I Disolve
Chess Brodnick is an American contemporary artist and psychotherapist. His current work focuses on portraiture and painting. A realist portrayal of faces and figures that are a dynamic representation of life. The artist’s psychological images emerge in startling and provocative ways, unfolding profound internal and external emotions onto the canvas.
Chess has not had formal training in the arts, instead has spent years researching techniques and time in front of the mirror, honing the skills needed to create images that resonate.
Realism and abstraction are interwoven in my work, as each is a component of a dynamic representation of life. Come view my paintings and enter into a divergent discovery of yourself.
I Do Not Require Them
Born in Beacon NY, Mark is an artist based in Las Vegas, who is known for his impressionist paintings that capture people, places, and the events in his life. Timeless and tasteful, or modern and messy, images in his life demand to be examined. Mark often uses acrylic paint to create highly textured, three-dimensional works on canvas. A graduate of San Jose State’s art program, Mark’s first influence was his great uncle, Alfred Pizzarelli, an artist from New York City in the 1950s-60s. When admiring his uncle’s wonderful paintings, Mark would daydream about the people he painted, and interpret their expressions and colorful surroundings. Mark’s paintings are meant to burst with energy, life, and texture, beckoning the viewer to engage with the same wonderment he experienced as a child. You can find Mark’s artwork across Las Vegas in restaurants, wineries, and local galleries. When Mark’s not working, he’s spending time with his wife, Alicia, and their English bulldog, Belma.
In my paintings, I find connecting threads throughout the world and infusing humor into everyday scenarios. Sparked by personal experiences and the observation of my surroundings, I seek resonance in our shared thoughts, dreams, and idiosyncrasies, weaving them into the tapestry of my artwork. I use a bright luminous palette to inject humor and color into the dull or show a different side of the expected. If a viewer stops for just a moment to reflect on a piece I have created and feels emotion from the thousands of colors captured on canvas, then I have succeeded in my work.
I Dont Have Time
I began my journey as a photographer the same way many of my peers did: a camera passed down or gifted. It is something not terribly expensive but with good glass and simple operations. Mine was a Yashica-MAT 124G, during one of its final years in production. This was in 1985. It was an oddball relic even at the time since almost everyone else I knew had already become acquainted with 35mm. But I was and continue to be rebellious. I would prefer a larger negative. My rig was heavier, simpler, and so required more patience and thought. It required an artist’s eye, and that’s what I would put to it.
Fast forward. I was in New York pursuing a career in publishing. On my days off I would explore the city with that even boxier device but now with two detachable lenses. I shot mostly black and white then, and the results were awesome.
That camera came with me to Los Angeles, where I would spend the next couple of decades.
My cameras are an extension of me, my inner dialog brought to the fore. I compose when I shoot. We’re constantly moving in a place like Los Angeles, but it is through my constant pursuit of photographic exceptionalism that I’m able to see the details, the story, and the drama of the stillness between stoplights. I’ll always shoot, and most of the pictures are not going to be that good, but the ones that get through will hopefully transcend into a photograph.
I endeavor to see the story when I’m in the moment of capturing an image, trying to transcend its history. And in that moment, I often reflect on whether anyone has stood in the same spot I did and if so, who were they? Did she or he see what I saw? The possibilities are endless. Photography is the quiet observance of the fast-moving world in which human connection has been untwined to the last strand but in that tethering, we see and feel the world upon which we tread. We’re passing through this time; I’m simply a vessel whose strength is observation. I want my world to be beautiful, but I can’t force it. I want those who see my work to slow down and reflect. That’s what photography is to me: Reflections on this passing moment, and somewhere within the casting of that light there is beauty.
I Dream Of Forests
Justin DeMattico (b.1998, United States) earned his M.F.A. at Savannah College of Art and Design earning his degree in painting. He graduated in 2020 with a B.A. in studio art major from Monmouth University. DeMattico also has a background in Digital Filmmaking with screenings in several film festivals including the 41st Annual New Jersey Young Filmmakers for which he won second place for a collaborative piece entitled The American Dream. Currently, he is a professor at Brookdale Community College.
Acceptance is a feeling all humans desire, the want to feel loved and a sense of belonging. Many disciplines and generations of people have explored and fought for just this, accepting those different than yourself, those with different views, and understanding that everyone has a unique perspective.
I am interested in what informs individuals, how a person learns to pass judgment, and what leads people to accept things different from our idea of “normal.”
I focus on human nature through portraiture and the use of symbols. Inner darkness creates tension with a search for sympathy and community.
I create worlds where negative norms from exclusionary constructs don’t apply. My painted worlds have the openness of dreams, feeling familiar but detached from negative realities.
In this world, everyone is accepted and that is portrayed through the symbolism within each piece. These works are an escape for me and for anyone who views them.
People are accepted as they come.
I Feel Her Slip Through My Fingers
Born in Australia in 1975, and now living in California, Sandrine has diligently refined her artistic craft, driven by unwavering passion, tenacity, and a commitment to growth. Working in oils on canvas, she employs layered techniques to imbue her creations with depth and emotional resonance. Each new piece showcases the evolution of her artistic maturity and the potency of her creative voice. Through her relentless dedication, Sandrine consistently pushes the boundaries of artistic expression, crafting pieces resonant with authenticity and emotional depth.
I’m an artist who wields paint as a means to explore the profound complexities of human experience. My canvas mirrors the subtle and intricate dimensions of the inner and outer worlds, portraying the inherent significance of our existence. At the core of my artistic journey lies the theme of genuine strength, emerging from our innermost core. I channel these emotions onto the canvas, with my brush serving as both voice and action, translating experiences into visual poetry. My creative process heightens awareness, allowing me to delve deeply into the human journey. My work weaves the inner and outer worlds into a rich tapestry. Guided by the principle of freedom of mind, I capture the essence of the human spirit through ethereal strokes and gentle hues.
I See You
Amy Twomey is an extraordinary artist whose passion for creativity has taken her on a remarkable journey, with an unwavering determination to pursue her dreams as a painter. Her artwork is an expression of her soul and a reflection of her innate artistic talent.
In 2018, Amy faced a life-changing diagnosis of incurable blood cancer/NMZ lymphoma, propelling her to appreciate the value of time and the significance of living purposefully. She chose to immerse herself in nature, setting challenging goals and exploring new adventures, such as hiking, camping, and discovering the world’s beauty, which inspires her expressive and emotional paintings.
Amy attended The Art Institute of Chicago for one year and holds undergraduate and graduate degrees in fine arts from The University of New Mexico and The University of Wisconsin. These degrees have allowed her to hone her skills and expand her artistic horizons.
Amy Twomey is a mixed-media painter whose art manifests her life experiences, a kaleidoscope of emotions that explodes on canvas in the most captivating way. Her paintings may begin with a sense of direction, but they quickly take on their own life, transforming into something unexpected and truly awe-inspiring. Amy’s art is an extension of her intuition, a state of meditation where she loses herself to the present moment and allows herself to listen, experience, and release her emotions on canvas.
For Amy, painting is a spiritual experience, a moment when nothing else matters, and she can drift off to a beautiful and curious world, leaving behind all the worries of the world. Looking closely, you will find repetitive symbols in all her work, such as tally marks, the number 5, birds, and crowns, representing her family and her life journey.
Amy believes that art is a necessity for everyone. It connects us with our emotions, evokes feelings we don’t usually experience and offers empathy, relatability, and deep thinking. Art has become a part of her story, and she hopes to leave as much art as possible for others to enjoy and pass down to future generations.
Amy lives in Dallas, Texas, with her loving husband, Matt, and the last of their three children at home, who will graduate in 2025. They have a pile of pets and love exploring nature through camping, hiking, and traveling outside the city. They dream of settling in the desert on land with a simple home and an art studio where Amy can host creative healing retreats and paint.
Despite living with an incurable form of lymphoma since 2018, Amy has maintained her health through diet, staying active, getting enough sleep, having a fantastic community of friends, and, most importantly, doing what she loves – creating art.
“When you live in your zone of genius, everything seems to work out. Life is short, so do what you love.”
I Want To Break Free
Caroline Loftus is a visual artist based in northern Vermont. Originally from Connecticut, Caroline first traveled to Vermont in early 2016 to begin her undergraduate studies at Northern Vermont University, graduating in 2021 with a Bachelor of Fine Arts. Continuing her education, Caroline graduated in May of 2024 with her Master of Fine Arts from Vermont State University – Johnson.
Her primary artistic medium is Lumen photography, also known as the solar photogram. This camera-less non-traditional process visualizes a unique interpretation of the photographic image. Caroline focuses on flora and fauna, investigating the unique lifecycles of the natural world. Each image she creates is directly manipulated by nature: gathering plants, composing them on paper, and then developing the image under the sun.
The sun is my enlarger, and plants are my muse.
My creative process heavily involves gathering inspiration from my surrounding natural environment. Silver gelatin photographic paper is my canvas on which objects are placed, and an unrepeatable image is exposed under the sun.
Working in a cameraless photographic process is full of unknowns. With lumens, what normally is controlled through aperture, exposure, and chemistry, is unpredictable.
The process of creating each lumen is meditative. I focus on my hands; how they feel, what they look like, the way they move. What I feel and think determines my creative freedom. I am not my body, and neither are you.
Living in disconnect from our senses isolates us from the flesh. When collecting materials, I walk in silence. I allow the Earth to connect to my mind and my body. Energy reaches through the soil, grasping my feet like roots. I breathe, and I truly feel alive.
I yearn for a connection between my body and the natural world; to transcend beyond the physical. I am fearful of a life detached from nature.
Every day I challenge myself to think innovatively about the work I create. I push through the boundaries of photographic paper, using anything containing pigment; from Hawaiian Punch to Chaga, and most recently, RIT Dye. The addition of these pigments permanently stains the photographic paper, preserving the colors that were once lost to the light-safe chemistry.
Focusing on the process instead of the outcome is liberating. I am grateful for each quiet moment I am allowed a deeper breath, where time slows, and I connect with myself on a level far greater than physical. In each of these moments, I spend time observing my natural surroundings, picking plants most would discard or leave unnoticed. I want to thank the earth through my work; creating an image manipulated uniquely by nature.
I Was Just Like You Anna
Ashlyn Murphey is an editorial and documentary lifestyle photographer based in the Ann Arbor and Detroit area. She grew up and lives in southeast Michigan. She is a graduate of Washtenaw Community College (AS | Photographic Technology, 2021) and the College for Creative Studies (BFA | Photography, 2025). Ashlyn is the recipient of a gold medal in the SkillsUSA state photography competition in Michigan and a bronze medal in the national photography competition.
Ashlyn’s artistic work explores familial relationships, femininity, and nature. In 2023, Ashlyn created her book I was Just Like You, and continues to create work to be published in the documentary style. Ashlyn photographs digitally and analogously and works in mixed media.
Exhibitions
Art Fluent | /ˈabˌstrak(t)/ (May, 2024)
Nova 24 Photo and Film Festival | DrinksxDesign (May, 2024)
Subjectively, Objective | The Language of Landscape & Place (February, 2025)
Center Galleries | In Spite Of (March, 2025)
The Se Center for Photography | College 25′ (April, 2025)
Office Space Gallery | Mirage (July, 2025)
Photography has allowed me to capture the world as I see it, carefully constructing an image to convey my emotions, thoughts, and point of view with others, creating a visual communication between myself, the subject, and the viewer. I photograph digitally and analogously and work in the mixed media form of collage. When I photograph, my goal is connection, whether that be with the viewer, my subject, or myself. I explore the themes of familial relationships, femininity, and nature.
I Will Follow You To The Ends Of The Earth
Sharon Covert is a conceptual self-portrait artist and photography teacher/mentor. She teaches photographers to explore and process their emotions and life experiences through self-portraiture and self-expression. Sharon’s goal is for artists to have a creative healing outlet and voice through art and self-exploration. She creates art inspired by fairy tales, mythology, the tarot, nature, and all things in the magical realm. You will find hints of these elements threaded throughout her artwork. Through her conceptual artistry, Sharon guides us on an introspective journey where we encounter the profound and the enigmatic, ultimately discovering that within the shadows lie the sparks of magic and transformation.
Sharon Covert invites viewers to step into the enchanting realms of her imagination, like pages torn from dark fairy tales of distant worlds and times. Sharon shares her deepest thoughts and secrets in her evocative self-portraits, weaving a tapestry of emotions that transcends the ordinary. Anonymously portraying herself, she explores the power of art as a healing force. Fueled by a profound fascination with fairytales, myths, folklore, nature, and the mystical, Sharon’s self-portraiture combines elements of anonymity, symbolism, surrealism, and otherworldly qualities. Her work beckons the viewer to delve into the hidden beauty found within the darkness, provoking a visceral response that lingers long after the gaze has shifted.