Pensive Cat
I was born in Evanston, Illinois, a suburb of Chicago, and grew up in Michigan. I earned master’s degrees from Northwestern University and Yale University, and bachelor’s degrees from the University of Iowa and Michigan State University, where I graduated as a member of the Honors College. I also pursued graduate studies at the University of Chicago and the University of Michigan and completed the Study Asia-Teach Asia Summer Program at Kalamazoo College. One summer, I studied organic chemistry at DePaul University and was the best student in the class. At these universities, I was an excellent student and became a member of many honor societies. When I am not creating art, I enjoy playing musical instruments, studying science and engineering, learning new languages, and writing poetry. My poems have been published in several literary journals.
I create art in a variety of media, including watercolor on rice paper, pastels, photography, printmaking, pencil, and charcoal. I also write poetry, which has won awards and been published, and play a variety of musical instruments alone and in various ensembles. In addition, I have a strong educational background in science, math, and engineering. In whatever visual arts medium I work, nature is usually my subject, whether I am portraying a single flower or animal, or landscape. Sometimes, I feel that focusing on details can increase my understanding of a subject. However, I do try to maintain a balance between concentrating on important minutia and retaining the overall, far-reaching view. I find that many subjects in nature can seem fleeting and ephemeral, yet I feel that they possess a timeless constancy as well, and I attempt to communicate this. In my art, I like to explore how nature, imagination, literature, and science collaborate together to enrich our lives.
Penumbra
Karen Kurka Jensen is an accomplished contemporary ink and watercolor artist, who portrays her deep connection to nature through mystical landscapes and abstract images. Jensen grew up in Minnesota where she was sidetracked from a library career following a traumatic car accident. She went in search of alternative healing after doctors could not relieve her chronic pain. She met a traditional Chinese healer who not only treated her successfully but introduced her to Chinese culture and heritage. This “accident” led her down a path of discovery, falling in love with the art of sumi-e. Karen met and began studying with American sumi-e masters, Susan Frame and Susan Christie shortly after they returned from formal studies overseas in China and Japan, where their teachers were Zhuo He-Jun and Lu Yen Shao. She has continued research studies on her own from renowned sumi-e artists such as Diana Kan and Gao Xingjian.
As an artist who specializes in sumi-e art, I am deeply passionate about exploring the relationship between art and spirituality. My artwork is a reflection of my innermost thoughts, feelings, and beliefs, and is intended to serve as a vehicle for self-expression, meditation, and contemplation. For me, sumi-e is the perfect medium.
Sumi-e, also known as Japanese ink painting, is a traditional art form that is deeply rooted in heart and vision. In my art, I strive to capture the spiritual essence of my subject. Whether I’m painting a landscape or an abstract expression, my goal is to create a piece of art that speaks to the viewer on a deeper level.
Ultimately, my art is a reflection of my own personal journey. Through my artwork, I seek to explore and express my own thoughts, feelings, and spirituality, while also providing a source of inspiration and reflection for others. Whether viewed as a simple piece of art or as a vehicle for meditation and contemplation, I hope that my work serves to uplift and inspire all who encounter it.
Peony Garden
I am an artist, working in photography. I currently live and work in Eugene, Oregon. I have always loved art and being creative. In 2020, I wanted to find something that I could do at home that would be creative and make me feel happy. I started really wanting to get into photography, and that is when my husband bought me a camera for our anniversary. I wanted a camera that could take great pictures of birds, have a good built-in zoom lens, and be able to capture pictures of the moon. So, my husband surprised me with a Nikon P950 camera that summer. That is when I discovered my passion for photography. I love taking photographs of animals and scenery. I want my photographs to evoke the same sense of joy and happiness in those who view them as they do for me. Being able to share my art and love for nature is a dream come true. I don’t edit any of my photographs, I like to show the beauty of nature as it is. I love being able to share incredible moments in time with the world through photography.
I am an artist, working in photography. I discovered my passion for photography in 2020. I love taking photographs of birds and flowers. I want my photographs to evoke the same sense of joy and happiness in those who view them as they do for me. I don’t edit any of my photographs, I like to show the beauty of nature as it is. I love being able to share incredible moments in time with the world through photography. Bright colors and sunny days are my favorite.
Perfect Peace
Marla Jean Clinesmith paints where ancient truth meets modern expression—through the mysterious language of color and Paleo Hebrew. A Louisiana-based painter and mixed media artist, she returned to the studio after decades away, rediscovering her love for color and the storytelling power of ancient Hebrew pictographs. Her work weaves bold hues, textured surfaces, and symbolic letters into compositions that invite viewers to pause, reflect, and uncover the layers of history, faith, and human experience embedded within each piece.
Her art has been featured in multiple Louisiana group exhibitions and a recent three-artist show, and she is a two-time recipient of the Denis Diderot Grant. Residencies at Château Orquevaux in France nurtured her painterly voice, encouraging work that is larger, bolder, and more expressive. Marla Jean continues to explore the intersection of ancient language and contemporary storytelling through color, seeking to create paintings that resonate both visually and spiritually, offering a quiet space for reflection and discovery.
I work primarily in acrylics, guided by a deep passion for color. That passion was first awakened in a transformative college color theory class over 40 years ago.. At the time, the vast possibilities of color felt overwhelming, yet they opened a world that continues to inspire me today.
The heart of my art lies in the Ancient Hebrew pictographic language, where each letter is more than a symbol—it is a picture, a story, and a vessel of meaning. I am fascinated by how these ancient forms reflect the mindset of the past and invite us into timeless truths. In my paintings, I bring these letters to life, weaving them into layers of bold, vibrant color and sometimes into recognizable forms that carry the story further.
Most of my pieces were relatively small until some trusted critics agreed that the message of my art was “huge” and needed “a big canvas voice.” Since then, I have worked larger, louder, and bolder—bringing colors together dynamically, exploring deeper word studies, and creating larger pieces that speak with strength and clarity.
While my work can be appreciated for its aesthetic beauty alone, my hope is that it stirs something deeper. I want viewers to experience the meeting place of faith, history, and art—a place where ancient words shine again with living color.
Perfidia Acto II
Paulina Ree was born in Quito, Ecuador in 1981. She moved to New Jersey, United States at the age of fifteen, and then went on to graduate with a degree in Economics from Boston College in 2006. Upon moving to London, United Kingdom, she worked as a paralegal and studied to earn a Law degree from the College of Law in 2012.
In 2011 she moved to Oslo, Norway where she currently resides with her husband and three daughters. Paulina participated in an artist Critique Group with the Artist Mother Podcast program in 2020, which she is still involved in. Additionally, she is continually developing her art practice and trains under Carl-Martin Sandvold at the Oslo Malerklubb.
Paulina is a member of Artist Mums United, Spilt Milk, Thrive Together Network, Art She Says, and The Curator’s Salon.
Paulina is the founder of Female Artists Oslo and Female Artists Nordic.
My work revolves around themes of memory, rumination, mental health, and human experience, with a particular focus on the emotions of raising children in the absence of a “village.” My work expresses the longing I have for the life I knew growing up. It also explores the ways I am learning to love myself through cultivating mindfulness and practicing regular self-love, as well as nourishing my soul through being involved in art communities. It is introspection as much as it is a story of the life I have lived and of those who have been a part of it.
Art has always been an integral part of who I am. Since 2021 I have been regularly working in my art practice.
I use music and old photographs as my main inspiration. I find comfort in the music that was with me during my upbringing. Mostly boleros and pasillos, music styles popular in my native Ecuador. The songs are mostly romantic, with slow tempos, and many talks about treachery and broken hearts. These songs convey deep feelings of nostalgia and melancholy. I am currently working on a series titled after well-known boleros.
Growing up surrounded by music, my grandfather is a musician and my memories from childhood are filled with singing at family gatherings. I see my life as a rokola, an old-style jukebox, music always in the background for the highs and lows of life. For the joyous days dancing on the beach as a child with my aunts, great memories filled with laughter, and the darker times when I was diagnosed with cancer and the shock and fear took over me.
Perilous Fight
Born in Japan in 1949, Franne has been immersed in art since childhood. She studied at the Fashion Institute of Technology and later continued her education at Trenton State College, majoring in art with a minor in art history. Art has remained a constant throughout her life—woven into painting, drawing, photography, jewelry making, sewing, cooking, and more. She believes creativity is fundamental to the human experience and that everyone holds the spark of an artist within.
As both a lifelong learner and teacher, Franne shares her passion for exploration through classes and workshops. She has authored and taught three courses—Art from the Heart, What’s on Your Palette? Basic Color Theory for Aspiring Artists and Acrylics Basics. Her teaching style encourages curiosity, playfulness, and a willingness to truly look and see. She has taught at OLLI-RU (Osher Lifelong Learning Institute at Rutgers University), Perkins Center for the Arts, Sacred U, and privately from her home studio. She also hosts a Zoom-based acrylic painting studio and, since 2024, has been teaching at the Franklin Township Youth Center.
Franne’s artwork has been exhibited across New Jersey, Pennsylvania, New York, and online. She has earned First Prize for Pastels and Best in Show at the Somerset County Senior Art Show, as well as First Prize for Acrylics at the New Jersey State Senior Art Show. Recent highlights include the Phenomenal Women exhibition at El Barrio Art Space in New York City, a 2022 solo show at Gonzo Glass in Mount Holly, NJ, and group exhibitions with the Staube Center, the Garden State Watercolor Society, the West Windsor Arts Council, and the Dupree Gallery in Lambertville, NJ. She has also been selected for CAFed’s upcoming women’s exhibition My Art, My Voice, Our Zen at Taller Boricua Gallery in New York City.
Art, for me, is a journey of seeking and synthesis—a bridge between the seen and unseen, a way to express what words cannot through color, form, and movement. My practice is rooted in both observation and intuition, responding to the outer world as well as the shifting inner landscape of thought and emotion. Each piece is as much about the process as the finished work—an invitation to be present, to experiment, and to follow where curiosity and spirit lead.
I am an eclectic artist, moving fluidly between representational and abstract work. I paint predominantly with acrylics, pastels, and watercolor, letting each medium guide the form of expression it best supports. Landscapes—earthly, emotional, and spiritual—are ongoing sources of inspiration. My work reflects a balance of discipline and discovery, where technical exploration meets openness to the unexpected.
Spirituality is deeply woven into my art. The act of painting feels like a quiet conversation with life itself, one in which intuition guides my hand and reflection shapes my vision. Change and transformation are central to both my path and my practice, and this awareness is mirrored in the evolving nature of my work.
My aim is to create art that resonates emotionally with those who encounter it, inviting them to see something of themselves within the work. A piece especially dear to me is Courage, completed just weeks before the pandemic. It’s bold yellow, a new direction for me, radiated strength, vitality, and hope—qualities I came to lean on in the years that followed. What I love most is how differently each viewer experiences it; everyone sees something unique and meaningful. That exchange of vision and emotion is, for me, the true power of art.
Period
Siyi Tang’s work focuses on feminism, self-exploration, and the information crisis. Her work is based on photography, but also uses printmaking, illustration, and other processes. She was born in China and is currently working on her MFA degree in photography in the United States. Her works have been exhibited at the CICA Museum in Korea and she won the second prize in the IPA Student Book in Fine Arts Category.
As a normal physiological phenomenon faced by about 50% of the world’s population, the period has long caused women some problems: the weakness, pain, and vulnerability associated with the period; the lack of sex education; the discrimination and criticism of the period by social customs; etc.
People should know: development, illness, aging… these are the most normal physiological changes. Women, there is no need to be afraid. It is usual for menstrual blood to be of different colors, it is normal for periods to behave differently, and it is normal to be sick. We should get more people to look at the period differently and “talk about it normally,” as most women would like to do.
Periwinkle Perfection
Krista Oremus is an award-winning, internationally acclaimed colored pencil artist whose distinctive vision transforms wildlife, animal portraits, and botanicals into unexpected masterpieces. Fueled by an unwavering commitment to conservation, she creates artwork with a style that’s as bold as it is rare, blending meticulous details and textures. A published artist celebrated worldwide, Krista has turned heads in international galleries and core industry publications. Her colored pencil masterpieces radiate a warmth and joy that sets her apart. Krista’s works, steeped in a profound respect for nature’s hidden marvels, defy convention while honoring the wild, earning her a singular place among today’s most inventive creators.
I am fascinated by the hidden stories of the world, its colors, details, and textures. With every pencil stroke, I aim to capture what we feel, not just what we see. The softness of fur, the gleam of an eye, or the delicate veins of a flower petal create mesmerizing bonds deep within our soul. My works have been recognized internationally, but the true reward for me is when someone connects deeply with my art, seeing something new with each glance. Human emotion, animals, and nature are the heart of my work. My goal is to fuse deep emotional resonance and technical mastery to make each piece not just a drawing but an experience.
Permanent Reflections: Life In Pieces
Born and raised in Columbia City, Indiana, Natalee Wright creates in a small studio on her family’s farm. Art has always been a part of her life, from selling artwork as a young child under the tree in her front yard to her current explorations in art to promote growth, healing, and creativity in others at Artful Transformations. Her early artistic influences were O’Keefe, Dali, and Munch. Natalee’s work is as eclectic as her influences. She enjoys working in many mediums with many subjects in many different styles with the firm belief that each piece should not be limited by a specific movement or medium.
I am an eclectic and intuitive artist on a journey to rediscover and reclaim my self-expression. I came back to art in 2022 in the wake of a series of unforeseen events that reshaped my world and everything in it.
My art speaks to the human experience and all of its eccentricities. My art forges connections to those who have experienced grief, healing, and growth in the wake of struggle and pain. It challenges others to contemplate their own emotions, traumas, and grief. My art encourages people to focus on their resilience, growth, and healing. I am passionate about inspiring others, and through the art I create, I hope viewers will be encouraged to embrace their vulnerability in themselves and find strength through understanding and acceptance.