★★ Look For The Rainbow ★★

Natalia was born in Europe and drew pictures from her childhood. She has started to paint in oil on canvas since 1990. In 2005 she moved to the USA for a better life and has started to display her Art in local Art Galleries in North Carolina since 2016.

Natalia’s artwork has been shown in her solo exhibition at Mooresville Art Gallery, Yadkinville, and Morganton North Carolina. She is the award winner of several local art contests and shows. In December 2018 Natalia Leigh received President’s Choice award for outstanding work in the visual arts from Rowan-Cabarrus Community College. Presently Natalia works as a nurse and paints pictures in her spare time in her own studio in Kannapolis NC.

My paintings are oil on black canvas, sizes 18×24, 22×28, 24×36, 24×30, and 36×48. The black canvas is like a beginning in life: plant a seed in the soil where it is dark and black. The seed will grow out turning into colors with sunshine, as goes the painting when I begin on the black canvas. The colors on the canvas begin to emerge and grow into the picture of whatever is in my heart. I am studying the symbols of nature, and symbols of subjects that surround us. I use those symbols to tell the story of everyday life.

★★ Negative 01 ★★

A dedicated photographer, inspired by the masters of painting, is committed to creating extensive series documenting American life and abstract work. Diverse landscapes and intricate cityscapes are captured on film and with pixels. Inanimate objects are personified. Human presence may be absent, but natural marks and human traces provide a backdrop. Overcast light is optimal, as it enhances color richness. Minimalistic abstractions are created through the lens and without a camera, filling the frame with balance, color, and asymmetrical and symmetrical energy.

Film as a medium deserves a new birth. Its aesthetic qualities and characteristics have been neglected. Its authenticity inspired this series, where the camera was abandoned, creating nonrepresentational paintings of light in photographic color. It is a study that uses varying temperatures of light, exploring its sensitivity and unpredictability. It’s a series of candor.

★★ Penumbra ★★

Milwaukee-based artist Dennis Felber has created indoor and outdoor sculptures since 2015. Inspired by nature’s unique shapes and textures, his sculptures incorporate a combination of stone, steel, and copper that mimic the organic forms observed around him. Utilizing specific welding techniques he creates sculptures that reveal a sense of movement and flow yet show a balance between the materials of metal and stone giving the sense they are alive and growing. From large-scale commissions to smaller wall pieces, his art elicits a want to touch it and experience the texture created. His work has won numerous awards and has been shown in galleries across the US.

I find myself inspired by nature’s unique patterns and distinctive shapes. Metal originates from rock and I play with the juxtaposition and balance of their connection.

Through my art, I demonstrate a common bond between the two, whether it be mimicking an organic shape, implied movement, or merging the two elements back into one. I want to reveal an alternative perspective of the natural world as I see it showing something familiar and common yet providing the viewer with a diverse and unique visual experience.

★★ Reverie ★★

Rachael is a self-taught stippling and impressionistic painter. A small-town “mountain girl” at heart, after living in the Midwest and the San Francisco Bay Area, she proudly makes her home in the foothills of Colorado. Rachael combines her love for this beautiful world, the outdoors, and organic textures with her vibrant use of color and meticulous mark-making with “dots” to create her artworks.

Rachael had many inspirations for art and creativity in her family and life. She earned a B.S. in Business from the University of Colorado and a Master of Science in Information Systems from the University of San Francisco. After fifteen years in the corporate and higher education sectors as an HR and Information Systems specialist, Rachael began to focus on her passion for creating impressionistic, detailed, month-spanning artworks in themes of nature, texture, and the bold use of color. Rachael’s artwork has been shown in a number of exhibitions in the Rocky Mountain Foothills (and once on a Jumbotron in Times Square).

I’ve consistently integrated art and creativity into everything I do. I’m attracted to opportunities to express these qualities, and when they do not exist, I create my own. Using fine-line pens and acrylic paint, I find joy and calm in capturing the intricate details of nature. My art practice allows me to channel, express, and celebrate my neurodiversity.

Nature, with its mesmerizing patterns—from ordinary trees to breathtaking rock formations—inspires me. I love translating these elements into my art using acrylic dots, bold colors, and intriguing contrasts. Why landscapes and nature? They are soothing, accepting, and rich with beauty and intricacy. In nature, I can be my true self, free from judgment. The moments I experience there resonate with me and inform my artwork, allowing me to share those feelings and experiences with others.

My art celebrates the beauty in details, revealing that a million tiny components create a complete picture. I aim to delight viewers through the intricacies of my work and the emotional impact of vibrant scenes.

★★ Serenity And Feline Companions ★★

Leigh Witherell has carved a unique and profound niche for herself in the world of art. Her use of unconventional technologies combined with an ear for hearing emotions as she listens to people has provided her with an opportunity to give voice to her art.

She believes in art’s power to reveal the raw, unfiltered emotions and difficult truths of society. Her journey in figurative art has only just begun and she feels that as an artist, it is her goal to master her style and create art that resonates deeply with human emotions and experiences. What sets her apart is her introspection, humility, and a deeply ingrained desire to communicate on a more profound plane through her art. Her canvas is not merely a piece of art; it is a window into the human soul, mirroring the melancholic beauty of truth and life.

I am an emerging artist I’ve always had a love of art. My art is strongly influenced by the Melancholic style which allows people to connect and interpret personally. My inspiration comes from a very personal place of loss and by sharing my story and connecting with other grieving parents to share their stories in my project, “The Invisibility Project” I hope to create what I hope are visions not only of pain but also of hope.

My focus has been to let loose any boundaries I have placed on my creativity and to just create. A famous quote from a favorite artist, Edgar Degas has become my guiding mantra. “Art is not what you see, but what you make others see”. I hope that through my creations I can start a conversation and inspire others to share their grief and their journey so that the veil of invisibility surrounding grieving parents will be lifted and society can better understand how to help parents who have lost part of their hearts to heal.

★★ Shipwreck ★★

Danette Moran, now living in the coastal area of North Carolina, is an abstract artist who receives her inspiration from living near the beach, the mountains in Lake Tahoe, and the Arizona desert. Her paintings are focused on alcohol ink, acrylic ink paint, and other enhancements to bring out the texture of nature. Her goal is to bring out a feeling, a vision, or a thought that is new to the observer; and to find a sense of calm when looking at her work.

I am Danette Moran, The Determined One. I am a self-taught abstract painter who has finally found that I can mix my knowledge of photography, gardening, cooking, and writing with my love for the outdoors. It comes alive and breathes as I use mixes of inks and paints on canvas or paper. I see my soul in the raw and undiluted as my hands and tools play like I’m the conductor of a symphony! I also paint to bring out a feeling, a vision, or a thought that is new in the mind of the observer; to find a sense of calm and connection when looking at my work. When I am not painting, I am at the beach, traveling, or visiting family and friends.

★★ Song Of Angels ★★

Buena Johnson is a Los Angeles based visual artist and art instructor. Most recently, Buena’s work became a part of the permanent collection of the Laguna Art Museum. She has exhibited at the Band of Vices Art Gallery and was a featured artist with the Los Angeles Lakers. Buena’s latest solo exhibitions include TAG Gallery, 2021, and The Los Angeles Art
Association’s GALLERY 825 in 2023. She was also an Artist In Residence in South LA and taught art at UCLA for 8 years. Buena is a graduate of Pratt Institute of Art in NY.

Buena’s art is deeply influenced by the African American experience and reframing black history through positivity and truth. In prior years her work portrayed a visual history of jazz, blues, and gospel music legends. She also produced an inspired Angel and biblical series influenced by her upbringing as a (PK) Preacher’s Kid. Religious and Christian iconography
appears often in Buena’s drawings and paintings. Also, her art echoes visual artists such as Kara Walker and Charles White.

She has received widespread recognition for her realism style of fine art. She primarily uses Pencil to create portraits and highly detailed figurative art, drawn from her own photographed sources and imagination. Buena has worked as a teaching artist for many Southern California libraries and community centers. She had the privilege of instructing unhoused Veterans through UCLA and the Veteran’s Association.

Her artworks were shown at the Brand Library and Art Center, the Los Angeles Art Association, Spectrum-RedDot Miami, ArtShareLA, and a solo exhibition at the Museum of African American Art. Also, Buena’s work has been showcased in the History Collection at the Smithsonian, collected by the Getty Collection, the Museum of Contemporary Art (MOCA) LA, and the Laguna Art Museum. Her work has been used by set designers in major studio films and on network television.

Buena’s work exists in the private collections of notables and celebrities such as Arianna Huffington, Halle Berry, Dick Van Dyke, Barbara Sinatra, Oprah Winfrey, Queen Latifah, The Los Angeles Dodgers and United Airlines. She has received many prestigious awards.

I am a fine artist who has taught workshops & exhibited across the country in both fine art & photographic mediums. My passion for art led to the pursuit of further knowledge & earning a degree from Pratt Institute of Art in NYC. As a current resident of LA and experiencing the heart of Hollywood plus having felt the pulse of art in NY, a large body of my work portrays a tribute to music legends who laid the foundation in jazz, blues, gospel, and entertainment fields whose influences throughout time still inspire many of us today.

Being a PK (Preacher’s kid) and being taught that the greatest gift is love for one another, my work evolved to include the spiritual realm with Angels and my interpretation of Bible verses; the aim is to uplift, encourage, heal, and inspire the spirit of the viewer.

My work is often symbolic and crosses boundaries between contemporary and historic subjects. I use a realistic style to compose highly detailed and meticulous portraiture and figurative art drawn from living persons. The media I use is mainly Pencil.

My overall goal is to create an artistic viewpoint that gives way to Hope, Angels, and Personal Well-Being.

★★ Sophie ★★

I Received BFA and MFA from Rochester Institute of Technology. My thesis was “Kviatkev, the Understanding of Abstraction.” I have been drawing since age 4. My background is a BFA and an MFA in painting with minors in ceramics, design, and printmaking. I began my career from 1976 to 1991 and during the dormant years, from 1991 to 2021 I still painted but did not exhibit. Tumultuous times but healing times. During the isolation of COVID, I began to paint again and found a genuine newness and expression in my work. I follow T. S. Elliot’s Objective Correlative. This is a means of expressing emotion in art by using either set objects, a situation, or a chain of events. Through this method, the painting becomes that emotion. My style leans towards abstract painting, because it supplies the necessary tools allowing the portrayal of thoughts and emotions in work. In my work, I do not dictate the emotion found in my paintings; but leave it for the viewer’s own discovery and interpretation. This work subjective in nature, utilizes color to illustrate feelings, dreams and with each piece, there is an underlying core of darkness and a definite area of light. This draws the eye over the piece to core. The lines keep the eyes moving, while the dots scream, “look at me”. The work ranges in sizes from small works on paper to 48×48 inches on canvas. With each piece, there is an underlying core of what could be construed as darkness and a definite area of lightness.”  The exchange between colors, lines and shapes tell my story.

My paintings began to unravel and reveal the silence, the fright and the tribulations throughout childhood to the end of a destructive marriage. The screams never heard, the tears never seen, the fear not shown, constant fear, the shame of body and mind. My paintings then became the venue to my self-liberation. My art depicts the evolution from childhood terrors to adult recovery, and brings light to the darkness. In addition, there is growth in my work, reflecting the joy found in other areas of my life. My art was reclusive and hidden for years. During the isolation of COVID, I began to paint again with zealousness and ease and found a genuine newness and expression to my work that began to sing. I found my voice and soul again in painting. Emergence began and exposure of my art was welcoming.

★★ Space Warp At The Cathedral ★★

Gerrit “Gert” van Ommering is a fine art photographer based in Gold River, California. Originally from the Netherlands, he relocated to the United States at the age of 19 to pursue a dynamic career in the aerospace industry, specializing in the invention, design, development, and deployment of space systems. Following retirement, he transitioned to photography—channeling his technical expertise and creative drive into a new artistic medium.

Gert is actively involved in Northern California’s photography and arts communities. He contributes to the Viewpoint Photographic Art Center and Gallery and serves as the Print Director for the Sierra Camera Club. He also holds memberships in various arts organizations across Sacramento, Yolo County, Rancho Cordova, Lodi, and Placerville. His work has been featured in numerous exhibitions and competitions, earning regional awards and entering several private collections.

In July 2024, he co-presented the successful duo exhibition “REALISM\Fantasy” with his wife Lucille at the Mills Station Arts & Culture Center in Rancho Cordova, where he contributed the “Fantasy” segment. He had a solo exhibition, “Embellished Emblems,” at Gallery 1075 in West Sacramento during June 2025. This body of work explores classic and vintage car emblems through radical digital manipulation, emphasizing bold color, texture, and abstraction.

Gert’s work consistently explores the tension between realism and imagination, blending technical precision with experimental expression.

I have always been drawn to images that surprise—ones that feel a little offbeat, mysterious, or just plain strange. While I do plenty of straight or lightly enhanced photography, what really excites me is taking an image and pushing it into new territory: twisting, layering, abstracting—basically playing until it feels like something unexpected has emerged.

My eye tends to land on unusual shapes, odd juxtapositions, or scenes that others might overlook. I collect these visual ingredients and let instinct take over in the editing process. Sometimes I know where I’m going; often I don’t. I just keep experimenting until something clicks—when the image feels done, or at least done enough to walk away from.

For me, with billions of (phone) cameras clicking away every day, the challenge is to make something that doesn’t get lost in the flood. That’s where the odd, the abstract, or the slightly weird come in. If my work can get someone to stop for even a few seconds and think, “What am I looking at?” or “How did he do that?” then I have succeeded.

The pieces I’ve submitted for “Creativity Unbound” lean into that idea. They’re not trying to document the world so much as reimagine it. They’re meant to be a bit jarring, maybe even puzzling, but hopefully also engaging—something to pull the viewer in for a second look.