human life the newspaper, cyanotype chemistry, and image of each person will change over time and will eventually fade away. A reminder of the fragile nature of our existence.
Emma Liza Reading In The Old Royal Academy Cafe Piccadilly London
Full Classical Art Training/Interior Design/SIAD Illustration. Solo/Group Expos/Works sold in UK/ London and Internationally. Listed in the 2005/6 Miller’s Picture Price Guide.
Although Emma Liza has been reading, I have just caught her, as she looks up, suddenly disturbed from the story she has been so absorbed in, and engages the viewer in full eye contact, – this makes for a dramatic composition. She is very much the Modern Woman, in full control of all she surveys.
Emotion
Aaron Krone has a B.A. from Friends University, Wichita, Kansas, and an MFA from Fort Hays State University, Hays, Kansas. He is an Associate Professor of studio arts at Friends University, Wichita, Kansas where he teaches compositional design, drawing, painting, and figural classes. He has won regional and international recognition for his artwork.
Much of my work is autobiographical, incorporating family history and memories. I often find content in my immediate surroundings. The act of watching human activity blends into my art-making as I try to capture relationships between the humans in my life. I strive to capture the essence of my subjects by showing their character and emotions.
I am influenced by a number of artists including Richard Diebenkorn who said, “Reality has to be digested, it has to be transmuted by paint. It has to be given a twist of some kind.”
Emotions
I am a female painter and photographer. I capture the raw beauty of human connection, using both paint and lens to capture love in my work, as love transcends language, borders, and time. Through my dual mediums, I can explore love in all its forms: tenderness between people, the beauty of cultural connection, and the resilience of communities. I can explore self-love and healing. My perspective, shaped by my identity and experiences, often brings a deeply empathetic lens to my art, allowing me to portray love, just as an emotion, but as a force for unity, change, and understanding in a divided world. This work was produced during my journey to healing, and I am so excited to finally share my art with the world.
Arabella is an inspiring painter and photographer whose work is a heartfelt celebration of global love and unity. Through her dynamic blend of visual storytelling and vivid color, she captures the raw beauty of human connection, using both paint and lens to reveal the shared emotions, struggles, and triumphs that unite us all. Her paintings and photographs transcend cultural barriers inviting viewers to see the world through the eyes of others, fostering empathy, understanding, and compassion. Each piece she creates speaks to the universal truth that love, in all its forms, is the force that binds humanity together. With a deep commitment to amplifying diverse voices and perspectives, Arabella empowers her audience to embrace the richness of our global tapestry, inspiring a collective vision of peace, unity, and love.
Enchanted Evening
Born in Beacon NY, Mark is an artist based in Las Vegas known for his impressionist paintings that capture people, places, and all the events in his life. Timeless and tasteful, or modern and messy, images in his life demand to be examined. Mark mainly uses acrylic paint to create highly textured, three-dimensional works on canvas.
A graduate of San Jose State’s art program, Mark’s first influence was his great uncle Alfred Pizzarelli, an artist from New York City in the 1950s-60s. He used to look at all of Alfred’s wonderful paintings and wonder “Who are these people?” and think they were trying to speak just to him by way of expressions and surrounding colors.
Mark’s paintings are meant to burst with energy, life, and texture hoping that they might speak to the viewer in some way. You can catch Mark’s artwork around Las Vegas in restaurants, wineries, and local galleries. When Mark’s not working, he’s spending time with his wife Alicia and their English bulldog Belma hoping to catch the next expression to put on canvas.
In my paintings, I find connecting threads throughout the world and infusing humor into everyday scenarios. Sparked by personal experiences and the observation of my surroundings, I seek resonance in our shared thoughts, dreams, and idiosyncrasies, weaving them into the tapestry of my artwork. I use a bright luminous palette to inject humor and color into the dull or show a different side of the expected. If a viewer stops for just a moment to reflect on a piece I have created and feels emotion from the thousands of colors captured on canvas, then I have succeeded in my work.
Enchanted Forest 1.0
I was born and raised in NYC but mostly in The Bronx. I attended CCNY where I graduated with a BS in Mathematics and an MA in Mathematics Education. I taught high school mathematics in The Bronx. I have always been interested in the arts and started writing poems and playing guitar at age 19. I studied poetry under Professor Robert O’Clair. I studied guitar at The Guitar Workshop. I studied painting and drawing at SUNY in Purchase. I have had paintings in 8 live group shows at Jones Gallery in Kansas City, Missouri, 2 at Arbor Gallery, Carmel, NY, and 1 at Putnam Arts Council starting 5/18/24 in Mahopac, NY. Also, I have exhibited in many online shows. I have exhibited continuously at HMVCGalleryNewYork virtually since its inception. A wonderful state-of-the-art gallery with outstanding artists! My poems have been published.in magazines, books, and at HVMOCA. I performed recently some of my poems at HVMOCA with other artists on April 13,20 and 21 2024 at Writing The Walls 2024. I self-published a children’s book, ”Mr. Fine Goes to the Eye Doctor”. My principal artistic interest has been abstract painting and drawing for the last 11 years, but I have written many poems as well. I live in Putnam County, NY.
My work in fine arts has principally been in 2 classes of abstract paintings: oils and water-based paints. However, I have completed numerous works in drawing. I focus on color, texture, methodology of delivery, and composition. In composition, I am interested in positive space and negative space as well. I believe the painting/drawing is a manifestation of my emotional state of both conscious and unconscious feelings.
Enchanted Forest Red
Gayle Faulkner, with over 35 years of artistic exploration and creativity, stands as a seasoned watercolor, acrylic, and mural artist. Her journey has been marked by constant exploration, a playful engagement with diverse media, and an unwavering commitment to growth in the world of art.
Her academic journey, rooted in a BA in Sociology from William Jewell College in Liberty, Missouri, initially led her to work with children, integrating art into their day-to-day experiences. Gayle’s passion for art eventually pulled her into a more immersive pursuit. She delved into Art and Design courses at Louisiana Tech University in Ruston, unlocking her artistic soul. The willingness to ”put herself out there”, coupled with years of hard work and a penchant for thinking outside the box, allowed her to undergo a major growth period.
Finally, the challenges posed by the COVID-19 quarantine became a catalyst for Gayle’s artistic metamorphosis, leading her to focus on acrylic paintings on canvas. Engaging in online courses and dedicating countless hours in the studio has led Gayle to newfound success in her career as an artist.
In her current artistic chapter, Gayle has embraced the multi-dimensional world of layered acrylic painting. These layered landscape paintings pulsate with depth, intricate patterns, and whimsical interpretations, inviting viewers to step into a space that offers a sanctuary from life’s pressures. Her aspiration is clear — to guide everyone towards a place, be it a memory or a dream, where they can meander, savor the fragrance of flowers, feel the gentle breeze, lean against a tree, and simply breathe.
Gayle’s works have graced numerous exhibitions, gallery shows, and juried art festivals, earning accolades and finding homes in corporate and private collections across the globe.
In my art practice, I describe my creations as Textural Acrylics. This term represents the exciting experience of observing paint flow from the palette knife, forming captivating textures and colors. Each stroke channels emotion, and every canvas captures a moment of creative inspiration.
My process is spontaneous – I start with a loose outline, sketch the composition, and then fully immerse myself in the act of creating. Throughout the process, music is my closest companion, its volume soaring. I dance to the rhythm, losing myself in the beats, and, on occasion, even letting out a song. My painting process is a multisensory experience, an immersive journey into the fusion of sound and color, where each note becomes a brushstroke, and every stroke on the canvas is a dance of creation. I often liken my paintings to cherished children—it’s a relationship that involves nurturing, engaging in heartfelt conversations, and weathering the challenges of creative adolescence with boundless love and patience. With each brushstroke, I invest love, patience, and understanding, allowing the artwork to evolve organically. The end result is akin to witnessing a child mature into a beautiful, fully-formed adult—a testament to the transformative power of artistic expression.
When the viewer engages with my work, I want them to do more than observe; I want them to partake in the sensory journey. Inhale the delicate fragrance of blooming flowers, listen to the subtle rustle of leaves, lean against the painted tree, and simply breathe. My paintings are meant to cease to be static images—they become portals, immersive experiences where anyone is welcome to wander, explore, and connect with the essence of my artistic vision. Through my Textural Acrylics, I aim to create a sanctuary where the boundaries between creator and audience blur, and the shared experience becomes a celebration of art and life.