Awakening
Ornstein is an artist known for her abstract imagery and use of unusual materials. She graduated with an MFA from Yale. She’s had solo shows at Willard Gallery, Vibeke Levy Fine Art, 718 Gallery, Cirrus Gallery (curated by Richard Armstrong), and Douglas College Art Gallery. Judith has been included in group shows at Willard Gallery, The Hall BK (Exchanging Visions), Baskerville & Watson, H.F. Manes Gallery, Antoinette Torrens Gallery, Amos Eno Gallery, Kavanaugh Gallery, BWAC Gallery NYC WeCreate, Revelation Gallery and more. She has extensive interviews in Art Reveal and Alkali Art Magazines (2021). Her work has been on the cover of the Paris Review and reviewed in Artforum, Arts Magazine, LA Times, GQ, Village Voice, Vast Art, and more. She received 2 NEAs, Tiffany Foundation Award, Creative Arts Public Service Award, and Ford Foundation Grant, EcoArt blog. Her work is represented in Albright Knox Museum, Vassar College Museum, Cooper Hewitt, and more.
I’m an abstract artist whose imagery melds poetic impulse with networks of shapes.
I use various kinds of honeycomb corrugate, a material that imbues my work with the conflict of permanence and impermanence. This humble material brings up issues of what gives art value. My work is created in a tangled space as a kind of improvisational universe. Their presence is between structure and debris and lives as a sign of cultural excess. The work hovers between 2 and 3 dimensions. The throwaway quality of cardboard reflects an almost organic life span. Without a color pallet, the shapes combine into a language-dependent on position, shape, and surface. Shapes without a beginning or an end (circles/ovals) intrigue me the most. They represent celestial and feminine cyclic movements and awakenings. Sustainability is also a message. Making art is a working process, every day, that engulfs my whole being. The work itself takes you places, suddenly and without reason. I delight in the things I do not plan.
Awakening
Roberta Rousos has lived 2 lives in her 61 years; as a wife/mother/community volunteer, and as an artist (and mom). After her husband’s death, she returned to CSU Sacramento earning a BA and MA Degree in Studio Art.
Rousos’ exhibition sphere now includes galleries in her home state of CA, as well as Michigan, New Mexico, Washington, Illinois, New York, Colorado, and Oregon. She is honored to have received a number of awards. She also fulfilled the difficult task of juror for a mixed media exhibition.
She considers herself blessed to be able to be an artist. She firmly believes that we all choose every day what life we are willing to live and what our priorities are. Rousos chooses to live on the line between the physical reality of this world and the spiritual realm. She chooses to appreciate the beauty around her and encourages others to do the same. Life is good if you allow it to be.
I am a mixed media artist: found objects, fiber, and oil painting. Returning to college following the passing of my husband allowed me to discover new paths in creative expression. Earning my Bachelor’s and Master’s Degrees showed me how strong I could be and where my life’s passion lies.
When coping with life’s traumas, we are often told to take baby steps or to live one day at a time. This is good advice, but not just for when we are suffering. We each have years behind us and hopefully years ahead of us, but we can only live today. Today is what we can truly see in detail; this moment is what we can affect; now is when we can live. Take a step today.
I come from a long line of artisans and crafters. As a creature of opposites, I constantly struggle to integrate chaos with logic, gravity with freedom, and reality with dreams. My work is constantly evolving because of my desire and choice to live a life of purpose.
Awakening
Dominic Wordlaw is a Mixed-Media artist based out of North Hollywood, California. Born and raised on the south side of Chicago, creating free-form expression was always in his blood, and pursuing his passion for the arts was inevitable from an early age. has been Dominic’s passion from a young age with sketches of abstract creatures and nature, which later turned into more abstract drawings and paintings.
Dominic pursued his passion for the arts at the University of Colorado where he received his Bachelor in Fine Arts. He discovered many art forms, all of which he fell in love with exploring. In particular, he discovered a fascination with sculpture-making and interactive art during his studies.
After college, he moved to California to advance his career in the entertainment industry. His professional work experience includes working as a production assistant in the art department for television shows at Paramount Pictures, freelance production design work for music videos, and for various promotional product content. He is also a skilled creative writer and screenwriter for television shows and movies He has ultimately gained an appreciation for all mediums of creativity.
Dominic’s brand, FrameDomain signifies his vision of delving into new realities of his own creation, a.k.a. his domains.
Dominic hopes to inspire the world to think beyond pre-defined standards, find truth in creative thought and expression, and curate new realities through his artwork.
Dominic has engaged his work in several public settings such as art fairs, gallery exhibits, and solo exhibitions across Los Angeles, such as Pancakes and Booze at Catch One (2022), “Art in The Garden” at the Rose Gardens Festival(2022), and current exhibit at The ArtDept._WeHo gallery in West Hollywood, along with several others.
I pursued my passion for the arts at the University of Colorado where I received a Bachelor in Fine Arts. I discovered a fascination with sculpture-making and interactive art during my studies.
My work utilizes expressive sculptural form combined with acrylic pour techniques and clear-cast epoxy resin to create pieces that harness enchanting and profound energy. I believe that creating tangible, 3D works of art allows for something new to be reared into existence, expanding reality, and bringing purpose to the creator and creation. My recent collection of acrylic pour sculptures is a series that reflects my inner thoughts on the nature of certain aspects of human existence.
My brand, FrameDomain signifies my vision of delving into new realities of my own creation, a.k.a. my own domains.
I hope to inspire the world to think beyond pre-defined standards, find truth in creative thought and expression, and curate new realities through his artwork.
Awakening
In 2020 at 65 it had been decades since I made a body of art. Since then, I’ve been honored with 3 first-place awards in photography. The University of Delaware gave me a one-woman show. My work has been seen from coast to coast including several times through the HMVC Gallery in NY and Las LaGuna Gallery in CA. Pictorem based out of Montreal, Canada, has me as a featured artist. Two books were presented to me. Nobis II and Emerald Coast Review.
The photographs I create are abstractions in fluidity, rich in joy, color, pattern, and curiosity. I’ve been printing on aluminum.
I grew up in the Mid-Atlantic and later spent much of my young adult life in New England. For the past 28 years, the Deep South has been home. I have a Master’s in Social Work and worked as a social worker and a realtor. In the South, I married and raised a daughter. I also helped plant the seed that grew into the Mississippi Children’s Museum and worked at 2 art museums as a docent for 17 years.
As my images find their way into various exhibits, lives, homes, and businesses, I hope feelings of joy and peace nourish viewers.
I create photos as peaceful, playful, healing stimuli by drawing upon different objects and melding them into a unified whole. While working I often think about how our country needs to heal and find unity. Part of my process is setting up compositions and visually weaving together beautiful glass, flowing fabric, and sometimes surprise elements with vibrant colors and patterns into integrated fluid formations. I then photograph tightly cropped, in close proximity to my setup. I intend to transcend and transform objects into images that visually excite while calming the soul.
A lifelong passion for art and artists influenced my work. I nod to feminist artist Miriam Schapiro, a leader in the Pattern and Decoration Movement. She frequently celebrated the invisible women designers of fabrics within her work, in both painting and printing, creating what she called Femages. (feminist collages). Having lived much of my life by the shore, I have always loved the play of light in watery reflections. In turn, I am drawn to artists that capture light. The glass sculptures of Stephen Rolfe Powell delight me by turning solids into liquids and back to flowing forms of solid in a graceful play of movement, pattern, and light. The last of many admired artists I will mention is Georgia O’Keeffe, who believed in the value of coming in close to a subject to find her feelings toward what she was looking at and abstract her rendering of it in her personalized language of expression. I also seek to have personalized language by transcending the absolute and having a visceral impact on the viewer.
In these unsettling times of polarization, and social, political, and environmental strife, I’m transforming light, pattern, and color into a visual oasis. I seek to make abstract images that embrace the value of joy, rich with fluidity and kindness. As an artist and former therapist, I invite the viewer in.
Each of my images can be ordered in small jewel-like prints or large dynamic pieces. I have been printing on ChromaLuxe, a high-definition aluminum, and on white Dibond aluminum panels framed or unframed. My website is; https://www.pictorem.com/
Awakening
Gayle Faulkner, with over 35 years of artistic exploration and creativity, stands as a seasoned watercolor, acrylic, and mural artist. Her journey has been marked by constant exploration, a playful engagement with diverse media, and an unwavering commitment to growth in the world of art.
Her academic journey, rooted in a BA in Sociology from William Jewell College in Liberty, Missouri, initially led her to work with children, integrating art into their day-to-day experiences. Gayle’s passion for art eventually pulled her into a more immersive pursuit. She delved into Art and Design courses at Louisiana Tech University in Ruston, unlocking her artistic soul. The willingness to ”put herself out there”, coupled with years of hard work and a penchant for thinking outside the box, allowed her to undergo a major growth period.
Finally, the challenges posed by the COVID-19 quarantine became a catalyst for Gayle’s artistic metamorphosis, leading her to focus on acrylic paintings on canvas. Engaging in an online course.
In my art practice, I describe my creations as Textural Acrylics. This term represents the exciting experience of observing paint flow from the palette knife, forming captivating textures and colors. Each stroke channels emotion, and every canvas captures a moment of creative inspiration.
My process is spontaneous – I start with a loose outline, sketch the composition, and then fully immerse myself in the act of creating. Throughout the process, music is my closest companion, its volume soaring. I dance to the rhythm, losing myself in the beats, and, on occasion, even letting out a song. My painting process is a multisensory experience, an immersive journey into the fusion of sound and color, where each note becomes a brushstroke, and every stroke on the canvas is a dance of creation. I often liken my paintings to cherished children—it’s a relationship that involves nurturing, engaging in heartfelt conversations, and weathering the challenges of creative adolescence with boundless love and patience.
Awareness
GIPAHO is a self-taught artist whose creative journey unfolds through a commitment to lifelong learning and participation in various art educational workshops. A proud member of the Honolulu Woodturners since 2016, GIPAHO engages in transformative workshops led by esteemed instructor Andy Cole and other mainland woodturners, showcasing her dedication to the craft.
GIPAHO’s artistic education extends beyond woodturning, delving into diverse realms. She immerses herself in the Honolulu Museum of Art School, honing her skills in photography under the guidance of David Ullrich. She further explored the intricate world of metal jewelry through advanced projects at the Honolulu Museum of Art Linekona School.
In the realm of fiber art, GIPAHO made a significant mark with her participation in the Hawaii Craftsmen Biennial juried art exhibition, ”In or About Fiber”, curated by Amos Kotomori at the DAC Honolulu. Undoubtedly, GIPAHO’s commitment to learning is ongoing, evident in her participation in the UH Manoa Kupuna Seed Program, attending classes led by Professor Rick Mills and other distinguished members of the Art Department.
GIPAHO’s artistic prowess has been recognized and celebrated through various juried exhibitions. Her inclusion in exhibitions like ”Surrounded by Water” at the Downtown Art Center, Honolulu, and ”Rebel Rebel” at the HMVC Gallery in New York showcases the depth and diversity of her artistic expression. GIPAHO’s art has also graced esteemed spaces like the HPU Gallery and Cedar Street Gallery, where her miniature artworks captivate audiences. The ongoing representation of her creations at The Arts at Marks Garage and Kahaluʻu Gallery & Gardens, Hawaii, further exemplifies the enduring impact of her artistic endeavors.
As GIPAHO continues to evolve and explore new artistic horizons, her dedication to lifelong learning and her unique approach to various mediums promise an exciting and enduring artistic journey.
Art, regardless of the chosen medium, possesses a profound healing power for both body and soul. I passionately believe in the therapeutic nature of creation—each stroke, a click of the camera, every mold, and the alchemical dance in the kiln contribute to a holistic rejuvenation of the self. Art, to me, is an ongoing dialogue with the universe, a continuous exploration of the profound and the subtle.
From a young age, I realized the camera’s lens served as my voice, articulating the depths of my being without uttering a single word. Much like those who dance freely, attuned to the soul’s joyful melodies, I sought to perceive the unseen, like the spirits dwelling in our forests and trees. In my art practice, I uncovered the profound connection between my third eye and the camera—a silent confidant enabling the expression of my Higher Self.
My artistic exploration extends beyond the photographic frame. In the alchemy of clay, metal, fabrics, and mixed media, I unearth a realm where materials become conduits for my soul’s expression. Witnessing the transformation of my ceramic pieces through the fiery crucible of the kiln, Raku, or pit firing, is akin to greeting old friends. Surviving the flames, they emerge adorned in their most brilliant glazes and forms, each presenting a visual ode to resilience and beauty. The kiln becomes a metaphorical forge, forging not only ceramics but also healing for both my body and soul. In the act of creation, I find solace and a profound connection to the essence of existence.
Azaleas
Born in 1958 in Buenos Aires, Argentina, I continue to live and work in my hometown, where my diverse career bridges the realms of science and art. I earned a degree in Biochemistry and hold a doctorate in Physiology, dedicating 15 years to teaching and research at the university level. When I chose to devote more time to my daughters, I embarked on a transformative journey into textile art.
My artistic path was ignited when I joined a group of expatriate women, primarily American, who met weekly to quilt, driven by a passion for preserving their cultural identity and traditions. It was love at first sight. At that time, patchwork and quilting were virtually unknown in Argentina, offering endless opportunities for exploration and innovation.
Over the years, shifting towards textile art, I have organized numerous shows and exhibitions, continuously expanding my skills through books, online resources, and guidance from distinguished teachers at international festivals. For over twenty years, I have also taught workshops in my studio as well as at festivals in Argentina, Uruguay, Brazil (Gramado), and the United Kingdom (Birmingham).
I am an active member of several professional organizations, including SAQA (Studio Art Quilt Associates), CAAT (Centro Argentino de Arte Textil), and SAAP (Sociedad Argentina de Artistas Plásticos), regularly participating in their exhibitions and activities. My art quilts have been showcased at quilt festivals and art salons in countries such as Argentina, Uruguay, Chile, Brazil, the US, and across Europe.
In addition to my solo practice, I am a proud member of the textile artist groups Viewpoints and 20 Perspectives, and I am represented by Juana de Arte art gallery in Buenos Aires.
As my studio fills with work, I find myself seeing these pieces anew. Do they hold a different story waiting to unfold? Perhaps they can become the dancing petals outside my window—catching the light, moving with the wind, and quietly announcing the arrival of spring.
I let the materials dictate the composition, arranging pieces in a way that reveals hidden depths and unexpected transitions. The raw edges and varied finishes serve as a reminder of nature’s inherent unpredictability, inviting viewers to look deeper and appreciate the subtle interplay beneath the surface.
Azure
Raised in London and New Jersey, Gabriella Rudy is a self-taught artist whose practice explores the relationship between emotion, experience, and perception.
Shortly after her accident, Rudy initiated and led an art therapy program for underprivileged children, with the hopes of providing a cathartic outlet for emotional expression. She has exhibited her work in Washington, DC, and volunteered for Free Arts NYC, where she mentored high-school-aged artists in underserved communities.
At age 18, she was involved in an Amtrak train derailment and suffered a traumatic brain injury, which strongly influenced her fascination with how prior experiences influence our perception of reality.
Rudy deconstructs personal experiences in the form of textured coats of oil paint. Her contemplative process of dividing memories into single layers of paint makes individual experiences more accessible. As layers build on top of one another, events of emotion are disfigured and merged. Some forms are concealed, and new forms are revealed, gradually forming a cohesive representation of the emotional landscape. Rudy uses this technique to explore the lens of consciousness and challenge traditional notions of reality and the metaphysical nature of the mind.
Azure
Joanne Chase-Mattillo was born in the beautiful Midwestern University town of Ann Arbor, Michigan. While the natural surroundings of her childhood were inspiring, the beauty of nature surrounding Los Angeles was the impetus for her entrance into the field of photography. Joanne began vigorously studying photography and other art arenas to hone her skills as a visual artist. In 2000, she graduated from California State University, Los Angeles with a Master of Fine Arts (MFA). She is now a full-time artist.
In addition to color and black and white film, Joanne shoots digitally and employs the techniques of infrared imaging and enjoys creating 3D anaglyphs to be viewed with red/blue lenses. As an extension of photography, she has branched out to do videos and has a YouTube Channel, THE VIDEO ART OF JOANNE CHASE-MATTILLO. Along with nature, Joanne frequently photographs female and male subjects at themed studio shoots. She often uses the photograph of models combined with images of her nature photography to create unique photo montages.
Joanne has exhibited throughout California, nationally, in Korea, France, England, Switzerland, Scotland, Greece, Spain, Germany, Japan, Belgium, Holland, Brazil, Dubai, and Italy.
As a photographer, I am constantly in search of iconic imagery. The craftsmanship and perfection of classic Hollywood cinema have always been an inspiration and a goal I seek to achieve in my photography. While enjoying the technology of the present and how it has enhanced photography, I am very drawn to recreate photographs that reference the best of the past. It is my intent that the viewer of the images I create will be taken out of the everyday present to a magical place where, at any time, they would dream of going. Whether photographing people or nature, I strive to honor the best and the beauty of all that I have an opportunity to capture with my camera.
Summer days are the dream moments of the year that are looked forward to in dreary seasons. The beach, pool, lakes, and oceans draw all to embrace the sun and beat the heat. When we think of summer, we embrace all that the warmth of the sun brings.