Radiant Heat
Subodh Maheshwari was born in Aligarh, Uttar Pradesh, North India, where she learned folk art and classical music. She passionately believes: “At the threshold of my life, my present is the window to the past and a key to the future”. She acquired her degrees and studied art at Agra University, California State University of Fullerton, and the University of California, Irvine. Subodh has won numerous awards, including the regional Fellowship Award at UCI in 1986, the Bharat Gaurav Award in India in 2015, and the 60 Masters Award in 2017, 2018, and 2019. She is also registered in Marquis “Who’s Who in America”, the standard in biographical information. Her paintings have also won awards in a variety of categories, including landscape, open, all women, nature, elements, seasons, and abstract.
Subodh is a diversified artist who enjoys telling stories through her artwork, whether it is through landscape, flowers, or abstract art. Her art is a fusion of Eastern symbolism and Western composition, influenced by 16th and 17th century Rajasthani and Mogul art, and accented by poetry, passages, and phrases in Hindi, Sanskrit, and English. She admires Georgia O’keeffe for her floral influence, and Frida Kahlo for her courage. Whether it is the serene beauty of nature, her spirituality, or the current political climate, she finds inspiration. Having a life shared between India and America, she sees the beautiful similarities, like love, which transcends all borders. Highly individual in her style, her works are described as emotional, mysterious, personal, spiritual, and humorous.
Rain Check
Chloe Jenkins is a Canadian artist who specializes in oil painting. Born in England, Chloe’s family moved to Canada when she was just a year old. Growing up in British Columbia, she was encouraged by her parents to explore all facets of her creativity. She began her painting practice while studying visual arts at the University of British Columbia, Okanagan. In 2023, she graduated with a Bachelor of Fine Arts.
Her work explores concepts relating to the ephemerality of time and the ever-changing subjectivity of perception. Through light and shadow, she delves into the complex nature of the passage of time in relation to the human experience. Her work often draws from still images seen in film and television – a paused moment that was only meant to be seen fleetingly through the moving pictures.
I often worry about how quickly time passes and the inevitability of a beautiful moment becoming a memory. Through my paintings, I want to pause beautiful moments so that they may be fully appreciated. I do this by retrieving my images from films and pausing the moving pictures so that they exist as a single frame. This act gives me a sense of control over time and allows me to appreciate every detail without the pressure that it will all disappear.
In these film stills, time is always present. Whether through a light-filled window or a neon sign, a specific moment in time is being portrayed. These times are conveyed through strong directional lighting, which is often the result of artificial stage lighting mimicking natural and ambient light, creating ambiguity around the reality of these moments. When I paint these images, I exaggerate the lighting and enhance the color palette to emphasize both time and mood. I want to create a moment of contemplation and stillness, where viewers can be aware of the things that would not normally be noticed in a movie scene or in real life and experience the moment in its entirety without feeling rushed.
I depict these specific scenes because I am intrigued by their ephemeral nature. The light in my paintings evokes times of day when the wistful atmosphere will only exist for the briefest of moments. These moments are wonderful to experience in real life but can invoke a sense of loss once they are over. By converting a moving image into a still image and further rendering that still image in painted form, I wish to restore a sense of control over time and create a lasting still image that captures a fleeting moment in time.
Rainbow
I am a primarily self-taught photographer who migrated from film to digital photography about fifteen years ago. After retiring from a professional management career, I have more actively explored the technical and creative sides of this media. I have exhibited widely and have earned recognition in local, regional, and national exhibitions. My photographs are also included in several corporate and private collections.
I am attracted to a wide variety of subjects ranging from natural landscapes, botanicals, and wildlife to images that provide either abstract expression or social commentary. I am interested in sharing images that evoke a story of some kind. Images may be simply documentary, reflect a sense of time and place, or resonate on a more abstract level of color, shape, or form. Others provoke an indefinable question that does not readily yield answers without further study and reflection.
Most often I am drawn back to images created while wandering through the back roads and small towns of the upper Midwest. These images of architecture, commerce, and social life often reflect a mixture of nostalgia and a changing set of forces that shape life in the heartlands. Most recently I have begun exploring digital collages as a means of expression
Rainbow Detectives
Ellie Garvey is an Indianapolis-based jewelry designer and children’s book writer/illustrator. She was a 2022-2024 Creative Renewal Arts Fellow (Indy Arts Council/Lilly Endowment Foundation) and an Indiana University, Bloomington, graduate (2006). Ellie worked in fashion jewelry design in San Francisco, CA, designing collections for corporate markets such as Nordstrom and Macy’s (2006-2008). Since settling in Indianapolis in 2010, Ellie has been designing and fabricating her own jewelry collections for online marketplaces, group exhibitions, art fairs/festivals, and private commissions. In 2016, the first of Ellie’s three daughters was born, which began her fascination with the themes of childhood. She began to write and illustrate content for children’s literature to align her creative endeavors with the developmental stages of her children. The artwork from Ellie’s first book project, Alone Together, was selected for 4 publications and 12 international juried exhibitions in 2022/2023. Ellie is a member of the Society of North American Goldsmiths, the Society of Children’s Book Writers & Illustrators, and the National Collage Society. Her 2022 exhibitions include “Food for Thought” (Los Angeles, CA), “Flowers 4 Peace and Prosperity” (Red Bluff, CA), “Women in Art” (Laguna Beach, CA), “Kingdom Animalia” (Biafarin Platform), “Art in the Time of Corona (Vol. 3)” (Dab Art Co. Online Galleries), “We are SNAG: Anthology 2022” (SNAG virtual catalog), “Nocturnal” (Lyons, CO), and “Rebel Rebel” (HMVC Gallery New York). Ellie’s 2023/2024 exhibits include “Merged” (Norfolk, VA), “Furry Friends” (Red Bluff, CA), “The Highs of Life” (Poughkeepsie, NY), “Abrazo” (Portland, OR), “National Collage Society 39th Annual Juried Exhibit” (Union, NJ), “Celebration” (Long Island, NY), and “Creative Renewal Arts Fellowship Exhibition” (Indianapolis, IN).
My name is Ellie Garvey and I am an Indianapolis-based jewelry artist and children’s book writer/illustrator. In both mediums, my work employs complex patterning, floral motifs, and the beauty of nature to evoke sentiment and promote a sense of well-being. My work is colorful and folk art inspired; it explores the relationship between delicacy and wildness, and it aspires to remind the observer of some long-forgotten magic that is still accessible to us all. It is my belief that vibrant folk art can draw upon timeless themes that rouse the spirit, reorient us with the ethos of childhood, and unburden the soul.
Rainbow Sky
Kylo-Patrick Hart is an award-winning photographer and chair of the Department of Film, Television, and Digital Media at Texas Christian University (Fort Worth, Texas, USA). He received his formal training in digital media arts while a student at the University of Michigan and Wayne State University, with additional instruction provided by offerings of the Maine Media Workshops and Santa Fe Workshops. His photographs have been exhibited in numerous cities throughout the United States and several countries abroad.
Photography has been my passion since early childhood. My motivation is to discover and capture the beauty, even when it is not always readily self-evident, that surrounds us continuously in all areas of our everyday lives. I believe the finest images are those that are serious yet playful, aesthetically appealing yet a bit quirky. As both an artist and an admirer, my favorite photographs tend to be ones whose contents speak loudly for themselves — even when it is not immediately clear exactly what they are saying. They seek to inspire their viewers to wrestle with their intriguing content and, as a result, ponder various aspects of our surrounding world in new and unique ways.
Raindreaming
Susan Bagrationoff is a professional surrealist whose body of work focuses on mythology and mysterious creatures. Faeries and folklore are the subjects of her creations using the beauty of nature for realistic reference. She creates her works with copious amounts of modeling paste, multiple layers of acrylic paint in brilliant hues, and metallic mediums to give a magickal ‘vibe’ from her creations.
Susan graduated with her Bachelor of Fine Arts in 2002 from Florida International University in Miami, Florida. In 2013, Susan started her art education studio, Artsy Fartsy Art Lessons, which relocated to Kent, WA in 2016. As an active member of her community, she designed the “Hands of Unity” mural in Downtown Kent. Susan is a member of ARTrails, which is an annual art show that takes place in Centralia, Washington in late September. In 2023, Susan displayed works in multiple exhibitions at Gallery B612 and The Fishbowl in Seattle. She also exhibits her art online through various organizations such as Biafarin, HMVC Gallery New York, and Arteom Gallery.
In a world of so much chaos, an escape into the realm of faeries brings peace and glamour into our dimension. Faeries have always held my fascination when I encounter them within our realm. I utilize the magic within my artistic soul to summon these creatures so that anyone can experience their charm and be inspired to believe in what they cannot see.
This particular piece, ‘Raindreaming’, shares my love and connection to the rain. Being that I am a Florida native thriving in the Pacific Northwest, rain and thunderstorms have always brought me meditation and inspiration. This rain sylph was conjured onto the canvas by my fascination with how the raindrops fall and connect with each other as they sprawl out within the puddles. The colors of this creation represent hues found in the trees and the skies during rainy days in the Seattle area. The face of this fae emerges from the connections formed by the raindrops. Her dreamy expression glances out into the unknown, contemplating endless possibilities.
My work is conjured onto canvas using copious amounts of modeling paste and acrylic paints with multiple layers of various brushstrokes and the use of palette knife techniques. Brilliant colors and metallic hues are used to enable the faeries to emphasize their `vibe`, inspiring the viewer to discover the essence of these beings. The texture of their skin, hair, and backgrounds are vital to conveying the elemental qualities of each fae. I am perpetually discovering new ways to bring my faeries to life so they can gaze upon us humans as we admire their portraits.
Raindrops
I am an avid traveler and therefore have the opportunity to capture lots of different places and scenery through my various mediums of art including the most prevalent photography. These photos allow me to document and preserve my experiences and to share and communicate with others my emotional response to the places I travel.
Nature has always been a primary focus when it comes to my photography. I strive to capture nature for the beauty it is without extreme editing or filters. I hope that through my photography people will start to slow down and recognize the small moments that would otherwise go unnoticed. Additionally, I hope that my images become a way to capture fleeting moments in an attempt to preserve the magnificence of nature.
Rainy Day
Gayle Faulkner, with over 35 years of artistic exploration and creativity, stands as a seasoned watercolor, acrylic, and mural artist. Her journey has been marked by constant exploration, a playful engagement with diverse media, and an unwavering commitment to growth in the world of art.
Her academic journey, rooted in a BA in Sociology from William Jewel College in Liberty, Missouri, initially led her to work with children, integrating art into their day-to-day experiences. Gayle’s passion for art eventually pulled her into a more immersive pursuit. She delved into Art and Design courses at Louisiana Tech University in Ruston, unlocking her artistic soul. The willingness to ”put herself out there” coupled with years of hard work and a penchant for thinking outside the box, allowed her to undergo a major growth period.
Finally, the challenges posed by the COVID-19 quarantine became a catalyst for Gayle’s artistic metamorphosis, leading her to focus on acrylic paintings on canvas. Engaging in online courses and dedicating countless hours in the studio, has led Gayle to newfound success in her career as an artist.
In her current artistic chapter, Gayle has embraced the multi-dimensional world of layered acrylic painting. These layered landscape paintings pulsate with depth, intricate patterns, and whimsical interpretations, inviting viewers to step into a space that offers a sanctuary from life’s pressures. Her aspiration is clear — to guide everyone towards a place, be it a memory or a dream, where they can meander, savor the fragrance of flowers, feel the gentle breeze, lean against a tree, and simply breathe.
Gayle’s works have graced numerous exhibitions, gallery shows, and juried art festivals, earning accolades and finding homes in corporate and private collections across the globe.
In my art practice, I describe my creations as Textural Acrylics. This term represents the exciting experience of observing paint flow from the palette knife, forming captivating textures and colors. Each stroke channels emotion and every canvas captures a moment of creative inspiration.
My process is spontaneous – I start with a loose outline, sketch the composition, and then fully immerse myself in the act of creating. Throughout the process, music is my closest companion, its volume soaring. I dance to the rhythm, losing myself in the beats, and, on occasion, even letting out a song. My painting process is a multisensory experience, an immersive journey into the fusion of sound and color, where each note becomes a brushstroke and every stroke on the canvas is a dance of creation. I often liken my paintings to cherished children—it’s a relationship that involves nurturing, engaging in heartfelt conversations, and weathering the challenges of creative adolescence with boundless love and patience. With each brushstroke, I invest love, patience, and understanding, allowing the artwork to evolve organically. The end result is akin to witnessing a child mature into a beautiful, fully-formed adult—a testament to the transformative power of artistic expression.
When the viewer engages with my work, I want them to do more than observe; I want them to partake in the sensory journey. Inhale the delicate fragrance of blooming flowers, listen to the subtle rustle of leaves, lean against the painted tree, and simply breathe. My paintings are meant to cease to be static images—they become portals, immersive experiences where anyone is welcome to wander, explore, and connect with the essence of my artistic vision. Through my Textural Acrylics, I aim to create a sanctuary where the boundaries between creator and audience blur, and the shared experience becomes a celebration of art and life.
Rainy Lady
Jamie Stevens is a Seattle-based artist with over a decade of experience whose work is easily recognizable from her bold color use of a pop art-esque style. Typically working in acrylic, she also works in oil and watercolor and is prolific with pastels. Aside from the coffee shops she hung her work in on Bardstown Road, Jamie got her professional start at Tim Faulkner Art Gallery in Louisville, KY in June of 2014. Through Tim Faulkner Gallery, Jamie was able to participate in multiple group and solo exhibitions and was able to engrain herself in the Louisville art community with her murals being seen in businesses throughout the city. She began attending the Jefferson Community and Technical College Studio Art Program in the fall of 2015 where she learned how to paint with oil.
Jamie relocated to Seattle, WA in October of 2019. In order to keep herself afloat during the pandemic, she put her personal art on hold and began taking on commissioned work. After a brief period of struggle and self-reflection following the pandemic, Jamie decided to focus her full attention on not just creating art but also on putting herself out there in a new place. Her work began taking on a new, bolder identity as she challenged herself to create every day. She has since participated in many exhibitions, hung her work in multiple galleries throughout the greater Seattle Area, and ambitiously hosted and participated in her own art and music festival.
Jamie’s work is constantly evolving, taking on new forms through life experiences. She is heavily influenced by the world around her, the good and the bad, the beautiful and the ugly, the exciting and the mundane. Jamie’s work is intended to be thought-provoking, leaving more questions than answers.
Art, to me, is a lawless land where anything goes. It’s about testing boundaries and experimentation. Art is meant to make a statement. My work focuses on representing the underlying colors often missed in the day-to-day. I draw inspiration from the color palettes of nature and daily life, highlighting the dance between color and light. My large portraits are primarily created using sponges, towels, and my hands with brushes only briefly coming into play at the end of my process. I like the freedom of letting imagination flow and typically work without reference. One day I hope to meet the people I paint.